sun 26/01/2025

contemporary art

The Hepworth Wakefield

A town in desperate need of regeneration commissions David Chipperfield, the architect of the moment, to build an art gallery in the hope of attracting visitors with deep pockets. In case you are suffering an attack of déja vu, this is not an action...

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Max Bill, Annely Juda Fine Art

'green square with migrated pythagorean triangles' (1982) by Max Bill, the missing link in modern art

Max Bill might be the missing link in modern art. He died only in 1994, yet he studied at the Bauhaus in Dessau in the 1920s, taught by Josef Albers, László Moholy-Nagy, Paul Klee and Kandinsky. It is hard to imagine that someone who was working at...

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Tracey Emin: Love Is What You Want, Hayward Gallery

That Tracey Emin is one of the defining personalities of our time isn’t in doubt. Even if you never want to hear another second of her guileless wittering, another word about her abortions, traumatic early rape and relentless onanistic...

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Ivor Abrahams, Mystery and Imagination, Royal Academy

Ivor Abrahams' 'A Dream Within a Dream' has a Magritte-ish sense of illusionism

In this month of royal weddings, endless bank holidays and (possibly?) equally endless good weather, it can be hard to focus, so perhaps this is the perfect opportunity to catch up with a show that nearly got away. Instead of winsome blockbusters...

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Jean-Marc Bustamante, Timothy Taylor Gallery

Jean-Marc Bustamante: 'Cardinal' (2010)

Who or what is Jean-Marc Bustamante? This, surely, is the question we are supposed to ask of this artist of the affectless, who has skated in his three-decade-long career across the genres – first photography, then Minimalist sculpture, then a...

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Nathaniel Mellors, ICA

Annalise Maddox-Wilson putting a stop to handyman Bobby's words

I will confess, the emotion which engulfed me when watching three films from Nathaniel Mellors’s Ourhouse series was not (initially) admiration but aggravation. The temporary plyboard cinemas of the ICA show episodes one, two and four of this...

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Mona Hatoum: Bunker, White Cube Mason's Yard

The latest exhibition from Beirut-born, sometime Turner Prize-nominee Mona Hatoum – best known for sending a camera through her inner tubes and projecting the results – explores themes of displacement and geographical and political tension. I know...

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Southbank Centre, 2011 Season

Mahler, Mahler and anyone who even remotely knew Mahler. There is, of course, more to the South Bank's 2011 season listings than this but the great symphonic agoniser (and his many chums) forms the bedrock of the classical programming as we all go...

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Gabriel Orozco, Tate Modern

The show opens with his iconic 1991 piece, My Hands are My Heart, a double photograph of Orozco’s naked torso. In the first photograph his hands clutch a hidden object at chest-height; in the second the hands splay open to present to the viewer a...

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Cindy Sherman, Sprüth Magers London

Cindy Sherman, 'Untitled', 2010

One of the best things about a Cindy Sherman show is you never know what you’re going to get. And in this exhibition, of a new series of "Untitled" images, what you get is very surprising indeed. Sherman's photographs are not about her, but they...

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Manon de Boer, South London Gallery

Unlike Warhol's Superstars, Sylvia Kristel remains coolly composed in front of the camera

A well-groomed, middle-aged woman walks into view and lights a cigarette. She stands, she smokes, the camera gives us a steady close-up of her face. As she appears to reminisce, her face subtly registers a range of emotions. Is she agitated, sad,...

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theartsdesk in Belfast: Scenes from the 48th Belfast Festival

'New circus' troupe Circa 'howl in the face of gravity'

In National Anthem, the debut play by bestselling novelist Colin Bateman, a composer lies prostrate on the floor. Half hungover, half waiting for inspiration, he has been commissioned to co-write an anthem for Northern Ireland with a poet and has...

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