Reviews
Jonathan Geddes
When Starsailor arrived onstage, they did so to the somewhat odd walk-on music of one of their biggest hits, with a remix of “Good Souls” blaring out and an early sing-a-long underway as a result. Perhaps that was appropriate, as this evening was focused on providing familiar, nostalgic comforts to those in attendance.The impetus for the tour, after all, was to mark the 20th anniversary of "Love Is Here", and that brief period when the Warrington outfit were considered one of the country’s hottest new acts, only to be soon eclipsed by the skinny jean and shaggy haired frenzy of the Strokes, Read more ...
Kieron Tyler
Irrespective of its seasonal nature, the thread running throughout O Come All Ye Faithful is a mood of contemplation which could colour any of Hiss Golden Messenger main-man M. C. Taylor’s albums. The opening cut is “Hung Fire,” a Band-esque, downtempo, soulful reflection beginning with the line “Things were bad for me, if I’m honest.” The song opens out to declare “it’s Christmas day, thank God we made it.” Next up is an interpretation of “O Come All Ye Faithful” which, arrangement-wise, is of a piece with “Hung Fire.”Three of the albums tracks are new songs by Taylor and, as well as “O Come Read more ...
Thomas H. Green
Madness frontman Suggs is asking the capacity crowd at the Brighton Centre if any of them are in school-age education. Quite a few are. There are actual young people here! Some are with parents (even, possibly, grandparents), but gaggles of teenagers are also in evidence on their own. They shout out. We all know what’s coming… a Madness song about school days… “Naughty boys in nasty schools, headmaster’s breaking all the rules…” And, we’re off again, jogging on the spot to perennial Eighties classic “Baggy Trousers”, a sea of shaven heads, red fez’s and porkpie hats bubbling with happy Read more ...
Adam Sweeting
I sympathised with the prosecuting barrister when she put it to the court that the accused, a man called Hero (Samuel Adewunmi), was “using his closing speech to construct a work of fiction”.This was a crafty meta-joke. You Don’t Know Me itself is a dramatic fiction adapted from the novel by Imran Mahmood, and Hero’s decision to defend himself at his own murder trial found him standing up in court and giving an actorly rendition of his own version of the plot.I liked it better than the prosecution’s version – is the law really just a story-telling contest? – even though Hero seemed to be Read more ...
Sebastian Scotney
This winter's evening spent at Wigmore Hall, completely immersed in performances of songs by Tchaikovsky, was a delight.Mezzo-soprano Ekaterina Semenchuk and pianist Semyon Skigin know these songs profoundly well. They described the proposal thus: “From [Tchaikovsky’s] 104 songs we have chosen 24, focusing on the widest possible range, from joyful exultation to the depths of pain and melancholy.” The words of these great songs might speak of hesitancy and mistakes and regret, but the melodies just flow.Semenchuk is one of the great mezzos of our time. She has performed no fewer than 30 roles Read more ...
Veronica Lee
The lengthy ovation Chris and Rosie Ramsey received when they walked on stage at the O2 showed there was a lot of love in the room, and why wouldn't there be? The married couple's podcast Shagged. Married. Annoyed. has clocked up 144 episodes and built a large and loyal following, and now here they were doing the show live.Chris Ramsey is a stand-up and a former contestant on Strictly Come Dancing, and Rosie Ramsey is an actor and presenter who is now also an influencer (that last job leading to a cringworthy in-show advertising routine for their sponsors, acted out by the couple as if a Read more ...
Boyd Tonkin
The shadow of the cross falls over James MacMillan’s manger. You may come for his work’s consoling, even transporting, beauty and mystery. It’s there in abundance in his new Christmas Oratorio. Yet what may grip hardest are his passages of crashing dread and horror. For MacMillan, the incarnation in Bethlehem triggers a journey across human suffering that only redemption, through Christ’s crucifixion, can close. Against the unearthly ripple of the celeste, or the playful tenderness of the solo violin (both frequently recur), a terrifying doomquake of timpani stands ever-ready to erupt. Read more ...
Tom Birchenough
Measure for Measure may be the quintessential Shakespeare “problem” play, but just what has earned it that epithet remains a puzzle. Each generation approaches the matter from its own perspective. The developments of recent years, #MeToo most of all, have given new resonance to one of its central themes, the imbalance of law over nature and the quality of justice, but the play’s “resolution”, if it can even be called that, leaves the questions open.Or is it the imbalance – “balance”, as the title itself makes clear, being a key concept – between tragedy and comedy, between the deathly serious Read more ...
Robert Beale
Manchester’s oldest chamber orchestra has been gathering a new audience at the Stoller Hall in Chetham’s School of Music since that auditorium opened, and Sunday afternoon’s programme provided an excellent example of where the Northern Chamber Orchestra’s virtues lie.With Chloë Hanslip, the orchestra’s artist in association, appearing as both soloist and director, it also happened to have been selected by the BBC for recording for a radio focus on Manchester music-making, to come in January. (When you listen to that you may just detect some querulous cries and bumps arising from the presence Read more ...
Kieron Tyler
The picture seen above doesn’t have quite the same resonance as Art Kane’s 1958 shot A Great Day in Harlem which brought 57 American jazz musicians in front of his lens, but it is nonetheless significant. Here, in 1971, is an evocative, unique record of a moment in West Midlands music history. The shot was taken at the opening of Heavy Head Records, a Sparkhill record shop run by Move/Electric Light Orchestra drummer Bev Bevan. The shop was formerly a toy store run by his mother.In the front, from left to right, are Rick Price, Ozzy Osbourne, Raymond Froggatt, Jeff Lynne, Bev Bevan, Tony Read more ...
David Nice
Two major composers took Pushkin’s narrative poem The Gypsies as the subject for two very different operas. The 19 year old Rachmaninov in 1892 had inspiration but not much sense of dramatic continuity; Leoncavallo in 1912, 20 years on from his deserved smash hit Pagliacci, managed the flow but not the inspiration. Give me Rachmaninov’s memorability any day, but at least Leoncavallo’s hokum had the benefit of the best singers and conducting at Cadogan Hall last night.Quality was assured before the first note of the evening. Carlo Rizzi, here conducting the Royal Philharmonic Orchestra, stands Read more ...
Rachel Halliburton
When the Canadian Yann Martel went to India as a young adult backpacker he fell in love – not with one person but with the rich imaginative landscape opened up by its religions and its animals. A struggling writer at the time, he channelled this new love into a dazzling idiosyncratic narrative about a shipwrecked Indian boy who survives 227 days at sea with a zebra, a hyena, an orangutan and a Bengal tiger called Richard Parker.Millions of people have now been swept up in his Booker-winning magical realist odyssey. Director Ang Lee has captured it – not entirely successfully according to Read more ...