contemporary classical
Classical CDs Weekly: Bizet, Gounod, Liszt, Heinz WinbeckSaturday, 23 May 2020
Bizet: Carmen Suite No. 1, Symphony No. 1 in C, Gounod: Petite Symphonie Scottish Chamber Orchestra/François Leleux (Linn)Initial impressions are disconcerting, the bass thwacks at the start of the first suite extracted from Bizet’s Carmen by... Read more... |
Tectonics Rewind, BBCSSO review - new music festival revisits past gemsTuesday, 05 May 2020
As Covid-19 puts a halt to live events around the world, the BBC Scottish Symphony Orchestra has delivered its annual festival of new music, Tectonics, online, with a selection of recordings from past performances. Since everything from the past... Read more... |
Classical CDs Weekly: Christopher Gunning, Joe Meek, Tesla QuartetSaturday, 07 March 2020
Christopher Gunning: Symphonies 2, 10 & 12 BBC National Orchestra of Wales/Kenneth Woods (Signum)You’ve probably heard Christopher Gunning’s music without realising it: he’s been a prolific film and television composer for decades. A pupil... Read more... |
Denis and Katya, Music Theatre Wales / Uproar, Rafferty review - disturbing the untroubled monotony of South Wales musicSaturday, 29 February 2020
Once upon a time writing an opera was first and foremost a question of choosing a good story. But times move on, and today – as Nicholas Till reminds us in a fascinating programme note for Philip Venables’s and Ted Huffman’s new chamber opera – the... Read more... |
Imagining Ireland, Barbican review - raising women's voicesMonday, 24 February 2020
Recent politics surround the EU and nationhood, fantasies of Irish Sea bridges and trading borders more porous than limestone have revived the granular rub between Eire and Britain, and the Celtic Tiger cool of the Nineties is a history module these... Read more... |
Currie, Jordan, NCO, Stoller Hall, Manchester review - major marimba musicSaturday, 18 January 2020
Finding one piece for marimba soloist and string orchestra would tax the powers of many concert planners, never mind coming up with two, so the Northern Chamber Orchestra is to be congratulated on its first Manchester performance of 2020 –... Read more... |
Best of 2019: Classical concertsFriday, 27 December 2019
It says so much for the cornucopia of London's classical music scene alone that all five of the most recent concerts I've attended have made the long list for best of 2019. I'll settle for two. The anger and violence of Vaughan Williams's Fourth... Read more... |
theartsdesk in Zurich and Tallinn: celebrating great EstoniansThursday, 19 December 2019
Culturally, "the little country that could" - as Estonia's ex-Prime Minister and historian Mart Laar dubbed it - punches well above its weight. While it educates the young with a musical instrument made available to every child, Estonia continues to... Read more... |
CD: Simon Thacker's Ritmata - TàradhSaturday, 23 November 2019
Composer, classical guitarist and ensemble leader Simon Thacker has spent the past decade immersed in distinct musical cultures; from the reinterpretations and reimaginings of the musical traditions of eastern Europe and the Roma people that... Read more... |
Ólafur Arnalds presents OPIA, Southbank Centre review - many strange delightsSaturday, 09 November 2019
Ólafur Arnalds is almost secretly huge. Millions adore the melancholy beauty of the Icelandic composer’s music, yet his name still brings blank stares from some. The Royal Festival Hall was predictably full to bursting, though, to see Arnalds... Read more... |
CD: Land of Kush - Sand EnigmaFriday, 01 November 2019
Land of Kush are an ambitious 20-piece plus ensemble which features all manner of instruments from strings, horns, piano, guitar, santur, darbouka, oud and synths, as well as multiple vocalists and percussionists. Led by Sam Shalabi of the trippy... Read more... |
Gerstein, LPO, Adès, RFH review - engaging new piano concertoThursday, 24 October 2019
Every ten years or so Thomas Adès writes a piano concerto and the latest had its UK premiere last night at the Royal Festival Hall, played by Kirill Gerstein and conducted by Adès himself. Following on from the youthful, skittish Concerto Conciso of... Read more... |
