pop music
theartsdesk
This month's extraordinary, rich and strange releases are led by Ninja Tune's 20th-anniversary album of new tunes and remixes ("hard to know when to stop throwing the compliments"), Robert Plant's new band ("puts most vintage rockers to shame") and the new one from fellow veteran and "louche Lothario" Bryan Ferry. There's electronica from Magnetic Man and theartsdesk writer Joe Muggs's new Dubstep Compilation, cyber-pop from Tinie Tempah and a terrific new project featuring musicians from Eritrea. Stinker of the Month is the Motown covers record from Phil Collins. Reviewers this month are Joe Read more ...
Adam Sweeting
Actors and musicians are always trying to swap places, often with hilarious consequences (as long as you didn't pay for a ticket). Madonna in Body of Evidence? Keanu Reeves in his inexcusable band Dogstar? I think not. But Tim Robbins is a thoughtful, conscientious kinda guy, and he can even claim a bit of a folk-singing heritage via his father, Gilbert. And he put together the impressive soundtrack for his movie Dead Man Walking. And he played a right-wing folk singer in the political satire Bob Roberts.Nevertheless, there's no point denying that his new album, Tim Robbins and the Rogues Read more ...
Thomas H. Green
Mark Ronson & The Business Intl, The Bike Song (Sony Music)
There are ways and ways to make novelty retro-pop. Mark Ronson, for example, has absolutely nailed it here. This song, with its almost unbearably sunny Lovin' Spoonful-styled harmony vocals slathered over an early-Nineties pop-hip-hop breakbeat with jaunty raps from Spank Rock, should be awful – should be so calculatedly faux-naif it makes you hurl – but it's just done with so much invention, so much out-and-out glee and such great hooks that it's completely irresistible and delicious.
Two entirely demented remixes from Read more ...
Kieron Tyler
Hackney’s Empire is the perfect venue for pan-Atlantic producer/hipster Mark Ronson’s vehicle The Business Intl. New album Record Collection is an aural revue – with guests ranging from Eighties idols Boy George and Simon Le Bon through Wu Tang’s Ghostface Killah to Andrew Wyatt of Swedish dance-poppers Miike Snow. A former musical hall, it’s a fitting showcase for Ronson’s portmanteau sensibility. It’s as if variety was primed for a comeback at this show, the second of six smallish-venue road-test dates. In support, his Business Intl colleague, Rose Elinor Dougall, trod the boards on the Read more ...
Russ Coffey
I Am Kloot are a band it’s hard not to like in an almost personal way. The Manchester-based trio exude warmth, northern charm and a sense of self-contentment, seemingly impervious to the fact that they still haven’t made it as big as everyone thinks they should. Maybe that’s unsurprising. With the band’s leader in his forties, maybe it would be odder if they weren’t making music for reasons other than pampering egos. And it shows.Sky at Night, their fifth and latest album, is as honest as it is gently and disturbingly beautiful. It's arguably also as much the product of producers Guy Garvey Read more ...
david.cheal
My, haven’t they grown? In the several years (perhaps even a decade) since I last caught Placebo live, they’ve gone from being a scrawny three-piece with a somewhat thin sound – for much of the gig, I saw, they didn’t even have a bassist on stage – to become a properly equipped rock band with six on-stage members: here, on the first of two nights in south London, the band consisted of the regular trio, plus three side-persons on guitars, bass, keyboards and violin. They made quite a noise, blasting out satisfyingly slabby slices of sound.
And their stage show is impressive these days, too; Read more ...
bruce.dessau
Just before Edwyn Collins came on, the throbbing bassline of Chic's "Good Times" rumbled out across the packed South Bank auditorium. As a statement of intent it was pretty clear. Having suffered two debilitating brain haemorrhages followed by a bout of MRSA in 2005, Collins is understandably delighted to be gigging again. To paraphrase the old stand-up comedy opening salvo, he is probably delighted to be anywhere again. Some paralysis down his right side means he walks with a fetching silver-topped stick and does not play guitar onstage any more, but nothing held him back. His rapturously Read more ...
Veronica Lee
Felicity Fitz-Frisky and Hansel Amadeus Mannish (aka Laura Corcoran and Matthew Jones) describe their act as “twisted pop cabaret” but that doesn’t begin to encapsulate a show that expertly parodies modern music. An easy target, you think, but this duo bring real singing and musical talent, plus a deliciously bitchy touch to the subject.Frisky and Mannish first came to prominence at the 2009 Edinburgh Fringe, where School of Pop was a breakout hit with almost universal five-star reviews and quickly became the must-see show of the festival. Now they are touring with their follow-up show, The Read more ...
edward.seckerson
In the 1960s Des McAnuff played guitar and wrote songs to meet girls. Subsequently life became a little more complicated for the multi-talented writer/ director. His long-standing commitment to the Shakespeare Festival Theatre at the other Stratford - in Ontario, Canada - has won him many plaudits and he is now director emeritus of the La Jolla Playhouse in California where so many important projects have germinated, including his Tony Award-winning production of The Who's Tommy and the forthcoming musical adaptation of Doctor Zhivago with a score by Lucy Simon.
Zhivago opens in Sydney, Read more ...
Russ Coffey
Shea Seger is a woman with a story. A story of a career interrupted. At the age of 20, the fragile and slightly dangerous-looking blonde from Texas came over here and made a record which sent ripples across the pond of the Americana scene. Shortly after, her father became crippled after a botched operation on an old Vietnam injury and she returned to Texas to care for him. During those 10 years she also brought up a little girl, Luna, and lived in a trailer. Now she’s back in the UK; and she’s pumped all the frustration, disappointments and anger from that decade into a new record, simply Read more ...
howard.male
Last night was the third and probably last time this 21-year-old Nashville songstress will grace the humble Windmill pub in Brixton with her charismatic yet down-to-earth presence. Not because the gig wasn’t a sell-out and an unqualified success, but because of the radio airplay and unanimous critical praise she has received for her debut album Own Side Now from everyone from the Daily Mail to the Independent. I wouldn’t be at all surprised if by this time next year she’s performing at the Union Chapel or even the Barbican.I’ve never seen a Windmill crowd so attentive to an act before. Read more ...
hilary.whitney
For the past five years British stage designer Es Devlin has been creating extraordinarily ambitious and imaginative sets for some of the biggest crowd-pullers in the music industry, from Take That to Lady Gaga. But this week she returns to her theatrical roots with a new play, Pieces of Vincent, by David Watson at the small but prestigious Arcola Theatre in London.Devlin, who is 38, was brought up in Kent and is the second of four children. Her first professional job, on the strength of winning the Linbury Prize for Stage Design, was Edward II at the Bolton Octagon after which her career Read more ...