When Hamlet the Dane talked about “the thousand natural shocks that flesh is heir to”, it was typical of the way that Shakespeare generalised. The writer didn’t let you infer too much about himself. So when he specified one or two of the thousand shocks in the same speech (“To be, or not to be”), they involved rather impersonal, evasive things like “the law’s delay” and “the insolence of office”. In this, his most famous soliloquy, Shakespeare remained all things to everyone – his “universal” quality that made his literary name while eternally frustrating biographers.

“So then I go and I make another cup of coffee and two pieces of toast with raspberry jelly and now I’m going to call Allen Ginsberg at exactly noon. Because he does his meditations and they told me to call him either at 11 at night or after 12.”

There is joy, energy – and no little irony – about the way that Hollywood stars Hugh Jackman and Kate Hudson play and sing the parts of a working-class couple from Milwaukee with big dreams and big hair.

Song Sung Blue tells the story of a real-life couple, Mike Sardina (1951-2006) and Claire Stengl/Sardina, who formed a Neil Diamond tribute band in the early 1990s and performed in small venues, becoming local celebrities under the name Lightning and Thunder.

It’s 1952 on Manhattan’s Lower East Side, seven years after the Enola Gay dropped a bomb on the Japanese empire, but one skinny New Yorker is still waging war against it, armed with street savvy, a motormouth and a traditional table tennis paddle.

Eugene Jarecki’s forensic investigation concludes that Julian Assange’s character flaws are dwarfed by the high crimes he exposed, and can’t justify the cruel and unusual punishment of his cramped Ecuadorian Embassy sanctuary. This reverses what he sees as self-interested manipulation of the official narrative, which stoked personal condemnation as a smokescreen for state slaughter and surveillance.

The third of James Cameron’s world-building epics arrives 16 years after the first one, but only three after number two, Avatar: The Way of Water. Apparently proceedings were held up by Cameron and his army of technicians having to adjust to developments in technology, not least the gadgetry required for underwater performance capture.

Chinese-American director Bing Liu’s first feature – his Minding the Gap, a wonderful documentary about himself and his skateboarding buddies in Illinois, was Oscar-nominated in 2019 – is based on Atticus Lish’s Pulitzer Prize-winning novel of 2014 about an undocumented Uyghur immigrant and her relationship with an American soldier who’s done three consecutive tours in Iraq and has severe PTSD.

For everyone who thinks that the country house drama ought to be spelled without the "o", there's Fackham Hall, an energetic satire of all things Downton Abbey, Bridgerton, and even Agatha Christie. It arrives the same year that its main target, Downton Abbey, launched its "Grand Finale" movie. Surely we haven't seen the last of the Golden Age-set costume dramas that paint such a beguiling picture of the Great Depression: the genre is the lifeblood of the BBC. And what else would we do on a Sunday night?

The village of Cesinova has the largest white stork population in Macedonia; every chimney and steeple is festooned with the scruffy nests of these enormous birds. We see the flock arriving in spring to reclaim their nesting spots. Perched on a huge mound of twigs and leaves, each pair settles in by tossing back their long necks and clattering their beaks in greeting.

Hell has no fury like a stan scorned, as an Eminem song memorably established with respect to obsessed fanboys in the pop world, and this visually nimble not-quite-thriller shows us the further perils of celebrity disciples who get the hump.