Reviews
Graham Fuller
There aren't many unforgettable moments in The Columnist, but one occurs when the eponymous Dutch journalist Femke Boot (Katja Herbers) clambers from the skylight of her house and, unseen by her middle-aged neighbour (Rein Hofman), who's doing DIY on his roof, tips him to his death on his patio. It's the offhandedness of the murder that's impressive – it recalls the young thug blithely tipping the bound woman into a lake in both versions of Michael Haneke's Funny Games (1997/2007). This first revenge slaying of a misogynist internet troll by Femke precedes others that turn her into an Read more ...
Daniel Lewis
The horror novelist Sarah Langan recently compared motherhood to being treated like a game of Operation. “The point of the game is to correct us by removing our defective bones, to carefully pick us apart. It’s open season.” For the Mexican writer Brenda Navarro motherhood is also a sort of hollowing out, but it’s a different kind of open season. For her, mothers must “be empty houses ready to accommodate life or death, but, when it comes down to it, empty.” In her harrowing debut novel Empty Houses, it feels as though Navarro opens every door to every room.The book tells the tale of a child’ Read more ...
Adam Sweeting
There comes a time when every successful formula can do with an overhaul, and that particular bell may be tolling for Unforgotten (ITV). Regular viewers will be familiar with writer Chris Lang’s modus operandi – a corpse (usually grotesque and of indeterminate age) is discovered, and before you can say “autopsy” cold case experts Cassie Stuart (Nicola Walker) and Sunny Khan (Sajeev Bhaskar) are poking around in the innards. Then they track down a network of potential suspects who were connected with the deceased.This latest case adheres to the blueprint with unswerving exactitude, though it’s Read more ...
Peter Quantrill
The reputation of Nikolai Myaskovsky has long been cast into shadow by the more exportable extroversion of his contemporaries Prokofiev and Shostakovich. Even at their darkest moments, neither of them does Russian gloom quite like Myaskovsky, but the 140th anniversary of his birth offers as good an excuse as any to listen more closely to a composer who operated at the very centre of 20th-century Russian music. With online talks through February and March and now three concerts, a festival in the city of Yekaterinburg – Sverdlovsk, as it was known in Soviet times – is belatedly making news of Read more ...
Markie Robson-Scott
Cassandra and her sister – or perhaps they’re friends or lovers – seem extraordinarily in tune. Like choreographed dancers, they move precisely in unison, down to tripping over their scarves at the same moment or flopping drunkenly into bed together while a cell phone buzzes beside them unanswered, on and on into the night.Slowly, however, it becomes apparent that actually there’s only one Cass and, flipping the idea of actors playing their own twins on its head, she’s played by two women: Amy Nostbakken and Norah Sadava, who co-wrote and co-starred in their acclaimed original two-hander play Read more ...
David Nice
It seems right that (arguably) the greatest orchestra in the world has (unarguably) the best livestreaming and archive service. Thanks to a vital musicians’ Covid testing set-up, the Berlin Philharmoniker is even more supreme online now that it can field a full team for a work as opulently hard-hitting as Prokofiev’s Sixth Symphony, without distancing – pairs of string players share stands – even if also, still, without a live audience. The programming has been uncommonly interesting lately, with a "Golden Twenties" series featuring rich and rare repertoire, but even a one-off guest Read more ...
India Lewis
Unsettling, unremitting and psychologically stark, Klara and the Sun has all the hallmarks of a traditional Ishiguro novel. Dealing with his familiar themes of loss and love and the question of what makes us human, the book follows the "life" of an Artificial Friend (AF) called Klara, taken from her store of robot compatriots and left to navigate the complex world of human emotions. These AFs are companions for the children of this world, there throughout their infancy and then discarded as they reach maturity. Set against this background, the AFs' devotion to their children points to the Read more ...
Jessica Duchen
Sergey Prokofiev died on 5 March 1953, on the same day as Stalin. Perhaps that uncomfortable coincidence makes March the perfect time for a festival of Russian music. Pushkin House, the Russian cultural centre based in a Georgian villa in Bloomsbury, is holding one right now. Filmed in their empty salon, their chamber music and solo recitals are online to view for several weeks, the concerts released one at a time on designated days, and offering some familiar music, but focusing on much that is unexpected and occasionally revelatory. After an engaging introductory talk by the festival Read more ...
Lydia Bunt
Katherine Angel borrows the title of her latest book, Tomorrow Sex Will Be Good Again, from an essay by Foucault. The phrase parodies the supposed sexual liberation on the horizon in the ‘60s and ‘70s, picking apart the notion that sexuality and pleasure are intrinsically linked to some future freedom to speak. For Angel, too, there is no single place or time where desire will be perfect; the notion is, rather, a perpetual work in progress. Accordingly, in the ironically titled Tomorrow, she challenges the notion that consent means good sex. Sometimes, women do not know exactly what they want Read more ...
Kieron Tyler
The Viscaynes ought to have been a footnote. A minor footnote. From Vallejo in north California, they were one amongst many early Sixties vocal groups giving it a shot. Some were lucky and had hits. The Earls, The Impalas and Randy & The Rainbows did. Like The Marcels, who charted with “Blue Moon”, they were all rooted in the doo wop sound. Despite their three singles – including the Marcels referencing “Yellow Moon” – The Viscaynes did not break through to national success.Nonetheless, Yellow Moon – The Complete Recordings 1961–1962 is a meticulous 19-track compilation dedicated to what Read more ...
Demetrios Matheou
Hot on the heels of her 2019 triumph Portrait of a Lady on Fire, Céline Sciamma’s fifth feature continues a perfect track record; this is yet another gorgeous and perceptive film, told from a determinedly female perspective but with a wisdom that is all-embracing. Having started her career with films about children (Water Lilies, Tomboy), before moving to teenagers (Girlhood) and then adults (Portrait), Sciamma now takes on three generations at once – a girl, her mother and grandmother – to consider the threads of memory, personality and time that connect them. Her approach is Read more ...
Tom Birchenough
Joerg and Anna Winger’s gripping drama of East Germany, a loose portrait set over the final decade of that country’s existence, has reached its culmination, and this first episode of Deutschland 89 landed us right in the unpredictable maelstrom of history. Following on from Deutschland 83 and Deutschland 86, the thriller and espionage elements of those two predecessors have been folded with true aplomb into the real-life events that reached their unforeseen conclusion with crowds of East Germans breaking through the Berlin Wall – or the “Anti-Fascist Protection Rampart”, as it’s occasionally Read more ...