New music
Kieron Tyler
Dino Valente: Dino ValenteDino Valenti’s reaction to his sole solo album being credited to Dino Valente isn’t recorded, but any confusion probably wouldn’t have mattered as he had such high-profile cheerleaders. Before its release in October 1968, Ralph J Gleason, then America’s most important commentator on rock and pop, called Valenti – who died in 1994 – “an underground Bob Dylan”. After its release, Lillian Roxon, New York’s most trenchant observer of musical trends, said he was “a macrobiotics-solar-energy legend”. In Rolling Stone in January 1969, Ben Fong-Torres repeated the " Read more ...
peter.quinn
For lovers of vocal jazz, Georgia Mancio's ReVoice! Festival has become an unmissable part of London's jazz calendar. Now in its fourth year, ReVoice! has previously played host to artists such as Gregory Porter (his first UK booking), Tuck & Patti, Raúl Midón and the Becca Stevens Band. Running over 10 nights from 10-19 October, this year's edition is the longest yet, with all concerts hosted at Soho's Pizza Express Jazz Club.An award-winning vocalist in her own right, Georgia not only curates and presents the festival but also performs the opening set each night. Little surprise, Read more ...
James Williams
Justin Timberlake continues his global charm assault with the second in his 20/20 Experience project. Teaming with long-term collaborator Timbaland, the duo turn the taut funk and chart-busting hits of the first instalment in the series on their head. Where The 20/20 Experience was in turns sensual and muted, The 20/20 Experience 2 of 2 is more in the vein of the more familiar futuristic synth-led sound that created Timbaland’s name in the Nineties, producing for artists such as Aaliyah and Missy Elliot. No one has shaped and directed Timberlake’s sound more than Read more ...
Mary Finnigan
Forty four years ago David Bowie was living in the spare room of the suburban flat I shared with my two young children. He was broke and I was only occasionally employed – so we started a Sunday night folk club in the Three Tuns pub in Beckenham High Street – for fun and so he could pay me some rent.On the first night we transformed the dingy back room of a very average pub into a psychedelic dream machine. I operated a primitive light projector using glass slides and inks that cast multi-coloured abstract blobs and splatters onto bed sheets hung on the walls. We replaced cold fluorescent Read more ...
peter.quinn
It's only the truly great albums that usher you into a sound-world that is entirely sui generis. And so it is with this second chapter of jazz sax player and composer Matana Roberts's Coin Coin project, a vast musical work-in-progress exploring themes of history, memory and ancestry. Divided into 18 separate tracks, but heard as one continuous arc of sound, we enter into the leader's all-encompassing “panoramic sound quilting”, as she calls it, a reference both to her family’s handicraft heritage but also to the collage-like juxtaposition of her materials.Over a bowed pedal note in the Read more ...
Thomas H. Green
The term “electro-pop” has become hugely degraded. It used to excite, the three syllables summoning a golden spell of early Eighties pop. It meant music carved out by post-punks on primitive synths in the long, long shadow of Kraftwerk, sci-fi robot iciness mingled with melancholic human longing. As the years passed, it came to cover anything that imitated groundbreaking first wavers such as Gary Numan, Human League and so on. Now, however, everything has changed. Electro-pop means simply electronic pop - which is most of the careless, Cowell-sponsored production line shite out there. When Read more ...
Serena Kutchinsky
We all know the backstory of the Mighty Mac, the breakups, the betrayals, the addictions and now, finally, the reunion. These days they're more like the Mellow Mac with the emotional hatchets buried, lingering hugs on stage, and tender tales of their time as struggling Seventies hippies. Few other bands, not even Abba, have mined their private lives for inspiration to the same extent. Unlike today's manufactured pop-ettes who invent relationship strife to grab column inches and make themselves more interesting (Harry Styles and Taylor Swift, I'm looking at you), heartache has always been at Read more ...
Russ Coffey
A fortnight after its release, fans now know the Manics’ latest album Rewind the Film to be a rich, contemplative affair. The musical dynamics are intimate and seemingly best suited to small venues, like the one that features in the video for the single “Show Me the Wonder”. As I made my way across London last night, I wondered if this new sound was why the band had chosen to downsize from last year's O2 to the cosy surroundings of Shepherd’s Bush Empire. Was this "last phase of the band's development" to be consciously close-up and personal?To an extent yes, though not straight away. The Read more ...
simon.broughton
“Some say that I come from Russia / Some think that I come from Africa / But I'm so exotic, I'm so erotic / 'Cos I come from the Planet Paprika...” So sang Shantel at the close of the first WOMAD festival in Russia. The location was almost as exotic as Planet Paprika – the town of Pyatigorsk, 1,500 kilometres from Moscow, deep in the south of Russia in the North Caucasus region. Bringing WOMAD here is part of a cultural regeneration of a region which has the spectacular natural beauty of the Caucasus mountains, but uncomfortable associations of tension and conflict. The North Caucasus Read more ...
Tim Cumming
Darbar Festival, now in its eighth year, encompasses four days of talks, yoga, food, and music – swathes of it, morning, afternoon, and night, with each concert featuring two main sets.This year’s focus was on female musicians, and included a talk featuring the great Carnatic singer Sudha Ragunathan discussing her own experiences and the role of women in Indian music.Friday and Saturday evening’s concerts focused on Dhrupad, Hindustani and Carnatic music. Dhrupad is the oldest living form of Hindustani (north Indian) classical music, uninflected by Persian and Islamic influences, and with Read more ...
Kieron Tyler
If it seems mythical that a singer-songwriter in his early seventies has made an album this vital yet so timeless, then it’s worth pondering that Man & Myth is Roy Harper’s first for 13 years. In 2011, he celebrated his 70th birthday on stage but in the decade before his profile had been low, with time in his Irish home seemingly filled by anything that wasn’t creating new music. It might be making up for lost time, but Man & Myth’s 23-minute closing epic “Heaven Is Here”/“The Exile” is a career highlight. With 20 albums behind him (depending how it’s counted), the first of which came Read more ...
Kieron Tyler
From no visible source, the instantly recognisable voice of Joy Division’s Ian Curtis croons the words of “Love Will Tear Us Apart”. But the lyrics aren’t in their familiar setting. Alone, he’s stripped from the band, naked and vulnerable. He’s been dead for 33 years, but this was as close as he could possibly be. Moments earlier, a string section had begun a cascading pattern that was more Bernard Herrmann than Joy Division, giving a new slant to this most familiar of post-punk musical landmarks.Live_Transmission was a bold, multi-media reconfiguration of Joy Division’s music by electronic Read more ...