Broadway
edward.seckerson
Everything about this little-known and largely forgotten show suggests epic, starting with the title: multiple locations, ambitious concept, big ideas. But like so much of Jerry Herman's work - and the received wisdom on it is invariably wide of the mark - The Grand Tour is a chamber piece at heart. Adapted from the Franz Werfel play Jacobowsky and the Colonel, the show focuses on a  Polish Jew, Jacobowsky, and an anti-Semitic Polish Colonel, Stjerbinsky, who are thrown together in a desperate flight across France from the fast-advancing Nazi tsunami.Their eventual bonding - brought Read more ...
ellin.stein
Directed by Alejandro González Iñárritu,Birdman is the story of a fading star’s search for professional rehabilitation and personal redemption that perches adroitly between dark humour and darker despair and injects a familiar story of mid-life crisis with fresh vitality and emotion thanks to vivid flights of an intensely cinematic fancy.Michael Keaton, a leading man in light comedies before rising to the big leagues by playing Batman in the Tim Burton original and first sequel, has been cast for maximum meta-value as Riggan Thomson, an actor who found fame by playing Birdman, the superhero Read more ...
David Nice
“It takes a star to parody one,” wrote theartsdesk’s Edward Seckerson, nailing the essence of this immortal spoof-fest’s last incarnation at the Menier Chocolate Factory. Star quality was assured given the presence of Damian Humbley, peerless in Merrily We Roll Along and even the unjustly short-lived Lend Me a Tenor, who’s in this transfer. Sophie-Louise Dann, a genius of a performer who dazzled as a prima donna in that last and even stole the show as a minor lovesick aesthete in a Proms Patience, isn’t – she’s busy preparing her Barbara Castle in Made in Dagenham just down the Strand, though Read more ...
David Nice
It's odd that Jerry Herman merits only a passing mention in Stephen Sondheim's two-volume autobiographical take on Broadway words and music, Finishing the Hat and Look, I Made a Hat. In a couple of subjects Herman chose no less daringly than the master. Yet while La Cage aux Folles is now so entrenched that we forget its original boldness in asserting a loving gay relationship, Dear World's eccentric mix of eco-plea and nostalgia has yet to be established as a bittersweet chamber piece.Where it only took Sondheim's Merrily We Roll Along 11 years to progress from flop to classic, Dear Read more ...
Jasper Rees
In 1972 John Kander and Fred Ebb were invited by Bob Fosse to a private screening of his film version of their hit stage musical, Cabaret. The movie starred their protégée, Liza Minnelli, who at only 19 had won her first Tony in Kander and Ebb’s first show, Flora the Red Menace, and for whom they would go on to write “New York, New York”. “Liza was our girl, and we cared very deeply about her. We sat there afterwards and didn’t know what to say to these people whom we liked so much. Because we just hated it.”It’s not impossible to see why. When it eventually came in 2002, the movie adaptation Read more ...
Matt Wolf
Rob Ashford occupies a unique perch in the Anglo-American theatre. Florida-born, raised in West Virginia and a product of Broadway, where he began as a dancer in shows including Parade, Victor/Victoria and the celebrated Lincoln Center revival of Anything Goes, he some while back crossed to the other side of the footlights to build a career as a director/choreographer that has spanned the Atlantic.It was Ashford who put Daniel Radcliffe through his fledgling musical theatre paces two seasons ago in the Broadway revival of How To Succeed in Business Without Really Trying, and he is currently Read more ...
Matt Wolf
Who says you can't go home again? American actor-singer Anthony Rapp does that, and then some, with his solo show Without You, in which one of the original leads of the Broadway musical Rent relives the passions and pain of an extraordinary time. Quite how the 80-minute piece will register with non-Rentheads (as the show's fans remain known) must be up for grabs.Its narrative is inextricably linked to a city, New York, where the late Jonathan Larson's rock musical became a sensation that registered well beyond arts pages. On the other hand, if the response of the opening night crowd Read more ...
Jasper Rees
Marvin Hamlisch’s three Oscars all came in 1974. "I think now we can talk to each other as friends," he said as he accepted his third award of the night. He composed the winning song "The Way We Were" (and the film's score) for Barbara Streisand, having started out on Broadway as rehearsal pianist in Funny Girl. A wizened sage warned Hamlisch that it didn't do to win so much so young, but he paid no notice and a year later went and wrote the music for A Chorus Line, his Broadway debut. When the inevitable Tony followed, Hamlisch had achieved every target he'd set for himself by the age of 31. Read more ...
Matt Wolf
James Corden (One Man, Two Guvnors) made it past the finish line, Tracie Bennett (End of the Rainbow) did not, and the art-house musical Once trumped Disney’s latest Broadway entry, Newsies, at the 66th annual Tony Awards in New York last night. The ceremony, honoring the best of the Broadway season just gone, was available in real time to nocturnally minded London theatre folk, who could watch the CBS gala streamed live on the web.So it was round 3.30 am in Britain when this country’s best hope for a 2012 Tony emerged victorious, Corden nabbing the top prize that had eluded him at the UK’s Read more ...
philip radcliffe
The cultural triumvirate of the Hallé Orchestra, the Royal Exchange Theatre and The Lowry have joined forces for this new production of the 1953 hit musical Wonderful Town. Leonard Bernstein would surely have been a happy man to hear his score, dashed off in a mere five weeks at short notice, played by the 65-strong Hallé Orchestra conducted by Sir Mark Elder, who has been nursing the ambition to do the show here since he saw the 2004 Broadway production.  Fisher has pizzazz and a gift for comedyOn The Town or West Side Story, written either side of it, it is not, but the rich score has Read more ...
Ismene Brown
When a young Charles Dickens visited New York in 1842 with his wife, he strolled down Broadway, happened upon an unusual dance and naturally checked out theatreland. As his bicentenary is celebrated, here, from his journal, American Notes For General Circulation, are some of his observations on the arts and culture of this foreign city, intervals of refreshment between the widespread social ills that he was principally reporting upon. Dickens on Broadway Was there ever such a sunny street as this Broadway!The beautiful metropolis of America is by no means so clean a city as Boston, Read more ...
Matt Wolf
Should the people who made Tron - or for that matter James Cameron - ever decide to take on a Broadway musical, they owe themselves a trip to the Menier Chocolate Factory's ludicrous production of Pippin to find out how not to do it. Just because this long-running New York entry was the first Broadway show to advertise on American TV nearly 40 years ago, that doesn't mean it also needs to be the first in my experience to be transformed into a video game so as to accommodate contemporary tastes. I like a high concept as much as the next person (rock on, Michael Sheen's Hamlet), but Mitch Read more ...