New music
Guy Oddy
Until The Hunter is the third solo album by Mazzy Star singer, Hope Sandoval, and the long awaited follow-up to 2009’s Through the Devil Softly. It’s safe to say that the intervening time hasn’t encouraged any great stylistic leaps but to say that it’s been worth the wait, would be an understatement.Mellow Gothic country and folkie blues tunes abound here and if you’re looking for something to get you through the early hours of the morning when things aren’t necessarily at their best, look no further: Until The Hunter is exactly what the doctor ordered. “Into the Trees” opens with a gently Read more ...
joe.muggs
Berlin's electronic music world has been traditionally been very white. Sometimes, as with the inward-looking minimal techno of the 2000s, it could feel painfully so. Obviously a city can't really help the nature of its demographic, but monoculture is rarely healthy for the development of living club scenes – and it certainly needn't be that way. Techno, the city's life-blood over decades, has always been at heart about the interplay between the European avant-garde and black American music, and back in the Nineties, many of Detroit's techno originators held musical residencies or even lived Read more ...
Matthew Wright
For more than a decade, Neil Cowley and his trio have built a fervent and substantial following for their prog-jazz compositions of frenetic loops and engaging melodies. With a jazz trio’s organic movement and intimacy allied to a rocker’s bolder rhythm and melody, and touches of contemporary classical piano, his band occupies an important, and underrepresented, space in the repertoire. The new album, played in its entirety last night, has provoked much acclaim for the boldness of the concept, though in largely discarding his characteristic playfulness for a more conceptual focus, there is a Read more ...
Barney Harsent
It was 2008 when The Early Years went into the studio to begin work on the follow-up to their impressive self-titled debut. Having pretty much set out the blueprint for many, if not all, of the kraut-esque bands who followed in their wake, there was disagreement on where to go next: further down the same path or sideways onto softer, more experimental ground? Songs or structures? Klaus Dinger or Michael Rother?It was a disagreement that led to the abandonment of the project, until now, almost a decade later: the result, released on Sonic Cathedral, is such a beautifully balanced feat that it’ Read more ...
Thomas H. Green
When Madness appeared on Saturday afternoon at the Glastonbury Festival this year, there may initially have been a sense of “another Glastonbury, another Madness set” but that was kicked into touch by their preposterous version of ACDC’s “Highway to Hell”. It wasn’t good, exactly, but it certainly woke everyone up, grabbed the crowd by the short’n’curlies. By the end of their performance “It Must Be Love” had become a passionate anti-Brexit anthem, salving the wounds of the assembled. They’d proved themselves yet again.A sack of golden early 1980s hits remains the foundation of their Read more ...
Russ Coffey
According to convention, a country gal like LeAnn Rimes should garner her lyrical inspiration from hard liquor and hard knocks. To see her then, the other week, on ITV's Loose Women discussing how it was actually the experience of being a stepmum that largely informed her new album, one couldn't help feel something of an anti-climax. Maybe, though, we underestimate the place of domestic life in songcraft. And, besides, Remnants, isn't actually a country album at all.Instead, the album moves instead between pop, alt-rock, jazz, and, most of all soul, a style at which Rimes Read more ...
Kieron Tyler
Although the reformed Undertones, with Paul McLoone replacing original singer Feargal Sharkey, have been a popular live draw since 1999, John Peel’s anointing of “Teenage Kicks” from their debut EP as his favourite recording suggests this is what they were about: a single, timeless song.Of course, it was not. The singles or lead EP tracks which followed – “Get Over You”, “Jimmy Jimmy”, “Here Comes Summer” and “You’ve Got My Number (Why Don’t You Use It)” – were as wonderful. So were their first two albums. The recent publication of the engaging Teenage Kicks: My Life as an Undertone, bassist Read more ...
joe.muggs
There's an eeriness about this record that comes of it being so very perfectly anachronistic. TOY have formerly mined various parts of experimental rock history, notably Krautrock, and on their collaboration with Natasha “Bat For Lashes” Khan, some wild psychedelic rock from all corners of the planet. And certainly you can hear the chug of 1970s Dusseldorf sublimated into the grooves here on their third album – but the overwhelming sense is that this record exists somewhere around 1988 or 1989, back when indie truly meant indie.Yes, that does mean there's a feyness and reticence to the Read more ...
Tim Cumming
It was first released on 23 November 1979, comprising three 45rpm, 12in records housed in 16mm metal film cans, and then reissued the following February as Second Edition, in the more friendly and familiar format of a double album, 33rpm, gatefold sleeve, lyrics on the back, no song titles, with just the PIL logo on the record label. The previous July, "Death Disco" had entered the Top 20 at No 20 for two amazing weeks and Metal Box itself – in film canister format – would stay in the charts through to December 1979, reaching No 18. These numbers are important because, both before then and Read more ...
Jasper Rees
Loudon Wainwright III, a going concern as a singer-songwriter since the start of the Seventies, has long since been occluded by the commercial success of his brood, Martha and Rufus. Their old man is still enough of a draw to pack out the Palladium with just a guitar, a banjo and a back catalogue of cranky songs only he could have composed.For subject matter Wainwright has tended to commute, he cheerfully conceded, along a well-trodden path between “shitty relationships” and “death and decay”. There was a bit of both here – a compulsory outing for “Unhappy Anniversary” and his medical comedy Read more ...
Matthew Wright
Where’s the beef? In exchanging the raw meat couture Lady Gaga wore to the 2010 MTV Awards for the leathery country sounds of her latest, fifth album, fans will be wondering if she’s lost her cutting edge. For a New Yorker of Italian descent, a country-tinged album is not a return to anything, but a strategic choice, and these are not rootsy songs, but sometimes rather rootless ones. There are many successful recent templates for young female singers who want to express their inner hoedown. The trouble for Gaga is that she has usually been the one creating the templates for others to attempt Read more ...
Marcus Davey
We've got a lot to celebrate in 2016: 50 years since the Roundhouse became an arts centre and 10 years of transforming young lives through creativity. In celebration of this momentous year we embarked on a journey of discovery to uncover the stories from train-enthusiast accounts of our humble beginnings to real-life high-wire love stories, from week-long raves in the 1990s to politically-charged spoken word in the 2000s. So many incredible stories have emerged from the walls of this beautiful building.In the 1960s freedom of expression and liberation had arrived in London. Skirts were Read more ...