Reviews
Gary Naylor
"Off-grid" wasn't a thing in the mid-'70s. Sure, people planted a few potatoes in the garden and pottered about a bit in an allotment, but nobody went the whole hog. The rat race was certainly a thing though, a fertile seam for comedies like The Fall and Rise of Reginald Perrin. John Esmonde and Bob Larbey had the brainwave of combining the two in the BBC sitcom The Good Life - that and casting Felicity Kendal of course.The veteran writer-director Jeremy Sams takes us back to Tom and Barbara’s momentous decision to live off the land - in Surbiton - and their love-hate relationship with Read more ...
Sarah Kent
Lubaina Himid won the Turner Prize in 2017 for the retrospective she held jointly at Modern Art, Oxford and Spike Island, Bristol. My review of those shows ended with the question: “Which gallery will follow the examples of Oxford and Bristol and offer Lubaina Himid the London retrospective she so richly deserves?”Four years later, here it is – at Tate Modern. But whereas those joint exhibitions revealed the richness and emotional depth of Himid’s work, this show leaves the viewer somewhat stranded, without the information needed to fully engage with subject matter that is often inscrutable. Read more ...
Christopher Lambton
What happens in an orchestra when your designated conductor for three gigs at the end of the week phones in with Covid on Monday morning? By Monday afternoon, when he was writing his introduction to the programme notes for this concert, Alistair Mackie, chief executive of the Royal Scottish National Orchestra, still didn’t know. He didn’t know who would conduct or even if the repertoire would change. By Wednesday we knew that the American conductor Jonathan Stockhammer (pictured below by Marco Borggreve) would be replacing the indisposed Finn Eva Ollikainen. With the first concert on Thursday Read more ...
Jenny Gilbert
In Paris on a business trip in 1916, Wilhelm Hansen was no doubt typical of many husbands in confessing to his wife that he’d been a bit reckless in his personal spending (“You’ll forgive me once you see what I’ve bought”). But he was hardly typical in his purchases: “Landscape paintings by Sisley and Pissarro, a portrait by Renoir, and Claude Monet’s Rouen Cathedral, one of his best-known works!” he excitedly wrote home to his wife. In the space of the next two years Hansen acquired no fewer than 156 Impressionist paintings, and it’s the bulk of this collection that features in The Danish Read more ...
Sebastian Scotney
Saxophonist Kenny G knows exactly what buttons he needs to press to upset the jazz faithful. He is quoted as having said of his new album New Standards (Concord): “The jazz community is gonna hate it. And that doesn’t concern me.”There is quite some history of antagonism here. Turn the clock back to 1999 and the album Classics in the Key of G, and we hear Seattle-born G, né Gorelick, playing over the classic Louis Armstrong recording of “What a Wonderful World”. Hackles were raised, to put it mildly. Guitarist Pat Metheny, for example, called it “a new low point in modern culture – Read more ...
Kieron Tyler
Signs of irrevocable change materialised in December 1965. On Wednesday the 8th, a new band named The 13th Floor Elevators debuted live at The Jade Room in Austin, Texas. Band members prepared for the experience by taking LSD in the run-up to the booking. Within a couple of weeks, they had a business card describing them as playing “psychedelic rock.”Three days later, on the 11th, another new band was seen by a paying audience for the first time. The Velvet Underground played in a support slot at Summit High School in New Jersey. Two numbers in their set were titled “Heroin” and “Venus in Read more ...
Bill Knight
Paris Photo 2021 was a wonderful show. Back after the pandemic it was moved to the Grand Palais Éphémère, a temporary structure built to host major art exhibitions while the Grand Palais itself is modernised in preparation for the 2024 Olympics. There were 178 exhibitors at the Grand Palais from 29 countries, 19 solo shows and 8 duo shows. There were thousands of images on display.Paris Photo is conceived on a grander scale than say, Photo London. The French love photography and between Paris Photo, the Rencontres d’Arles and other major shows, such as the Walther collection currently at the Read more ...
David Nice
Dara McAnulty’s Diary of a Young Naturalist (14 at the time of writing) is a total vision, effortlessly poetic where the likes of Rober Macfarlane sometimes seem to strive for effect. Cheryl Frances-Hoad’s 26 songs, with a text drawn from the journal by the late Amanda Holden, offered only a partial panorama at its world premiere.That’s not the problem of the work or its first-rate performers. The fact is quite simply that these often exquisite fruits need a different soil in which to thrive.Southwark Cathedral, unfortunately, doesn’t allow for enough of the crucial text to be heard. That Read more ...
Adam Sweeting
Based fairly closely on Sally Wainwright’s 2009 ITV series Unforgiven, The Unforgivable replaces the former’s star Suranne Jones with Sandra Bullock and has airlifted the action from Yorkshire to Seattle. A beefy supporting cast including Jon Bernthal, Vincent D’Onofrio and Viola Davis sprinkles on a modicum of box office glitter, while director Nora Fingscheidt has successfully evoked a menacing atmosphere of star-crossed characters battling a malignant fate.Despite all this, it can’t quite live up to its potential. The problem is Bullock, stoically persevering with the character of Ruth Read more ...
Guy Oddy
When those cold winter nights start closing in, there is really only two choices for facing up to the unpleasantness that this brings. Stay at home, batten down the hatches, whack up the heating and blow the expense. Or go out and immerse yourself in some hot and sweaty rock’n’roll.Clearly, the majority of us at theartsdesk.com favour the second option. So, when the raucous Pigsx7 finally made it to Birmingham to support their Viscerals album of 18 months ago, there really was no choice about what to do.It may have been cold and wet outside, but Pigsx7 weren’t going to be guided by that with Read more ...
Rachel Halliburton
Words flow like water in TS Eliot’s Four Quartets, shimmering with allusion, swirling and eddying with the ideas and fractured philosophies of a poet at the height of his powers. It’s fitting that he chose Heraclitus to supply the epigraph, the pre-Socratic philosopher who, like Eliot towards the end of his life, believed that life was in constant flux, famously riddling that you “could not step twice into the same river”. Ralph Fiennes’ brilliant interpretation breathes air and physicality into Eliot’s fluid, abstract musings, allowing the poetry and the humour Read more ...
Robert Beale
Sir Mark Elder and the Hallé were making something of a statement in this concert. Gone was the extended platform, gone the distanced orchestral seating of the past 18 months or so (strings now back to shared music stands), and the programme (also a live broadcast on Radio 3) was both adventurous and, one hopes, attractive, with a star soloist and a barn-storming finale.Boris Giltburg, the soloist in Rachmaninov’s Fourth Piano Concerto, was for elbow-bumping as he greeted the leader of the night, Jan Schmolck, but Elder seized him and others by the hand to share his enthusiasm. So was this, Read more ...