1970s
Kieron Tyler
Last week in central London, the Covent Garden branch of the book and music chain Fopp was selling CD sets branded as “5 Classic Albums” and “Original Album Series”. Each collected five CDs of the same number of albums. Amongst what could be picked up were collections by Kevin Ayers, Fairport Convention, Steve Hackett and Man. The asking price for each was £10. There were no bonus tracks and each set didn’t include a booklet. Nonetheless, this is a very keen price.But it’s hard not to have mixed feelings about what’s represented. Have major labels have thrown their hands up and decided that Read more ...
Owen Richards
The Shock of the Future is for anyone who's watched a music biopic and thought "that's not how it works!" Directed and co-written by Marc Collin of Nouvelle Vague fame, it's perhaps the most realisitic film about recording music ever made. But as anyone who's ever been in the studio will tell you, the legends are much more exciting than the reality.Alma Jodorwsky plays Ana, an aspiring synth wave sensation. She spends her day (which takes up the entire length of the film) in a friend's flat that she's sitting, along with his huge collection of synthesisers, keyboards and recording equipment. Read more ...
mark.kidel
Over two days in 1972, the great Aretha Franklin, undoubtedly one of the greatest American voices of the 20th century, performed and recorded gospel classics in Los Angeles, with a predominantly African-American audience, the red-hot Los Angeles Community Gospel Choir and the support of Rev James Cleveland. She was generally known for her soul classics, including “Say a Little Prayer”, “Think”, “Respect”, “I Never Loved a Man”, “Natural Woman” and many others, but she had grown up in the church under the tutelage of her father the Rev CL Franklin, one of Detroit’s most fiery preachers.Warners Read more ...
Tom Birchenough
London’s latest theatre opening brings a stirring revival of Harvey Fierstein’s vital gay drama, which premiered as Torch Song Trilogy in New York at the beginning of the 1980s, the playwright himself unforgettable in the lead, before it opened in London in 1985 with Antony Sher. Fierstein revised the piece two years ago for a new production that itself returned to Broadway – to the same theatre, in fact, where it had played for three years on its first appearance, garnering Fierstein Tony Awards in 1983 for Best New Play and Best Actor – retuning the title and taking it down from a Read more ...
Kieron Tyler
Original UK pressings of Slade’s Seventies mega-hit singles like “Coz I Luv You”, “Everyday”, “Gudbuy T’Jane” and “Mama Weer all Crazee Now” sell for between £1 and £5 if they’re in decent shape. If a copy is needed to listen to, there’s little need to fork out more than £2. On seven-inch, the real Slade rarities are their pre-hit singles and what they issued earlier as Ambrose Slade and The 'N Betweens.Slade, though, weren’t all about the UK. They were, for example, popular in the Netherlands where “Coz I Luv You”, “Everyday”, “Gudbuy T’Jane”, “Merry X-mas Everybody” and “Take me Bak ’Ome” Read more ...
Marianka Swain
William Finn and James Lapine’s musical – which combines two linked one-acts, March of the Falsettos and Falsettoland, set in late 1970s/early 1980s New York – picked up Tony Awards in 1992 for its book and score, and was nominated again in 2016 for an acclaimed revival. Yet the UK hasn’t sighted this landmark piece until now, with Tara Overfield-Wilkinson directing and choreographing an engaging if somewhat chaotic production.Daniel Boys plays Marvin, who recently left wife Trina (Laura Pitt-Pulford) for lover Whizzer (Oliver Savile, pictured below) – while maintaining close ties for Read more ...
Thomas H. Green
It’s half a century since Iggy shrieked that it was “No Fun”, that it was “1969, OK”, that he wanted to be your dog. His original Stooges and his storied cohorts David Bowie and Lou Reed are all no longer with us. The Ig is the last man standing and he knows it. 72 years old, he’s the lizard-punk shaman figurehead who, off-stage, is a considered literate gent, the radio presenter with the velvet croak. His new album acknowledges that he’s now an old dude. It does so with elegiac poetry, cheeky humour and unforced gravitas.While Pop’s last album, Post Pop Depression, was a sonic tribute to his Read more ...
Thomas H. Green
When Johnny Cash and Rick Rubin released the former’s stripped back, soul-bearing American Recordings in 1994 the impact was massive. Not only did it show a way that country music could cross over to a much wider audience, the alt-rock crowd, for want of a better term, it also demonstrated a “pop musician” could reach a career peak at retirement age. Tanya Tucker had her first big hit at 13. She’s already had a longer career than Cash when he released American Recordings and While I’m Livin’, her first album in 17 years, very much succeeds as a similar kind of statement work.Tucker was one of Read more ...
Kieron Tyler
Diamond Head was Roxy Music guitarist Phil Manzanera’s first solo album. Released in May 1975 and recorded the previous December and January during a lull in his parent band’s activities, it hit shops between Roxy’s Country Life and Siren albums. Singer Bryan Ferry had done a short solo tour in December 1974 which culminated with a show at The Royal Albert Hall where he was backed by an orchestra. Manzanera took a different tack.Playing alongside him on Diamond Head were Eddie Jobson, Andy Mackay, Paul Thompson and John Wetton – sans Ferry, Manzanera assembled the whole of the then-current Read more ...
Kieron Tyler
The core paradox with powerpop is that most of those who sought to create the perfect guitar driven, hook-laden pop song failed to score hits. Come On Let's Go! – Power Pop Gems From the 70s & 80s is stuffed with the classy and memorable, but under a third of its 24 participants had any sort of chart profile. And, for 20/20 and Wire Train, it was fleeting and ultimately inconspicuous.Focussing on America, Come On Let's Go! covers the period 1972 to 1987 with one outlier from 1995 (The Rooks’ archly titled “Glitter Best”). The earliest track is The Raspberries’ hit “I Wanna be With You”. Read more ...
Graham Fuller
Don’t Look Now is beautiful in its dankness – an eldritch psychological thriller that follows a grieving father’s stream-of-consciousness as it flows into deadly waters. Time Out 's critics have been magnanimous in twice voting Nicolas Roeg's 1973 film Britain's greatest, but it sustains its power as a modernist conundrum. Spiffed up in 4K and Ultra HD for the four-disc set, it's one of 2019's homevideo treats.Allan Scott and Chris Bryant adapted the screenplay from a short story published as part of a Daphne du Maurier collection in 1971. Wearing a shiny red plastic mac, Christine, the Read more ...
Tom Baily
Cindy Sherman predicted the selfie, so goes the claim. From our current standpoint, it is all too easy to analyse her many hundreds of photographic self-portraits made since the late 1970s as cultural forebears of the digital medium. What this BBC Arena film opens up, alongside that bold claim, is a question about the mystery of Sherman as a person: who is she and why has she done what she’s done? Always reclusive, refusing public appearances, and elusive about her work, Sherman seems to have designed the enigmatic tone with which she is publicly discussed. Here, a small but rewarding effort Read more ...