Reviews
Jon Turney
Henry Gee’s previous book, A Brief History of Life on Earth, made an interestingly downbeat read for a title that won the UK’s science book prize. He emphasised that a constant feature of that history is extinction. Disappearing is simply what species do. A few endure for an exceptionally long time (hello, horseshoe crabs), but all suffer the same fate in the end. Some at least go down as ancestors of succeeding species. Many more just vanish. Evolution permits gradual development of more complex forms. That’s how we got here. But the way it works – by reproduction with variation, then Read more ...
John Carvill
Director Haroula Rose’s gentle, good-hearted new comedy-drama All Happy Families takes its title from the famous first sentence of Leo Tolstoy’s Anna Karenina: “All happy families are alike; each unhappy family is unhappy in its own way.”There’s no discernible attempt on Rose's part to map her characters onto Tolstoy’s, but if we were to identify a potential analogue for Konstantin Levin, the moral centre of Anna Karenina, it would be Graham (Josh Radnor). A decent, introspective, socially awkward would-be actor and screenwriter, Graham inhabits the upper floor of his childhood home Read more ...
Kieron Tyler
“Sitting on a sofa, cigarettes and beer, ten years disappear…agreeing to agree, just to get along.” By going into the difficulties of resuscitating the past, the lyrics of “Ten Years,” the fourth song on The Loft’s first album, neatly sum-up the band’s current situation. The final line gives the 10-track set its title: “Everything changes, everything stays the same.”Everything Changes, Everything Stays The Same is, indeed, the first album by The Loft, a band integral to the early days of Creation Records which fell apart on stage in June 1985. Forty years ago. A long time. Before that rupture Read more ...
Adam Sweeting
Michael Fassbender recently starred in Paramount+’s rather laborious spy drama The Agency, but here he finds himself at the centre of a much more sly and streamlined operation. Written by David Koepp (Jurassic Park, Indiana Jones etc) and directed by Steven Soderbergh, Black Bag keeps a tight focus on a small group of operatives from Britain’s Secret Intelligence Service.Superficially they might appear to be friends, and the film’s opening set piece finds them attending a dinner party hosted by George Woodhouse (Fassbender) and his wife Kathryn (a glamorous and regal Cate Blanchett, pictured Read more ...
Helen Hawkins
Can Francesca Moody do it again? Fleabag’s producer has brought Weather Girl to London, after a successful run at last year’s Edinburgh Fringe, mirroring the path taken by Phoebe Waller-Bridge’s creation. But the new show is a much tougher assault on modern mores.Comparisons will be inevitable, though, as both shows are comic monologues, delivered in that conspiratorial way to the audience that became a Fleabag staple. And Stacey, immaculately portrayed by Julia McDermott, is equally personable, though even more out of control. She’s a weather girl for a Fresno TV station, a superslim blonde Read more ...
Rachel Halliburton
Before there was Barbie: The Movie, before there was Legally Blonde, there was Clueless, the Valley Girl movie that measured out life in designer handbags at the same time as signalling the grit behind the glitter. A pert and pampered response to Jane Austen’s Emma, the 1995 film defiantly whooshed to the top of film charts and launched the sale of millions of tartan miniskirts, breathing new life into the teen movie as it did so.So it’s not hard to see why, 250 years after Jane Austen’s birth, producers have decided to pep up the West End with this musical version of Clueless, complete with Read more ...
David Nice
Not to be overshadowed by the adrenalin charges of the Budapest Festival Orchestra the previous evening, the BBC Symphony Orchestra and its Principal Guest Conductor Dalia Stasevska gave a supercharged triple whammy of masterpieces. They even had a pianist to match the Budapesters’ Igor Levit, Jean-Efflam Bavouzet. He seemed as delighted with Stasevska and the players as they were with him; the post-performance embraces spoke volumes about communicative kindred spirits.Was it worth assembling a full BBC Symphony Chorus and two soloists as well as large orchestra for the first 18 minutes? Read more ...
James Saynor
Marriage is not often presented in cinema as a bowl of mangoes, but it’s rarely shown as so morbidly strange as in this reckless corker of a debut feature written and directed by Karan Kandhari, and backed by Film4.We meet the newly hitched – that is, thrown together – Uma and Gopal on a train to their new marital home (a small hut) on the ragged edges of today’s Mumbai. She sits bolt upright in the carriage behind her wedding veil; he is slumped out cold beside her. The wedding night is equally indecorous. As she starts to undress, he hurtles out the door as if he’s seen a scorpion. It sets Read more ...
aleks.sierz
“The exercise of fantasy is to imagine other ways of life,” says one of the role-players during a Dungeons & Dragons marathon, because “without understanding how others might live, I ask you, how will we ever understand ourselves?” It’s a good question, and writer and director Jack Bradfield, in his enchanting new play The Habits, has a good stab at answering it.Staged in the Hampstead Theatre’s suitably eerie underground studio space, on an in-the-round stage above which hovers a scary flying dragon, the play explores human subjects such as grief and desire in a game-playing context Read more ...
David Nice
A showstopper for starters followed by dark depths, a quirky compilation after the interval: it’s what you might expect from Iván Fischer and his 42-year-old Budapest Festival Orchestra. All Prokofiev, too: the sort of thing we used to get from Valery Gergiev and visiting Petersburgers. Yet while Gergiev’s alliance with Putin means he’ll not be here again, Fischer has balanced criticising Orbán and keeping his Hungarian orchestra on the road.The nominal star soloist was Igor Levit, one of the few pianists in the world up to the colossal demands of Prokofiev's Second Piano Concerto, but as Read more ...
Helen Hawkins
When Yasmina Reza’s cerebral play Art arrived in London in 1996, we applauded it as a comedy. Now another French hit, Jean-Philippe Daguerre’s Adieu Monsieur Haffmann, has landed, and the genre confusions could start all over again.This is a story set in Occupied Paris, from May 1942 to VE Day in 1945. In the exodus of French Jews, Joseph Haffmann’s wife and children have reached Geneva. But he has stayed put to wind up his jewellery business and hatch his own escape plan: which is to sign over his shop to his trusted assistant, Pierre (Michael Fox), while he hides in the cellar. Pierre Read more ...
Leila Greening
One Boat, Jonathan Buckley’s 13th novel, captures a series of encounters at the water’s edge: characters converge like trailing filaments on the shoreline, lightly touching, their eventual separation assumed. Through this, Buckley pays profound attention to what otherwise might be inconsequential moments of connection, their soft, contemplative intimacies and banal departures.In the wake of her father’s death, a woman returns to the small Greek town where she mourned her mother nine years earlier. The narratives of her two trips are interwoven, as the events of the second provoke reflections Read more ...