New music
Richard Bratby
This was a fascinating, unexpected prospect; instantly appealing to anyone who’s ever wondered about the string quartet’s niche in the 21st-century musical ecosystem. Two practically new song cycles for soprano and quartet – Kate Whitley’s Charlotte Mew Songs (2017, but extended earlier this year) and Kate Soper’s Nadja (2015) - framed the Third Quartet (1938) by Elizabeth Maconchy. The performers, the Albion Quartet, have already won something of a reputation for doing things differently. A relatively new ensemble, formed in 2016, they’re led by Tamsin Waley-Cohen, one of an growing number Read more ...
Asya Draganova
A journey already begun continues in the new album by electronic artist UNKLE, celebrated widely as a founding figure in trip-hop. Following the 2017 release of The Road: Part I, we are now two thirds of the way through what James Lavelle has planned as a trilogy of albums.We probably can’t help but interpret the subtitle Lost Highway as a reference to David Lynch’s 1997 classic movie. What the film and the album seem to have in common is indeed the haunting, captivating, and immersive effect… and the slightly unusual length, as The Road: Part II takes place in two dedicated “acts” of Read more ...
Asya Draganova
The stereotypical image of heavy metal music suggests it exists in isolation from other musical styles. And while it is true that metal is distinct and re-invents its transgressive nature all the time, the genre has generated commercial success as well as a loyal and diverse global community. The first edition of the World Metal Congress took place over two days in Shoreditch, London, and addressed metal in both celebratory and critical ways, through an impressive range of perspectives.The event included artists as diverse as Barney Greenway of Napalm Death, Sabina Classen of Holy Moses, Read more ...
Guy Oddy
Balsall Heath’s Castle & Falcon is one of the newer live music venues in Birmingham, a city that finally seems to be undergoing something of a renaissance in these otherwise uncertain times. Found in the back room of a revitalised pub that is somewhat off the beaten track and something of a schlepp away from the city centre, it is the kind of venue where bands that are just finding their feet in the live arena might be found.It was, therefore, something of a shock to find My Baby there, a band that have been making a mark for themselves on the festival circuit for a while. However, it Read more ...
Liz Thomson
Guy Clark is among the favourite songwriters of Bob Dylan, a Grammy-winning giant of the so-called outlaw country music movement who lived hard and died of lymphoma in 2016. He made guitars and wrote songs such as the classic “Desperados Waiting for a Train” and “Texas, 1947” which, it has been said, “presents a view of life in post-war West Texas that is as true as Dorothea Lange’s best Dust Bowl portraiture”. Not bad!Clark provided hit records for Ricky Skaggs and Bobby Bare and was a mentor to Rodney Crowell and Steve Earle, who hitchhiked from San Antonio to Nashville in 1974 to meet Read more ...
Kieron Tyler
Until now, Rema-Rema’s only release was a 12-inch EP released in August 1980. It had hit shops after the band fell apart at the end of the previous year. Negotiations with 4AD, a new offshoot of the Beggar’s Banquet label, were underway towards the end of 1979 but then guitarist and future Adam and the Ants-man Marco Pirroni left. They rehearsed without him but called it a day in November. Yet 4AD issued that EP, titled Wheel in the Roses.Pirroni’s presence is partly what rescues Rema-Rema from being a post-punk footnote. Over their lifespan – the band formed in May 1978 – the band played Read more ...
Guy Oddy
As Nick Cave has edged ever further towards mainstream acceptance with each of his recent Bad Seeds’ albums, so he has created something of a gothic-blues vacuum that is itching to be filled. This hasn’t gone unnoticed by The Underground Youth. Hence, while the band’s previous releases have had something of a tinge of Spacemen 3-like psychedelic drone rock, new disc Montage Images of Lust and Fear changes tack completely and comes on like a tribute to The Birthday Party and the early albums of Nick Cave and the Bad Seeds.The album opens with the down tempo “Sin”, with Craig Dyer intoning “I’ Read more ...
Thomas H. Green
Edwyn Collins is in a good mood. Perhaps it’s his 2014 move back to his native Scotland where he now lives and records on the wild north-eastern coast. Perhaps it was finding a sheaf of inspiring old lyrics as he packed up to make the move. Or perhaps it’s just his joy at making music 14 years after two debilitating strokes nearly finished him off. Whatever the reason, his ninth solo album (and fourth since the strokes) is as full of beans as a young collie in springtime.As the frontman of Orange Juice and co-founder of Postcard Records, Collins was a key figure in the genesis of indie music Read more ...
Guy Oddy
While Oasis have so far resisted the temptation of the big pay-off that a Gallagher family reunion would ensure, plenty of other Britpoppers have been considerably less coy about getting back together since the heady days of the 1990s. We’ve already had reunions from Blur (albeit temporarily), Suede, Dodgy and even Shed Seven. Now though, it is the turn of Louise Wener’s four-piece, Sleeper.Slipping easily back into their old sound with New Wave guitars and bitter-sweet, spoken-sung vocals, The Modern Age could easily be a reissue from Sleeper’s first time around. However, while the sound is Read more ...
joe.muggs
Everything about this mixtape oozes confidence. It crams 12 tracks plus interludes – all produced by Andre “Shy FX” Williams – into barely more than half an hour. It happily leaves “Roll the Dice”, the single which conquered club and radio and featured Lily Allen, until last. As well as roots reggae, carnival marching bands, lyrically and rhythmically brutal bashment and lashings of the drum'n'bass that Shy FX is best known for, it traverses creepy-crawling avant pop, modernist R&B and moody off-centre hip hop, yet never loses the sense of being a focused party soundtrack. And Read more ...
Lisa-Marie Ferla
Every so often, an album reminds you that, done properly, the art form is more than just a collection of songs. Barely 35 minutes in length, Lucy Rose’s fourth release No Words Left is a beautifully sequenced work in a time when track listings have come to mean little; its songs, and the spaces between them, something of a late-night reverie. Rose describes the album as emerging from a particularly difficult period in her life, but rarely has a dark night of the soul ultimately sounded so uplifting.This is an album for the loneliest of sleepless nights – ironic, really, for one that opens Read more ...
Kieron Tyler
The US music trade weekly Cashbox chose a picture of the then-hot Diana Ross & the Supremes and Temptations joint enterprise for the cover of its 14 December 1968 issue. On page 28, under the header “Best Bets”, a review of the “It’s the Loving Season” single by The Vareeations (pictured above) said “Standout female lead makes an especially fine showing on this blues-pop ballad side. Single is bound to attract attention and could prove a solid seller.”Despite the thumbs-up, the 45 did not attract much more attention outside The Vareeations’ Philadelphia home base. Nonetheless, “It’s the Read more ...