New music
howard.male
2011 was an excellent year for highly original music from female musicians, two of whom brandished ukuleles yet found quite different ways of using them.New England’s Merrel Garbus (otherwise known as Tune-Yards) put her foot down on the effects pedal and made that humble four-stringed instrument sound like a Fender Strat, while singing her Broadway meets avant-garde post-punk songs in half-a-dozen different voices on the brash and brilliant Whokill. Angry and tender, aggressive yet vulnerable, Garbus was a bolt from the blue, whereas Old England’s Mara Carlyle was more like a slowly rising Read more ...
graeme.thomson
This was the year I finally fell in love with Laura Marling’s music. I liked her first two albums well enough, but I couldn't quite shake the feeling that the endless chorus of critical hosannas was more about what people wanted her to be than what she actually was. Well, A Creature I Don’t Know certainly changed all that.Perhaps it was the newfound sense of playfulness I fell for. Produced by Ethan Johns and recorded in a week, Marling’s third album feels like a more wayward, somewhat wanton older sister to her first two records. It pulls at the hems of her music, musses its hair, smudges Read more ...
james.woodall
The Barbican has always led the way in London in international theatre programming. The year there ended on a high, with Thomas Ostermeier’s Hamlet from the Schaubühne laying down new markers for transgressive commitment. I was sceptical about it when I saw the Berlin première in 2008, and our own critic was not, commendably enough, in a mood to be fooled around with. Yet a production which stages, so stylistically, terror, insanity and loathing (all in Shakespeare) with six actors straining every sinew without entirely ridiculing the play has to be respected.From the Bard to a big blast: Read more ...
Kieron Tyler
The surprises linger longest. The things you’re not prepared for, the things of which you’ve got little foreknowledge. Lykke Li’s Wounded Rhymes was amazing, and she was equally astonishing live, too. Fleet Foxes's Helplessness Blues was more than a consolidation on their debut and The War On Drugs’s Slave Ambient was a masterpiece. But you already knew to keep an eye on these three. Things arriving by stealth had the greatest impact.This year, music again proved it has the power to surprise. Terrific albums from unknown quantities (of varying degrees) like Rayographs, Huntsville (from Norway Read more ...
Thomas H. Green
2011 was a year when the wheels of global history cranked noticeably forward, the news always full of images that will be in school text books within a decade. It was also the year when, for most of us, “a bit peeved” became “utterly livid” that greedy, over-privileged vermin had gambled and lost all our money and were clearly getting away with it, unhindered.On the other hand, such weighty affairs needed a preposterous counterpoint and there’s little in life more inconsequential yet excellent than Lady Gaga, who dominated the first half of the year with the release of her second album Born Read more ...
bruce.dessau
The Mercury-winning Seldom Seen Kid was a truly formidable recording to follow. And when the metronomic beat of extended play opening track "The Birds" kicked in on Build a Rocket Boys! I thought about giving Elbow the elbow. There was a little too much Peter Gabriel-soundalike prog rock pomp in the eight-minute overture. But this is an album that has really grown on me over 2011. While other releases have had an instant impact there is an almost unfathomable depth to the work of Guy Garvey and co. Repeat listens have paid much bigger dividends than my bank account during the same period.As a Read more ...
Russ Coffey
Even in a bumper year for Xmas albums there comes a point where you really don’t “wish it could be Xmas every day”. After the third helping of turkey, and feeling like a cracker that has been well and truly pulled, it’s only natural to long for a glimpse of summer. Metronomy’s third album is just that. A long, hazy, coming-of-age summer on the Devon coastline.The English Riviera shared a mercury nomination with King Creosote and Jon Hopkin’s gorgeous arthouse long player, Diamond Mine, described as a “fictional soundtrack to a romanticised life led in a small Scottish coastal village”. In Read more ...
Ismene Brown
You're going to test your stomach and sweet temper to the maximum today - test your brain and memory too with our monster quiz about the arts covered by theartsdesk in 2011. Every artform is represented here in 12 dozen questions. Settle down between courses, films and presents and see how many you and your near and dear can do.There's a linkable clue to each question where you will find an article that furnishes the answer. All the answers are on another page here - which will become live at noon today to give you a start.In film, what is “the Great Whatsit?” ClueWhich shuttered cultural Read more ...
theartsdesk
Here are the answers to our monster Christmas arts quiz of 12 dozen questions on the year past, as seen by theartsdesk writers. There are clues in all the questions in the main quiz page. If you don't want to know the answers just yet till you've grappled with them, close this page now.A suitcase bomb in Kiss Me DeadlyThe Bolshoi Theatre, Moscow, which reopened its main theatre in October, having lost its ballet director Gennady Yanin to scandal and its stars Natalia Osipova and Ivan Vasiliev to the Mikhailovsky Ballet"Everyday"29205Noel GallagherPhyllida Lloyd1980 Read more ...
Thomas H. Green
There were other contenders for my favourite album of 2011. Nicolas Jaar’s electronic odyssey Space is Only Noise certainly pushes towards imaginative sonic frontiers in ways nobody could accuse Motörhead of doing, and The Death Set, bratty noiseniks from Australia via New York, demonstrated on Michel Poiccard just what a brilliant racket can be made by lacing punk rock attitude with electronic thunder. In the end, though, as other albums came and went, The World is Yours sat in my car stereo’s 10 CD changer from January until December and I hammered it. It gave me the most pleasure of all. Read more ...
Kieron Tyler
The 20th anniversary of the death of Serge Gainsbourg is an important milestone, but it has overshadowed the fact that 10 years have passed since the death of an another significant French singer and songwriter, Gilbert Bécaud. The release of Et Maintenant marks the anniversary in fine style, uniting singers across generations, a couple of whom aren’t even French.Although Bécaud only sniffed the British charts once, in 1975 with “A Little Love and Understanding”, and isn’t as raffishly cool as Serge, English-language versions of his songs - “What Now my Love”, "Let It Be Me" and “The Day Read more ...
Kieron Tyler
Frank Sinatra might have come to dislike being branded as part of the Rat Pack, but the phrase stuck and still sticks. Judging by last night’s Christmas-slanted show, just as he, Dean Martin and Sammy Davis Jr live forever, so will that phrase. Eleven years on from the first Rat Pack Live From Las Vegas show the shine hasn’t gone and the trio – even though they aren’t really there – light up the Wyndham’s Theatre.Strolling on to open the show with “Come Fly With Me”, Stephen Triffitt is Frank Sinatra. He’s been at it for over 10 years and ought to be good, but if you’re a first-timer little Read more ...