Reviews
Heidi Goldsmith
Transgressive is a bold statement for a record label's tin and, on their 10th anniversary celebration last night, there appeared instead a Caucasian calm to the events. From optimistic William Blake lyric loops in the foyer, to the persistent professions of love from the audience for anyone under the limelight.The first live act to grace the Barbican stage last night was newcomer Marika Hackman, unassuming in a simple black cape, aquamarine guitar and unbrushed Scandinavian blonde hair. The focus fell on her lilting pick pattern and twisting melody, and her presence and playing exuded a Read more ...
Jessica Duchen
Daniil Trifonov, 23, has shot to prominence as one of the hottest pianistic properties of the moment. With multiple competition wins behind him, including the Tchaikovsky in his native Russia, plus a recording contract with DG and a frenetic globe-trotting schedule, he is now a very busy young man. Last night’s London appearance was his recital debut at the Royal Festival Hall, a venue only accorded to the biggest names in the Southbank Centre’s International Piano Series, the new season of which he was opening.A sizable though not quite capacity crowd of pianophiles largely took this young Read more ...
Matthew Wright
Amy Winehouse, Esperanza Spalding, and Roberto Fonseca were the names tossed and bandied after a London debut of extraordinary charm and maturity from the 19-year-old Spanish singer and multi-instrumentalist Andrea Motis. While a modest Soho crowd was dwarfed by the audience at the Barcelona Jazz Festival where she became, in 2012, the youngest performer to headline, there was a communal tingle of recognition, that we’d witnessed the start of something big.Motis sings an already broad repertoire of standards, both American and Latin, with a sprinkling of modern repertoire such as Amy Read more ...
Marianka Swain
Britain has entered a “post-Christian” era, declared former Archbishop of Canterbury Rowan Williams earlier this year: we acknowledge its cultural presence, but Christianity is no longer an habitual practice for the majority of the population. If that’s accurate, viewers of the 2009 American work Next Fall will most likely sympathise with Charlie Condou’s sceptic Adam, who simply cannot comprehend his partner Luke’s (Martin Delaney) certain belief in Heaven, Hell and an inevitable Rapture, nor how such convictions are reconcilable with their life as a committed homosexual couple.This Read more ...
emma.simmonds
Zombies have feelings too. That's the message at the heart of writer-director Jeff Baena's debut Life After Beth, which begins its life as a sensitive indie comedy with a winning deadpan shtick and ends up salivating and snarling after developing an appetite for riotous, blood-splattered slapstick. Parks and Recreation's Aubrey Plaza bags the bizarro role of a lifetime and this quite brilliant comedienne attacks it like a man-eater tearing flesh from bones with only its teeth. She also quite literally does that.Dane DeHaan gives us a modern day Harold Chasen (from the excellent Harold and Read more ...
fisun.guner
When did Big Ideas make a comeback at the Turner Prize? Did they ever go away? In its 30-year history it seems that everything that wasn’t painting has been labelled “conceptual art”. But we know that labels can be very misleading, and the “conceptual” in “conceptual art” obviously need not apply. Walking through the mind-maze of this year’s exhibition of four shortlisted artists, particularly the work of Dublin-born Duncan Campbell, one feels at the mercy of a lot of portentous theorising. But that’s probably because Campbell seems to dominate the exhibition with a film, It for Others, Read more ...
Heather Neill
Sixteen-year-old Bernadette is determined to write short stories. She's a promising writer, describing her own feelings, the strangers and friends who cross her path in telling detail. Occasionally, the similes are a little forced: an old man has a face like wet Kleenex; the disappearance of her boyfriend's mother "looms over everything like a dinner plate glued to the wall". She admits she gets into trouble for including too many similes, but her descriptions could never be accused of lacking colour. Most of all, like any teenager, she needs an audience.Bernadette's life is going Read more ...
Nick Hasted
You expect the tears, anger and pride, as NUM veterans relive Britain’s defining industrial dispute, 30 years later. The bafflement of a South Welsh ex-miner is more telling; the way his voice slows in disbelief at the level of violence the British state unleashed in the Miners’ Strike of 1984-85, and incomprehension as he still struggles to grasp how and why what he saw could have happened. Two miners died during the strike, as did a cabbie taking one to cross a picket line, and three children sifting the coalfields for scraps to survive on. Light casualties, really, for a strike Margaret Read more ...
Marianka Swain
In his otherwise unremarkable 1932 debut play Dangerous Corner, JB Priestley employs a promising framing device that hints at the kind of metafictional experimentation found in works like Stoppard’s The Real Thing or Pirandello’s Six Characters in Search of an Author. I should hasten to add that Priestley does not deliver on this glimmer of promise – in fact, the frame is merely used to emphasise a theme already overstated in his plodding drawing-room whodunnit – but it’s indicative of an early work in which the writer is still figuring out the bounds of his new medium.Curiously, Dangerous Read more ...
Guy Oddy
Vance Joy does not pull in the kind of crowd that you might imagine would be wowed by a ukulele or an acoustic guitar. In fact, at the Birmingham date of his sold out UK tour, the place was rammed with fresh-faced teenagers and 20-somethings who were not only unlikely to know any of arch-folkie Richard Thompson’s tunes but also unlikely to have heard of the bloke at all. Joy did, however, conform to folkie type with his woolly hair, unshaven look and grubby denim shirt – a no-nonsense approach that he applied to his music as well.Bounding on stage with a three-piece backing band of bass, Read more ...
Marina Vaizey
Here be dragons, and plum blossoms in moonlight, model chariots, 15th-century paper money, weaponry and armour, embroidered robes, blue and white porcelain, vivid portraits of the court eunuchs, obese emperors and impassive empresses. There is many an unexpected subject, too: the most tenderly rendered depiction of a giraffe, a gift from the ruler of Bengal for the Imperial menagerie, with the animal dwarfing his devoted attendant. These are but a sampling of the hundreds of artefacts in one of those exhibitions that shows you all kinds of things you didn’t even know you didn’t know. It Read more ...
Karen Krizanovich
Draft Day should have been a contenda. As it stands, it's a football film for people who like football but who hate film. Sure, you may like “movies”, but you sure as hell don’t like film. It’s also the kind of film a rookie film reviewer will gleefully shred.In his fourth go at the sports genre, Kevin Costner looks better in the actual film than in the horribly photoshopped movie poster. This is fortunate as he plays Sonny Weaver, the manager of – gee, what team was it again? If you don’t follow football it doesn’t matter. If you do, it’s the Cleveland Browns – anyway, it’s the team we’re Read more ...