Royal Court
A Kind of People, Royal Court review - multiculturalism falls apartThursday, 12 December 2019
The trouble with prejudice is that you can't control how other people see you. At the start of her career, playwright Gurpreet Kaur Bhatti's work was set in her own Sikh community. But, like other playwrights from similar backgrounds, she has tended... Read more... |
Midnight Movie, Royal Court review - sleepless and digitalWednesday, 04 December 2019
Eve Leigh is an experimental playwright who has tackled difficult issues for more than a decade. Yet most members of the public will know her, and her actor husband Tom Penn, as the neighbours who recorded an altercation between Boris Johnson and... Read more... |
On Bear Ridge, Royal Court review - Rhys Ifans's tragicomic masterclassTuesday, 29 October 2019
Memory involves places, people, things and words, especially words. This abstract proposition is given knotty life in Welsh playwright Ed Thomas's extraordinary new play, On Bear Ridge, which comes to the Royal Court after opening at the Sherman... Read more... |
A History of Water in the Middle East, Royal Court review - feminist dreams and passionsTuesday, 15 October 2019
Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British identity in various formats. Her work includes poetry, fiction, anthologies and performances, as well as plays. And she's pretty prolific. Since her Dry Ice... Read more... |
Glass. Kill. Bluebeard. Imp., Royal Court review - still experimental after all these yearsFriday, 27 September 2019
At the age of 81, Caryl Churchill, Britain's greatest living playwright, is still going strong. Her latest is a typically imaginative quartet of short plays. Each of them is vividly distinct, being linguistically agile, theatrically pleasurable and... Read more... |
Total Immediate Collective Imminent Terrestrial Salvation, Royal Court review - brilliant meta-theatrical experienceFriday, 06 September 2019
Playwright and performer Tim Crouch is one of Britain's most innovative creatives, with a big back catalogue of challenging and stimulating stage work. Typically he tells stories about profound loss, while simultaneously questioning the basis of... Read more... |
Seven Methods of Killing Kylie Jenner, Royal Court review - memes, memories and meaningsTuesday, 09 July 2019
Few theatres have done as much to promote new young talent as the Royal Court; few theatres have done as much to stage plays about the pains and pleasures of the digital world; few venues have tackled the themes of race and gender in contemporary... Read more... |
the end of history ..., Royal Court review - raises more questions than it answersThursday, 04 July 2019
An apocalyptic title proves somewhat of a red herring for a slight if intriguing play that returns the dream team behind Harry Potter and the Cursed Child to their erstwhile stomping ground at the Royal Court. Set across 20 years in the Newbury... Read more... |
salt., Royal Court review - revisiting the Atlantic slave tradeSaturday, 18 May 2019
Most of the facts about the Atlantic slave trade are well known; what is less easily understood is how history can make a person feel today. A question which invites an experimental approach in which you test out emotions on your own body. In 2016,... Read more... |
White Pearl, Royal Court review - comic racial stereotypesFriday, 17 May 2019
Artistic Director Vicky Featherstone's commitment to staging a diversity of new voices is very laudable, and with White Pearl she has found a show that is original in setting, if not in theme. Written by Anchuli Felicia King, a New York-based,... Read more... |
10 Questions for actress and playwright Nicôle LeckyWednesday, 24 April 2019
Nicôle Lecky’s one woman show Superhoe has added fire to the reputation of an already fast-rising actress and writer. Based around Sasha, a Plaistow girl who aspires to pop stardom, it’s a clear-eyed, very modern play, filled with its central... Read more... |
Pah-La, Royal Court review - complex ideas, wild storytellingTuesday, 09 April 2019
Theatre can give a voice to the voiceless – but at what cost? Abhishek Majumdar, who debuted at the Royal Court in 2013 with The Djinns of Eidgah – about the situation in Kashmir – returns with his latest play, Pah-La. Just as his debut was... Read more... |
