New music
Russ Coffey
Christmas albums are often a time to forget about the other 11 months of the year and get stuck into some festive silliness. Not for Kate Rusby. On this, her second volume of carols inspired by the South Yorkshire tradition, she’s still doggedly plying her trade, recasting some well-known and other unfamiliar Christmas melodies as simple hearth-side folk songs. The result may not be the sort of thing Jim Royle would open presents to, but it’s sure Christmassy in a soft, poignant and delicately beautiful way.While Mortals Sleep’s mix of folk, Yorkshire and Christmas is never better Read more ...
Thomas H. Green
In truth this probably deserves one star rather than two but it’s all about expectations, isn’t it. A Yuletide outing from the professional bumpkins who hit big in 1976 with "I've Got a Brand New Combine Harvester", replete with a dopey-eyed cartoon cow angel floating on the cover and Christmas dinner on the CD itself, is hardly claiming to be vanguard art. If you buy this, you know what you’re getting – daft yokelised versions of creaky Christmas perennials. And they really are all the most predictable songs imaginable, with the possible exception of orchestral pop composer Leroy Anderson’s Read more ...
Thomas H. Green
The Rhythm Method by Nicky Forbes dives into the working, gigging, cash-free underbelly of real rock’n’roll life. Whereas most music biographies are written by or about those who’ve made it, who live in the gilded cage of pop stardom and all that entails, The Rhythm Method is about Forbes’s life as drummer in The Revillos, a cartoonish post-punk outfit born from the ashes of the more successful Rezillos. It is a chattily told saga of bad decisions, misfortune, dissolution and a persistent inability to realise when the game is over.One example of The Revillos’ bad luck is when their rising ( Read more ...
bruce.dessau
There are plenty of recent examples of videogenic movie stars embarking on questionable musical pursuits, from Keanu Reeves to Scarlett Johansson, to name two whose rhythmic careers should have been throttled at birth. Zooey Deschanel, Hollywood's go-to kook, has actually recorded some remarkably pretty music. Volume One, her debut album with M Ward, the other half of She & Him, was as fine an example of tweetastic vintage-store pop as you would come across this side of Belle & Sebastian. Cute as a kitten and just as playful.In fact, Deschanel excels at wistful, shimmery, Sixties- Read more ...
howard.male
“It’s cultural imperialism,” a middle-aged gentleman felt compelled to say to me, presumably because I was the bloke with the notebook. “Then all pop music is cultural imperialism,” is what I should have fired back at him, had I not been so immersed in the transcendental racket of tussling brass and distorted guitars that had almost made him inaudible. But instead I took the scenic route of pointing out that this legend of 1970s Ethiopian jazz would hardly have spent the last seven years playing with these white Dutch musicians if he had felt he was being exploited.As I finished the case for Read more ...
Kieron Tyler
Serge Gainsbourg died in 1991. His son Lulu was five at the time. Dad and son shared the given name Lucien. Now, they share more than that. On the confounding, unsatisfying From Gainsbourg to Lulu, Gainsbourg junior tackles 16 of his dad’s classic songs for his debut album.Gainsbourg is often revisited in France. Current pre-Christmas shelf-hoggers include an all-encompassing box set, a new version of Histoire de Melody Nelson and Bashung’s 2006 run through of L'homme à tête de chou. Lulu joining in seems perverse as the past few years have seen him gain recognition as a jazz pianist – he Read more ...
david.cheal
It’s easy enough to diss Coldplay: they make music that’s hugely successful (boo!) and not terribly challenging; they’re middle class – a heinous crime in a form of entertainment that’s steeped in notions of “authenticity” (hence the enduring love affair between music critics and the oafish Oasis – hey, they take lots of drugs and they used to steal car radios!); and as people they just seem a bit nice, to the point of dullness. I’ve done the dissing thing myself often enough: there’s that way of saying “Coldplay” that sounds both slightly sneery and slightly shamefaced, in the same way that Read more ...
Kieron Tyler
“They’re some of the greatest pop songs ever written,” declares Sir Elton John. He’s right. The Bee Gees – Barry, Maurice and Robin Gibb – are responsible for songs that will live forever, songs that are part of successive generation’s cultural furniture. Yet although the title was The Nation’s Favourite Bee Gees Song, the question asked on the ITV website was: “Just what is the greatest Bee Gees song ever?” Favourite and greatest aren’t the same thing. They can be, but they aren’t.This kitten-soft stroll through 20 of The Bee Gees’ evergreens wasn’t concerned with any such existential Read more ...
matilda.battersby
Even if you haven’t heard of Slow Moving Millie, aka Amelia Warner, there’s a 99 per cent chance that if you reside in the UK and have access to television, you’ll have heard her sing. The 29-year-old’s cover version of The Smiths’ “Please Please Please Let Me Get What I Want” features on the most talked-about, eye-misting Christmas advert of the year: John Lewis’s 30-second commercial of a little boy who can’t wait for his present (wait for it!) to his parents to be given.Millie’s slowed-down, plaintive and beautifully sung cover version is in a big way responsible for the ad’s success. And Read more ...
joe.muggs
Clever people often make terrible music. Not always: the best pop is smart as well as direct - but an inability to stop analysing, comparing and explaining is the anathema of the pleasure principle, and encyclopedic knowledge often leads to bone-dry discourse. These are problems that all of the performers at last night's show have run up against, and dealt with in different ways; in particular, the headliner Green Gartside has spent his entire three-decade-plus career with various versions of Scritti Politti more or less successfully finding ways of reconciling the immediacy and concentrated Read more ...
Kieron Tyler
Glass crunches underfoot. It’s been raining constantly, but the odour reveals that a fair amount of what's in the cobbled street's central gutter is urine. Everyone appears to be drunk. The French equivalent of crusties aren’t content with one dog-on-string. Some have four. During the annual Trans Musicales festival, Saturday night in and around the Place St-Anne of Brittany’s capital Rennes is a keep-you-on-your-toes experience.Later, while walking south towards the Place République, a woman smells English-speaker in the air, rushes up and exclaims, “I have to tell you, Of Mice and Men, John Read more ...
Kieron Tyler
Scotland’s Bill Wells is hard to pin down. Although ostensibly a jazz pianist, boundaries don’t concern him. He’s played with Aidan Moffat and Isobel Campbell. In 2009 he made the GOK album with Japan’s Tori Kudo (who records as Maher Shalal Hash Baz). Lemondale was made in Japan with a raft of collaborators that include Jim O’Rourke, Kudo and members of Tenniscoats.It’s a lovely album. Coherent, too. Especially considering that it was recorded in one day. Overall, Lemondale is filmic, edging towards Michel Legrand’s jazzier moments and even Francis Lai soundtracks. Equally, it’d be at home Read more ...