arts funding
Ismene Brown
The Arts Council’s rearrangement of the dance world by its handling of its 15 per cent subsidy cut shows no change in its persistence in choosing to prefer bureaucratic structures to talent. The 15 per cent cut has been handed straight over to all the ballet companies, with no evidence of strategic thinking about the implications for numbers of dancers, productions or programming. But it’s in the area of contemporary dance that my first impression is of an urge at HQ to pass the buck of decisions to the regions to handle. Once again the talent, the artists, are much less visible in the pot Read more ...
Ismene Brown
The leaders of Britain’s leading arts establishments, from the Royal Opera House, Royal Shakespeare Company and Philharmonia Orchestra to choreographers Akram Khan and Siobhan Davies, have written to the Prime Minister asking him to come clean about his longterm plan for arts subsidies. The letter was released at a crisis meeting this morning at the Young Vic, attended by some 500 arts figures.The signatories, who include Sir Richard Eyre, Michael Boyd (RSC Artistic Director), Tony Hall (ROH chief executive), Alastair Spalding (Sadler’s Wells chief executive), Charles Saumarez-Smith ( Read more ...
Ismene Brown
Yesterday’s Budget, as expected, tilted future presumptions for arts funding firmly towards a higher proportion of private philanthropy with a series of measures to encourage wealthy individuals through tax quid pro quos to donate to arts either in financial support or in actual works of art.But with a heavy reduction in Arts Council revenue funding due to be unveiled next week, there is not likely to be much benefit for arts activity and organisations facing an average of 10 per cent annual real terms cuts over the next four years.The Chancellor made the donation of works of art to the Read more ...
graham.rickson
A glance at the programme hinted at the identity of the orchestra: you don’t perform Prokofiev’s Scythian Suite and Janáček’s Sinfonietta in the same evening unless you’ve industrial quantities of brass and percussion to spare. This was riveting, transcendent stuff, and the most uplifting evening I’ve spent in a concert hall for years. Plus, the echoing barn of Leeds Town Hall is the ideal size for a 170-piece orchestra, a perfect place to experience Janáček’s hocketing brass fanfares. This was the closing concert of the NYO’s winter tour, and an incredible achievement for an Read more ...
Ismene Brown
I was taken to task by a commenter this year who told me I should go and review music, if I couldn't enjoy dance. Hm. One takes such things to heart, but it's humbug. While piling up memories over 25 years might mean that the noise in my memory is getting more and more obtrusive, that doesn't mean you can't suddenly find the corker one night that wipes the field clean and places a new memory there which will move your yardstick yet again. A scrap of Trisha Brown, an ear-blasting piece of political dance theatre, a joy of a Coppélia, and indeed a dancer-less musical performance of a score that Read more ...
Jasper Rees
Last year I took my musical instrument to Tower Hamlets. The heartland of the capital’s huge Bangladeshi community is not a part of London where you expect to hear much orchestral playing. Nor are boroughs like Hackney and Newham ordinarily seen as wellsprings of classical musicians. But they all have a dedicated music services department among whose tasks it is to stimulate instrumental learning.For the last four years the council’s music services department has been teaming up with teachers to get children to take up instruments. It has been a remarkable success. Already there are 7000 Read more ...
theartsdesk
As arts cuts announced today start to bite, few people are aware that the Royal Opera House pays its two top people more than £630,000 and nearly £400,000 each. Although Covent Garden is refusing to identify them, it is likely that they are chief executive Lord Hall and music director Antonio Pappano. But they are not likely to have to sacrifice their earnings even while smaller arts organisations fold.The salaries are revealed in Covent Garden’s most recent financial report for 2009. Recently in the news for its attempts to wrest lifetime copyright from creative artists whom it commissions, Read more ...
Ismene Brown
Sadler’s Wells launched their 2011 season this morning with a warning that the front-loading of arts cuts to the next two years will cut a swathe through the British arts landscape.Alastair Spalding said that while this year’s cut of 7 per cent was containable for the theatre - which has only a fifth of its income from public sources - the Government had ignored pleas by arts leaders to spread the 15 per cent reduction evenly over the period up to 2014 to allow organisations to re-adjust without seismic closures. Instead, the Arts Council was already having to close rather than trim arts Read more ...
theartsdesk
It began with a review of 100 Years of German Song. Roused by a comment to a reader (see Igor's comment below), Fisun was moved to email Igor in support of his trenchant views on arts funding. It wasn't long before other writers at theartsdesk got involved and an eruption of lively and passionate emails followed. Some of these views may surprise our readers, some will undoubtedly annoy. But we at theartsdesk have decided to go ahead and publish, unedited, our unrehearsed and spontaneous exchange. We hope you'll enjoy, and join in, the debate.It began with a review of 100 Years of German Song Read more ...
igor.toronyilalic
As we take in news of the cuts that the arts will have to absorb, and wait for the Cassandras to start hollering, it's important to remind ourselves of one arts venue that won't be wiping one bead of sweat off its brow as a result of today's announcements: the Wigmore Hall. This season, Britain's finest chamber music venue has a line-up of unsurpassed quality and variety. Yet it does so with less subsidy than any other equivalent music organisation in the country. Cuts in state subsidy do not end quality. They improve it. Last night's innovative and exquisite recital of early Romantic German Read more ...
Ismene Brown
Frontline public funding for arts will be cut by some 15 per cent over the next four years, said the Chancellor George Osborne today, as he announced a cut of almost half in the Department of Culture, Media and Sport budget, from £1.9 billion to £1.1 billion. Arts Council England's funding will be cut by almost 30 per cent over that period, starting with a 14 per cent reduction for next year.The bulk of the DCMS figure will be met by 41 per cent savings in the department’s administration costs, and 19 quangos will be abolished or substantially reformed, including some in film, library and Read more ...
Sarah Kent
With the Frieze Art Fair now upon us, the only sane response for anyone interested in art is to leave London until the wretched event is over. Art fairs are for art what pimps are for virgins, to misquote Barnett Newman. The work, in other words, doesn’t stand a chance. And just as supermarkets don’t give shelf space to products for you to admire the packaging, art fairs don’t display work for you to look at and enjoy. In each case, the point is to purchase.So why should this matter when commercial galleries do it all the time? It’s a question of degree. In galleries, an artist’s work is Read more ...