Reviews
David Nice
Russia isn’t the only country where violations of personal freedoms and censorship seem to be mounting by the day, but it’s surely the most confused: ask any of the persecutors what they hope to achieve, and you won’t get a convincing answer. Moral topsy-turvyness and unforeseen consequences are very much at the heart of what Cheek by Jowl’s director Declan Donnellan, its designer Nick Ormerod and their Russian actors seem to be aiming for, whether with intentional links to the host country or not it’s impossible to say, in a relentless but also unpredictable take on one of Shakespeare’s Read more ...
Adam Sweeting
"There is no murder in paradise" is the official line of the authorities in 1950s Russia, but nevertheless Child 44 is the blood-drenched tale of a hunt for a mass-murdering paedophile in Stalin's deathly shadow. The source novel was the first in Tom Rob Smith's trilogy about Russia during and after the Great Dictator, and Smith based it on the real-life killer Andrei Chikatilo, the "Rostov Ripper".Director Daniel Espinosa has done a powerful job of rendering the misery and horror of the USSR in the early 1950s, where your best friend or the work-mate at the next desk may be an informer for Read more ...
Simon Munk
I've got blood in my eyes… no, hang on a second, it's OK, it's not blood – it's brains and a bit of severed spinal column! Mortal Kombat X is one of the most gleefully violent and bloody videogames ever.It may not technically offer the best in fast-paced tactical combat (or kombat even). Nor does it feature the best visuals. And it certainly doesn't offer a smooth learning curve for novices. But for sheer bloodlust, Mortal Kombat X sticks true to the series' roots and carves itself a niche, with a serrated military knife, in the body of classic fighting games.The Mortal Kombat series has long Read more ...
David Nice
Vaudeville is alive and well in the silvered Lilliputian cave which might have been made for it (not that Victorian Savoyards could have had any inkling). If you find yourself, like last night’s showbiz audience, beguiled to cheering point by the shreds-and-patches routines put together by the ultimate theatrical whirlwind, Mamma Rose, that’s because everything in this London transfer from the Chichester Festival Theatre, parody included, is solid gold. Heck, I’d even have paid to hear the first trumpet in the fabulous wind-and-brass orchestra tune up.Then, of course, there’s Imelda Staunton Read more ...
Hanna Weibye
Retrospectives are difficult in dance, and for Pina Bausch's brand of Tanztheater, even more difficult. A great deal of her oeuvre's impact derives from the special atmosphere of her Wuppertal company, whose dancers were devoted to her and to each other, in many cases staying for their whole careers. After Bausch died in 2009, the first thought was that the company would have to wind down too, but after the great, supposedly final, tour of 2012, minds changed and now Tanztheater Wuppertal is back at Sadler's for the third time in as many years, this time with two pieces never before performed Read more ...
fisun.guner
Put your hand up if you were in the audience last night, or indeed on any of the nights of this ambitious On Stage Together tour, and came only to see one man, and that man was Paul Simon. I’m sure you won’t need much nudging. After all, after almost six decades in the business, Simon’s star may have dipped – and endured the political controversy of the Graceland years – but has never faded. Sting’s meanwhile, certainly has. It seems that breaking a UN cultural boycott is less of a crime than being the butt of tantric sex jokes.But Simon doesn’t need to be cool to be loved. He’s got the songs Read more ...
Adam Sweeting
Who says satire is dead? After this, I would imagine just about everybody. According to Jon Culshaw, one of the prime movers in ITV's new puppet-CGI farrago Newzoids [*], this isn't just Spitting Image revisited because "the puppets have got more of a spikiness, more of an edgy exaggeration to them." You think? One other difference he forgot to mention was that Spitting Image was often really rather good.Where did it all go wrong? Of course, Spitting Image profited hugely from being the product of the Thatcher era, when the political battle lines were starkly drawn and the Read more ...
Jenny Gilbert
You might think you know what you’re in for with a play by Anders Lustgarten, winner of the inaugural Harold Pinter Playwright’s Award and current go-to political activist for the Royal Court and the National. Listed alongside the plays on his CV is the boast that he’s been “arrested in four continents”.But if Lampedusa was merely an angry rant, you’d switch off before it had run its course, short as it is at 65 minutes. It’s hard enough being eyeballed by the two actors, each of whom starts out sitting inconspicuously among the audience on benches in the round, and subsequently monologues us Read more ...
ellin.stein
We’ve waited 33 years since Peter Greenway’s The Draughtsman’s Contract for another film combining romance, intrigue and 17th century landscape gardening. Now we have one, and it couldn’t be more different.Where The Draughtsman’s Contract was an arch intellectual puzzle and social satire, A Little Chaos, Alan Rickman’s second directorial outing, is a more conventional costume drama, charting the slowly blossoming attraction between two emotionally bruised landscape gardeners.iLke many films with an actor in the director’s chair, it punches above its weight in terms of its cast and, with one Read more ...
mark.kidel
Andrew Hilton’s immensely enjoyable Shakespeare at the Tobacco Factory production of the Sheridan classic opens with a display of hilarious brio from Byron Mondahl, who steps into the intimate arena of this South Bristol venue, only half in character as he has yet to don his powdered wig, to deliver a quick fire introduction on the joys of gossip. He is wearing salmon pink brocade and breeches and suddenly whips out a red mobile to catch up with the latest tweets, shooting a selfie of himself in front of the audience. This stunning and energising piece of anachronistic warm-up sets the Read more ...
Marianka Swain
Hollywood has never met a cliché it didn’t love; unfortunately, neither has Dylan Costello. His peek behind the curtain of Tinseltown’s Golden Age employs every stock type imaginable, from the boorish, chain-smoking manager to a pill-popping Marilyn-lite. It’s a play with admirable aims, but desperately in need of a good script doctor.Playing the part of fresh-off-the-bus ingénue is British thesp Patrick Glass (David R. Butler), getting his big break in 1949 when – you guessed it – the movie’s lead actor is forced to withdraw. Not the victim of All About Eve scheming or a good shove down the Read more ...
Hanna Weibye
Diana Vishneva's last solo show was called Beauty in Motion, a pretty safe bet under the Trade Descriptions Act, since the Mariinsky prima ballerina and ABT guest star is unfailingly, remarkably beautiful. The new one, which came to the Coliseum last night 18 months after its première in California, rejoices in the much more ambiguous title of On the Edge. On the edge of what? Nervous breakdown? Retirement? Being less than beautiful? Having seen the show, I'm no more enlightened. Switch, by Jean-Christophe Maillot, Director of Les Ballets de Monte Carlo, is an odd beast, a psychological Read more ...