Reviews
Jasper Rees
The problem with Fleabag (BBC Three/BBC One) is that it makes almost all television look pedestrian. It’s like the difference between Fleabag’s scummily inadequate boyfriends and the unattainable perfection embodied by the cool sweary priest. Earth vs heaven. Water/wine. And now it is gone.Having delivered a raging aria about the cruelty of love, the sinning father fled back to the triumphant embrace of the Almighty, pursued by a cunning fox. Having declared her own simple truth about love Fleabag, clutching a re-stolen effigy of her mother’s fecund body, set off in the other direction, her Read more ...
aleks.sierz
Theatre can give a voice to the voiceless – but at what cost? Abhishek Majumdar, who debuted at the Royal Court in 2013 with The Djinns of Eidgah – about the situation in Kashmir – returns with his latest play, Pah-La. Just as his debut was controversial, his new one is likewise politically sensitive. It is about Chinese oppression in Tibet, and its staging has been delayed for more than year due, says the playwright, to pressure from the Chinese authorities. Not only that, but the production process has been overshadowed by unhappiness about cultural appropriation since not a single Tibetan Read more ...
Markie Robson-Scott
The Williams brothers (The Missing, Liar, Rellik, Baptiste) are back. In The Widow, the writer-producer team of Jack and Harry move on to Wales, Rotterdam and corruption in the Democratic Republic of the Congo, but the recipe is wearyingly familiar: a bag full of evil money, a missing person, foreign languages that some characters can’t speak, and people who say ponderous things like, “They say hope is to see the light in spite of all the darkness” and “We can never hide who we are." There’s a fine cast, it’s stylish and colour-saturated, but in the first two episodes at least, there’s Read more ...
Gavin Dixon
At Wigmore Hall the JACK Quartet presented the complete Elliott Carter string quartets in a single day – an astonishing feat given the scale and complexity of the music. One of Carter’s many achievements here is the self-sufficiency of each of his five quartets, the subtle issues of concept and form that each poses always comprehensively addressed. But the five quartets also work as a cycle, for the similar approaches the composer takes. The JACK Quartet crafted two satisfying programmes from the five works, presenting the Fifth and First in a lunchtime recital, and then in the evening Read more ...
Rachel Halliburton
A loo with fuschia-pink carpet to catch splashback; an Archbishop of Canterbury who’s in it for the skirts; a gobbing Dorothy from The Wizard of Oz. A Jacobean theatre like the Sam Wanamaker Playhouse will have witnessed most extremes of human behaviour, but this soaringly irreverent, camper than tinsel, and – let’s face it - outrageously Eighties evening, takes it down alleys it’s never ventured before.It starts with a literal bang: heavenly music from above, a bit of a shriek, darkness, and then a man lying prone on the stage. The next thing we know, the Archbishop of Canterbury is Read more ...
Miranda Heggie
For the final, and only UK, date of his Vinci Arias tour, virtuoso countertenor Franco Fagioli gave an animated and arresting recital of baroque arias at Birmingham Town Hall on Sunday afternoon with the Italian period instrument group Il pomo d’oro. The programme’s premise was to shine a light not only on the music of one of today’s best-known baroque composers - Handel - but also some of his contemporaries, examining how the composers’ relationships and rivalries with one another inspired and affected each their writing. Directed from the violin by concertmaster Zefira Valova, Il Pomo Read more ...
Katherine Waters
Early every evening, Miss Baixiu comes to sit in an isolated café. She is the daughter of Luo Yiming, the respected employee of a successful commercial bank in charge of loans throughout central Taiwan. As a rich man, an aesthete and a philanthropist he enjoys status, power, acclaim. Since leaving his job, the owner of the café, our unnamed narrator, has consciously sought to reduce his life to the smallest confines. He sleeps in a purpose-built mezzanine inside the shop and is lucky to sell two cups of coffee a day. The location of the café was dictated as the being the best spot to wait for Read more ...
Kieron Tyler
It begins with The Stone Roses’ “Don’t Stop”, the fourth track from their 1989 debut long player. A backwards though thoroughly remixed version of “Waterfall”, the album’s preceding track, it enthusiastically pushes the button labelled “psychedelic”.It ends with “T.V. Cabbage” by Gaye Bykers on Acid, originally issued as the B-side of their 1986 debut single. Here, it appears in that version rather than the re-recorded take released on their debut album. Mashing-up late Sixties biker rock, Hendrix, Sonic Youth and first album Stooges, it’s less elegant than “Waterfall” but as an aural bad Read more ...
Jenny Gilbert
She does indeed persist, that remarkable Tamara Rojo. Dismayed by the fact that, in 20 years as a dancer, she had never performed a ballet made by a woman, she mounted a triple bill called She Said, featuring only work by and about women. That 2016 conversation is resumed in English National Ballet’s current spring showing at Sadler’s Wells which revives the best of those commissions – Broken Wings, a phantasmagorical tour through the life of the artist Frida Kahlo – along with a sell-out hit from two years ago, the Pina Bausch version of The Rite of Spring. There’s a new work too, a dance Read more ...
Katherine Waters
Mary Quant first made her name in 1955 with the wildly fashionable King’s Road boutique Bazaar. Initially selling a “bouillabaisse” of stock it was not until a pair of pyjamas she made was bought by an American who said he’d copy and mass produce them that Quant began dedicating herself to her own designs. Fittingly then, the V&A’s exhibition is not so much about the clothes as the attitude – commerce topped Quant’s priorities, fashion was the means.The roughly chronological exhibition is spread over two floors. While the lower level deals with the early, post-war years when Quant’s Read more ...
Adam Sweeting
The wilds of Maine have been favourite country for novelist Stephen King, and they form the setting for this new version of his 1983 supernatural thriller (previously filmed in 1989). Dr Louis Creed (Jason Clarke) moves his wife and two kids from big-city Boston and his stressful job as an ER medic to a rambling house in Ludlow, looking for more family time and a better quality of life. Dream on, doc.It all looks promising as the Creeds drive through winding, leafy lanes and admire the sprawling 50 acres surrounding their new abode. There’s a sudden menacing note, though, as the rural peace Read more ...
Bernard Hughes
The vocal octet Voces8, approaching its 15th anniversary, is a purring musical machine: vocally top-notch, precisely and exhaustively rehearsed, imaginative in repertoire and equally at home in Monteverdi and Duke Ellington. And if the classical items grabbed me more than the kitsch swing numbers they ended with, there is no denying the whole concert was put together with panache and musical excellence.Voces8 perform more than 100 shows a year together and their sheer familiarity with each other shines through. They are very tight – even their bowing is perfectly synchronised. The spoken Read more ...