Reviews
Thomas H. Green
If this review had a subtitle, it would be “Rave in the Mausoleum”. Jean-Michel Jarre threw everything he had at the crowd – state of the art lightshow, earthquake-level bass, eardrum-shattering decibels, remixed greatest hits, thumping kick-drums, retina-frazzling lazers and more – but the audience remained politely, firmly seated. The best anyone could muster was head-nodding, muted cheers and sporadic “Radio Gaga”-style overhead handclaps (which look weird when the clapper is sitting down).It made the whole experience frustrating and rather flat. The venue being seated was a factor, but Read more ...
David Nice
His transformational Brahms series with the Scottish Chamber Orchestra may have been truncated by slipped disc troubles - he was much missed at Glyndebourne too - but Robin Ticciati is back with renewed energy and purpose. To judge from the brilliant but focused party they seemed to be having with Mozart's "Jupiter" Symphony last night, the players are as overjoyed as he is.There was much to celebrate just in the evening alone: the last symphony came as the cathartic third act of an opera for orchestra which had led us from the majestic 39th into the woods of the radical 40th and out into the Read more ...
Matthew Wright
Now back for a twelfth series, The Apprentice has recently burnished its reputation as a career launchpad. Not, of course, for the poor contestants, gurning and strutting their way to the judgement end of Lord Sugar’s finger, but for the pointy one himself. A certain D Trump, who presided over the American version, now has much grander ideas for his presiding. As yet, Lord Sugar shows no sign of leaving the programme’s would-be Philip Green-a-likes to hunt down Jeremy Corbyn, cowering in the rhubarb patch. But on the strength of this first episode, Sugar is as authoritative as ever, so Read more ...
Marianka Swain
Ye olde love triangle returns, this time as the centrepiece of a rock chamber musical that premiered Off-Broadway in 2013 and now makes its UK premiere. There’s a good guy, a bad boy, and the promise of a violent end, but despite the oft-referenced roiling passions – and a storming quartet of performances – Sam Yates’s staging feels too cool and clinical for its purportedly hot-blooded subject.While the original American production dragged a reluctantly complicit audience into the grungy downtown New York bar where reformed party girl Sara – now with a husband and child on the Upper West Side Read more ...
Adam Sweeting
Having been to Hollywood hell and back, Mel Gibson is perfectly placed to play the battered big daddy par excellence. Here he is, in the person of John Link, ex-jailbird on parole, recovering alcoholic and former outlaw biker, now eking out a living as a tattooist on a trailer park in the California desert. Weatherbeaten and bearded like an escapee from a jungle PoW camp, Link looks like a man a coin-toss away from extinction.In his downbeat isolation, Link enjoys a little light relief by bantering bad-temperedly with his trailer-neighbour and AA sponsor Kirby (William H Macy, pictured below Read more ...
Florence Hallett
There’s something familiar about those dark, piercing eyes, but the impenetrable, mask-like countenance of Picasso’s Self-Portrait with Palette, 1906, is ultimately unknowable. In fact, the painting serves as something of a rebuke: we think we know Picasso so well, but we don’t. It’s a theme emphasised by the hang of this exhibition, and the bewildering range of styles and formats from Picasso’s early years results in a visual discord that underlines his chameleon-like tendencies.There are tiny, pen and ink portraits of his cronies at Els Quatre Gats, the legendary watering hole of Barcelona’ Read more ...
Markie Robson-Scott
Can Louis Theroux bring anything new to the Scientology party? If you’ve seen Going Clear, Alex Gibney’s detailed documentary based on Lawrence Wright’s book, or watched Tom Cruise acting weird on YouTube, you already know that the Church’s great secrets are not so secret any more. We’ve heard about the aliens and the galaxies, the E-meters and the Operating Thetans, the elite Sea Org and the hellish conditions in the Hole.No Scientology members are going to open up to Theroux, however charmingly open-minded he may be, and he doesn’t want to do another Going Clear, with disillusioned ex- Read more ...
Jasper Rees
We’re all comfortable with the concept of actors presenting documentaries about endangered species. A famous name helps to bring an issue into the light. It was slightly different with A World Without Down’s Syndrome? Sally Phillips, the much-loved comic actress who plays sidekicks to Bridget Jones and Miranda Hart, has a son with Down’s Syndrome. Olly, as the opening sequence amply revealed, is a delightful boy at the heart of a loving family. “I was expecting tragedy," explained Phillips, "but I got comedy.”And yet people like Olly may be on the way out. This carefully researched, Read more ...
David Kettle
Fleeing rape and forced marriage in their war-torn homeland, a boatload of women refugees washes up in Greece, where they beg asylum from the suspicious locals. No, not a depressingly familiar news story of our own times, but the basis of Aeschylus’s 2,500-year-old drama The Suppliant Women – an ancient work whose unmistakable contemporary resonances David Greig brings unashamedly to the fore in his brand new adaptation.His first production at Edinburgh’s Lyceum Theatre since taking the reins as its artistic director this season, The Suppliant Women also marks Greig’s second collaboration Read more ...
Hanna Weibye
Australian Ballet's cinema broadcast on Tuesday night appears to have been a little under-publicised – at least in my local multiplex, which was deafeningly empty with just five spectators. I suspect a combination of circumstances to be at work: the lower international profile of Australian Ballet relative to others who do cinema screenings, like the Royal Ballet or the Bolshoi; the multiplex location, where the culture on screen market is less developed than at arts cinemas which show plays/ballets/operas/exhibitions much more often; and perhaps also the fact that the Sleeping Beauty Read more ...
aleks.sierz
Is this the most dazzling play of a dazzling playwright? First staged in 1974, Travesties is the one which manages to squeeze avant-garde novelist James Joyce, Dada godfather Tristan Tzara and communist revolutionary Lenin into a story which resembles a riotous party, where Wildean pastiche, political history, debate about art, unreliable memory and song-and-dance routines stay up half the night, and howl gloriously at the moon. This revival stars the ubiquitous Tom Hollander, taking a break from Rev and making up for being cruelly miscast in The Night Manager, and is directed by playwright Read more ...
Tim Cumming
Four headliners, one bill – Sam Lee, Debashish Bhattacharya, Songhoy Blues and Mariza: it was an impressive line-up at the Barbican for a Monday as the world and folk music magazine Songlines hosts its annual awards bash. Now, these are readers’ awards, with nary an expert in sight when it comes to choosing the winners. As such, we are talking the same kind of democracy that Corbynistas go on about, and in the year when the cogs of Hard Brexit (sounds like a porn category) started turning, one wonders how the cultural/political frame around what we call world music will change as England Read more ...