Reviews
Veronica Lee
Josh Pugh made quite an impression at last year's Edinburgh Fringe, where he was deservedly nominated for best show in the Edinburgh Comedy Awards with Sausage, Egg, Josh Pugh, Chips and Beans. In this special YouTube version, recorded at Birmingham Town Hall, he reprises that performance.It's an accomplished, warm-hearted hour of observational comedy about this and that, much of it drawing attention to Pugh's hapless persona and the scrapes he gets into – such as accidentally grooming a ripped Serbian teenage kickboxer, or ruining his wife's dinner because he became distracted by finding out Read more ...
stephen.walsh
The Three Choirs is (are?) off again, for the 295th time, but with a very different look, even from the festivals of my youth, never mind 1715, or whenever the first one was held (there seems to be some doubt about it). The big oratorio concerts in the cathedral are still there, but these days with a pulsating retinue of smaller concerts and recitals in a variety of other venues, not all of them in Gloucester, this year’s host city. Even oratorio life has a somewhat skewed appearance. Vaughan Williams’s Sancta Civitas is labelled “oratorio” but lasts a mere half-hour or so, while his Read more ...
Boyd Tonkin
It never rains but it pours – and hails, snows or, above all, thunders. The presiding tone of Semele, in Adele Thomas’s new production for Glyndebourne, matches the current English summer with its grey skies, glowering clouds and stormy outbursts. Jove’s evidently in a rage, despite his rejuvenating lust for the Theban king’s daughter, Semele. He’s not the only one: the first of many lightning-bolts – designed by Peter Mumford with Rick Fisher – that flash around Annemarie Woods’s crepusular set illuminate lonely Juno, spurned and seething spouse of the heavenly overlord. Her dogged quest for Read more ...
Gary Naylor
A new theatre? In 2023? Now there’s a shot in the arm for the post-pandemic gloom. But there’s no business like show business – not for Mayfield Lavender anyway, who have found a corner of one of their beautiful purple fields and built an outdoor theatre for the poor, neglected souls of er… Epsom – but any investment in arts is surely welcome in these most philistine of times. Co-founded by Artistic Director Joe McNeice and Executive Director Brendan Maye, the space is still a little rough and ready at the moment and its vast stage may need a little reconfiguring unless budgets Read more ...
Robert Beale
Necessity has to be the mother of invention for many operatic enterprises these days – and there are few with such inventive powers as those of Clonter Opera in Cheshire.Its avowed aim is to be a platform for emerging artists and a bridge from conservatoire training to the professional world, and its track record in achieving that for nearly 50 years is impressive. This summer production in the theatre-on-the-farm brought 10 young singers together, bursting with talent, and entertained its audience well.It has to be inventive, of course. The pit in the Clonter theatre requires reduced Read more ...
Kieron Tyler
After his death in 1867, it didn’t take long for Charles Baudelaire’s poems to be set to music. Composer Henri Duparc did so in 1870, but Claude Debussy’s late 1880s framing of five of the Symbolist pioneer’s verses confirmed this as more than a one-off fascination for the musical world.Subsequently, Baudelaire’s words have stimulated myriads of performers: Celtic Frost, The Cure, Serge Gainsbourg, Diamanda Galas and Tyler the Creator amongst them. In France, chanson legend Léo Férre devoted three albums to Baudelaire.Now, with the explicitly titled Baudelaire & Orchestra, Norway’s Read more ...
Graham Fuller
Mark Cousins pulled off a coup for his latest film history documentary, My Name Is Alfred Hitchcock, by getting the great director to narrate it. In his catarrhal East London drawl, Hitchcock parses dozens of the brilliant visual techniques he used to elicit emotional responses in his movies' audiences, as Cousins cuts rapidly from one memorable excerpt to another. Quite a feat since Hitchcock died 43 years ago.The conceit mostly works well thanks to the unseen Alistair McGowan’s impersonation of Hitchcock. Insinuating and sardonic (not least in his fleeting observations about the speeded-up Read more ...
Kieron Tyler
Two producers named Martin worked with Buzzcocks and Joy Division. Martin Hannett was in the studio for Buzzcocks’ debut release, the Spiral Scratch EP, issued in January 1977, and also for the bulk of the tracks spread across their last three United Artists singles in 1980. He also shaped every studio recording Joy Division made for Factory Records.Martin Rushent (1948–2011) was teamed with Buzzcocks after they signed with United Artists in August 1977 and continued the relationship with the band’s Pete Shelley following the band's split in 1981. In March 1979, he recorded four tracks with Read more ...
Helen Hawkins
The shadow of Grenfell Tower has already produced Nick Kent and Richard Norton-Taylor’s dispassionately forensic but devastating documentary plays based on transcripts from the Grenfell Inquiry. Now comes a companion piece, the National’s Grenfell, a verbatim play using excerpts from the same source, but larded by Gillian Slovo into a wider account of the fire by those who were in it, to equally wrenching effect.The cast of 12 arrive in the National’s small Dorfman space and one by one introduce themselves: first by their own names, then as the main character they will play (all take on a Read more ...
Rachel Halliburton
This powerful, haunting tribute to William Byrd – performed by the HEXAD Collective – was made particularly distinctive by its performance in the resonant, atmospheric setting of the Brunel Tunnel Shaft in Rotherhithe. When Brunel and his father designed this chamber – which sinks 50 feet below ground – it was to create an entrance to the first tunnel beneath the Thames; today, in its post-industrial incarnation, it has one of the most sonorous acoustics in the country.True, that comes with its drawbacks – every Overground train that passes makes its presence felt and more surprisingly you Read more ...
Mark Kidel
As a child, Anselm Kiefer tells us, in a bombed out German city, he would play in the rubble, creating life out of ruin and destruction. As an artist who is remarkably consistent, without being predictable, he continues to play in the ruins, breathing new life into the detritus of the world as well as his own collection of found objects, waste materials and other elements from which life appears to have been sucked out by time and history.Kiefer’s latest exhibition at the White Cube Bermondsey, a space with which he’s developed an intimate relationship, is inspired by James Joyce’s Finnegans Read more ...
Guy Oddy
Mali’s Tinariwen have been a serious powerhouse in non-Western music since the 2001 release of their first major label album, The Radio Tisdas Sessions. Their sound certainly hasn’t stood still in the last twenty years though. Female backing singers have come and gone, and pedal steel, banjo and fiddles have also made appearances on several of their albums, as Ibrahim Ag Alhabib and his crew have explored the shared sounds of West African desert blues and the rural music of the USA.This week, however, Birmingham was treated to a back-to-basics line-up of the band, that dropped all external Read more ...