LSO
Roderic Dunnett
Valery Gergiev is a human dynamo. Even before embarking on the latest tranche of his (slightly curious) pairing of Szymanowski and Brahms with the London Symphony Orchestra, of which he has been principal conductor since 2007, at the Barbican, the man who is arguably not just a musical but a socio-political force in his native country and music director of the most famous opera and ballet company in the world was down that morning at the Russian Embassy in London, promoting his plans for a whole new complex (Mariinsky 2), which from May next year will dramatically enhance the prospects of an Read more ...
David Nice
Her Majesty was making a rare concert-hall appearance to present the Queen’s Medal for Music, and any little Englanders in the audience might have been tempted to link royalty to Elgar’s Enigma Variations. But conductor Robin Ticciati, with a generosity and wisdom beyond his 29 years, raised this orchestral masterpiece to the universal level it deserves. Elgar’s "friends pictured within" trod air and revealed every aspect of their often shy, beautiful souls.It should come as no surprise that the score transcends labels of nationality, provinciality even. After all, what is "Nimrod" but the Read more ...
Kimon Daltas
Leonidas Kavakos was originally meant to be premiering a concerto by Argentinian composer Oswaldo Golijov, which had also been scheduled for Berlin in 2011 and subsequently for Los Angeles in May this year. The composer missed both those deadlines and the work apparently remains uncompleted – it was replaced on the programme by the Berg concerto.This was the first concert in Kavakos’ residency with the LSO under the UBS Soundscapes Artist Portrait banner, a series which also see him perform concertos by Sibelius and Szymanowski. The Greek violinist, shoulder-length hair pushed behind his ears Read more ...
igor.toronyilalic
Janine Jansen had every right to be nervous. The last time most of us saw the London Symphony Orchestra the audience spent the whole time laughing at their star soloist. But then Mr Bean has a very different skill set to Jansen. She's able to journey with silken smoothness across the musical stratosphere for what seems like eternity. He's able to blow his nose while playing the piano with the end of an umbrella. That said, one could have imagined Jansen's performance of Szymanowski's First Violin Concerto provoking laughter, but only from a sense of awe and astonishment.The concerto was the Read more ...
graham.rickson
John Cage: As Is Alexei Lubimov (piano, prepared piano), Natalia Pschenitschnikova (voice) (ECM)One of the few avant-garde composers whose name is widely known, thanks to the infamous 4’33”, John Cage’s reputation as a fungus-collecting prankster can overshadow the fact that he was also a deeply serious, highly intelligent composer. 2012 is his centenary year, and new Cage discs have been slipping out imperceptibly, as you’d suspect he would have wanted. Pianist Alexei Lubimov’s account of Cage’s 1988 visit to the USSR is a joy to read, accompanied by a wonderful selection of Read more ...
Ismene Brown
The autumn 2012 season at the Barbican Centre offers an international history of photography, Juliette Binoche in Strindberg, a train packed with African music, a festival of ecstatic, devotional and psychedelic music, and a film made by London schoolgirls about Bosnia, as well as classical music from the LSO and two new associate ensembles.
Last chance to see summer exhibitions, Bauhaus: Art as Life (until 12 August) and Designing 007 - Fifty years of Bond Style (until 5 September). Rodgers & Hammerstein's musical Carousel comes to the Barbican in August 2012, for just 37 Read more ...
peter.quinn
The UK premiere of Wynton Marsalis's Swing Symphony (Symphony No 3) last night was extraordinary on several counts. We heard, first and foremost, a real dialogue between jazz band and orchestra. Not one of those fist-bitingly cornball jazz arrangements where the jazz players get to stretch out and the orchestral players sit back and contribute the sustained, saccharine harmonies. This was a genuine coming together where all hands contributed equally to the rhythmic, harmonic and melodic detail of the work. And talking of melody, the one that Marsalis penned for the orchestral bass section – Read more ...
Ismene Brown
Twenty young conductors have been shortlisted to compete in the Donatella Flick/London Symphony Orchestra Conducting Competition in late September. The top prize is a cash award of £15,000 and an attachment to the LSO as Assistant Conductor.The 20 comprise four from the UK - Joolz Gale, Ben Gernon, Jonathan Lo and Gemma New - Irishmen Daniel Stewart and Robert Tuohy, three from Spain, two each from Italy, France, Greece and Germany, a Hungarian, an Austrian and a Portuguese.They were chosen from 187 applicants from EU countries via videos they submitted. They will be whittled down to 10, and Read more ...
Daniel Ross
Right, notebooks out everyone. Michael Tilson Thomas began this Berg/Mahler double-header with a lengthy analysis of what we were about to hear in the former’s Chamber Concerto. Whether it was informative or not (and it was), it was a bit of a spoiler. It was nice to know exactly which themes are attributed to which dedicatee, but you couldn’t help but feel the surprises in the work have been somewhat spiked by this little lecture. Still, selected LSO folk and the effective duo of Yefim Bronfman on piano and Gil Shaham on violin were on hand to try and surprise us anyway.For most of it, Read more ...
graham.rickson
Bach: The Well-Tempered Clavier Book 2 Peter Hill (piano) (Delphian)Book 2 of Bach’s Well-Tempered Clavier doesn’t often appear without Book 1. It’s sometimes unfairly perceived as drier, more academic than its predecessor. Bach’s didactic aim for Book 1 (“for the profit and use of musical youth desiring instruction”) remains apposite. Sensible pianists won’t underplay this, and what you want to hear is something akin to an interesting lecture delivered by a charismatic guru. And Peter Hill fits the bill – hearing him play Bach is a little like listening to a friendly primary school Read more ...
geoff brown
“I don’t want to be a Cyclops,” Pierre Boulez said in 2010, faced with the prospect of conducting a Chicago concert with only one working eye. Eye troubles, alas, have continued to bedevil the octogenarian giant of contemporary music, which is why his current engagements with the London Symphony Orchestra – there’s also a tour to Paris and Brussels this week, and a second Barbican engagement next Tuesday - have fallen into the hands of a younger composer-conductor of advanced habits, the admirable Hungarian Peter Eötvös.And what good hands they are: not perhaps as fastidiously incisive, but Read more ...
Ismene Brown
Donatella Flick, one of Britain's most important arts patrons, is furious. "Madness!" she cries in her lush Italian voice. "This is a country that was fantastic, and now there's a demolition going on, bit by bit!" We're sitting in Sir Winston Churchill's old drawing room - now her drawing room - near Kensington Gardens, and I would give a lot to see David Cameron flinching on her huge black sofa as he got a withering dressing-down. Yesterday Cameron's government agreed to delay for further consideration their big new wheeze for getting the rich to pay more tax by cutting the advantages of Read more ...