Reviews
Jasper Rees
“A bunch of beardies rooting around with trowels. On the lookout for shinbones and such. It’ll be knockout.” There will have been naysayers at the meeting when they first pitched the idea for a series about archaeology and yet nearly 20 years on Time Team is still with us. It seems the viewing public’s appetite for digging is not restricted to Titchmarsh. Mirabile dictu, as the Romans no doubt said when they dug up three wooden crosses under a temple of Venus in Jerusalem, thus inventing archaeology.Hence what might be considered overdue: a telly history of archaeology. This being telly Read more ...
Sarah Kent
Ellen Gallagher is obsessed by the issue of black cultural identity; but if that sounds tedious or tendentious, think again. She explores her theme in work that is so varied, so beautiful and so humorous that the furrow she ploughs seems more like an endless opportunity than a narrow limitation.Take the early paintings, for instance. From a distance they look like exquisite minimalist compositions – explorations in pure abstraction. Gallagher paints onto sheets of penmanship paper used by American schoolchildren when practising their handwriting. This underlying grid is enhanced by the thin Read more ...
alexandra.coghlan
I’m not one to get misty-eyed over La bohème (unless it be a red mist of rage), but this second revival of Jonathan Miller’s production at English National Opera brought me closer than any yet to understanding the snuffling, lip-quivering reactions of those around me in the Coliseum stalls. And if it wasn’t exactly emotion that got me there, then perhaps it was something even better: sentimental delight in joyous, glorious music-making.La bohème has suffered more than most operas at the hands of clever directors and conceptual visions. But at this stage in his career Miller has nothing to Read more ...
Veronica Lee
What a line-up for a sitcom; three of our most accomplished actors - Ian McKellen, Derek Jacobi and Frances de la Tour – star, and the writers are the super-talented playwright Mark Ravenhill and Gary Janetti, who used to work on Will & Grace, one of the classiest comedies on American television in decades. And what do you get? Well, not quite the laugh fest that it might have been (or may yet become), but an opener that had a reasonable hit rate.Vicious is another back-to-the-future comedy, a one-room sitcom with two of the queeniest gay men to grace our screens since the dear departed Read more ...
Kieron Tyler
Continuing its voyage through Scandinavia’s music, theartsdesk opens the latest chapter in Norway with Still Life With Eggplant, the 16th album from Trondheim’s prolific, long-lived, occasionally challenging and always vital Motorpsycho.Their last album, 2012’s The Death Defying Unicorn, was an orchestrated collaboration with jazz composer and musician Ståle Storløkken which was performed at Oslo’s opera house. The one before that, 2010’s Heavy Metal Fruit, included the 20-minute “Gullible's Travails” and was almost as musically elaborate as …Unicorn. Their new album, the magnificent Still Read more ...
Ismene Brown
I was trying to remember the last time a choreographer actually tried to make the audience smile in the past few months. Dance-lovers are suckers for guilt. They creep into the dark of their seat to be regaled by their share of the blame for the world’s wrongs, and creep home chastened, if not fully corrected (Rosas, Kylián, Schaufuss). Or else they are beaten about the head with the choreographer’s own personal shtick (Bausch, MacMillan, Petit). I know which I prefer.No venue is more a secular church for expiation than Sadler’s Wells, London's dance theatre. Last week it hosted two of the Read more ...
emma.simmonds
Occasionally an ensemble cast comes along that makes you want to get down on your knees and give praise to the movie gods; A.C.O.D. (Adult Children of Divorce) has such a cast. The directorial debut of Stu Zicherman brings together Parks and Recreation stars Adam Scott and Amy Poehler and expertly tosses into the mix Oscar-nominee Richard Jenkins, along with bona-fide comic geniuses Jane Lynch and Catherine O'Hara. And that's just for starters.Scott plays the neurotic, cynical Carter, ever-the-peacemaker for his acrimoniously divorced parents (Jenkins and O'Hara): "You have turned a nine-year Read more ...
Matt Wolf
The Oliviers consider more than twice the number of productions for their annual awards compared to Broadway's Tonys. But you could be forgiven for thinking otherwise following Sunday night's 37th annual shindig, which divvied up the kudos among notably few recipients, The Curious Incident of the Dog in the Night-Time leading the pack with seven awards - on a par with Matilda this time last year. At the same time, many other worthy hopefuls went home empty-handed, if they were lucky enough to get nominated to begin with. One intends no disrespect to Simon Stephens's adaptation of Read more ...
bruce.dessau
There was a point about two-thirds of the way through last night's gig when someone lobbed something onto the stage in front of Mick Hucknall. It was not clear exactly what it was due to the sea of dancing mums in front of me, but my strong suspicion is that it was something made of lace and worn below the waist judging by Hucknall's bemused declaration: "That's Tom Jones's department."The funny thing is that Tom Jones had been on my mind a lot during Hucknall's set, and not just after the low-flying knickers. Last year Jones came to Hammersmith as part of a Blues Festival but his devoted Read more ...
emma.simmonds
"What makes you think all this is funny?" businessman Ricardo Galán (Guillermo Toledo) snaps after a particular high-spirited episode in Spanish director Pedro Almodóvar's latest, and it's undoubtedly a remark that will resonate with some members of the audience. Almodóvar is one of modern cinema's finest auteurs - a director for whom we reserve the highest of expectations. However his latest is camper and more booze-fuelled than Christmas, coming after the comparably tortured The Skin I Live In and Broken Embraces this is the cinematic equivalent of a blowout.So yes, this is one very silly Read more ...
Adam Sweeting
"For youth, for change and always for the people" was the slogan with which Rupert Murdoch relaunched The Sun in 1969, having bought it from its previous owners IPC for a mere £800,000. Murdoch, the Aussie iconoclast who kept a bust of Lenin in his rooms at Oxford university in the early Fifties and claimed to be an ardent socialist, decreed that his new tabloid would be free from party political affiliations and would refuse to kow-tow to the British establishment, which he instinctively loathed. His message resonated with a broad swathe of the British public, and within 100 days the paper's Read more ...
edward.seckerson
Vladimir Jurowski deemed this the most challenging of any programme in the Southbank’s year-long The Rest is Noise festival and proceeded to tell us precisely why. That his little preamble lasted almost twice as long as the first piece - Webern’s Variations for Orchestra Op.30 - was an indicator of just how scientific the thinking behind his programme was. Jurowski instinctively understands how and why works impact on each other in the way they do. Intellectually and emotionally speaking this was a classic of its kind - and with one possible exception the accomplishment of its execution was Read more ...