Arnaldo Baptista of Os Mutantes is telling me why South American music can be so compelling: "It's the historical mix, Incas, black Africans, Europeans, beings from Outer Space." I beg his pardon. "Oh, yes, I have seen many flying saucers". Arnaldo is being perfectly serious and launches into his theory of Time (he has formulas and diagrams) which state that once humans go faster than the speed of light, we will be able to travel back to the past. He thinks will freeze himself cryogenically and be unfrozen when this is possible, travelling in the future to go to the past. He has theories about the Age of Fire (we are, he says, about to leave it). Then he goes into a rambling but detailed and convincing comparison of the psychic effects of Gibson and Fender guitar sounds.
new music features
edward.seckerson
The location is Sting's beachside house in Malibu the morning after the night before: another night, another venue - the Hollywood Bowl - another three-hour Concert of his songs. That's concert with a capital "C" because this time Sting has brought along more than just a few of his favourite musicians to join him, he's brought along the 50-strong Royal Philharmonic Concert Orchestra, "the biggest band I've ever worked with".
peter.quinn
It's Friday afternoon, the sun's beating down, and I'm kicking back with a cold one in Kongens Have, Copenhagen's oldest and most idyllic park. From the bandstand, the music of Duke Ellington falls mellifluously on my ears, the languorously swinging, behind-the-beat groove of the specially assembled Band Leader Session perfectly suiting the sultry atmosphere. We can't know for sure what heaven will be like, but I'm hoping it'll be something like this.
Tim Cumming
Come the end of June in Essaouira on Morocco’s Atlantic coast, up to half a million festival-goers team the narrow, traffic-free streets of the medina, its two huge open squares, and numerous courtyards and riyads around town, for what must be the world’s biggest free festival. It is dedicated to Gnawa, the trance and healing music of African Moroccans who had been inveigled into slavery in centuries past – there was a slave market in Essaouria until the early part of the 20th century – and whose music, until the festival kicked off in 1998, was regarded with suspicion and disdain by contemporary Morocco.
Ismene Brown
Get your tent and ice-box and plan your summer's entertainment with theartsdesk's definitive clickable festival guide - listings and links for all the UK festivals this summer, from heavy rock by Scottish lochs to Morris-dancing in the south west, and taking on opera, classical and major international arts festivals for good measure. If you know of a festival we've missed, please email info@theartsdesk.com with brief details of venue, booked artists and the website and we'll put it in for the world to see.
Peter Culshaw
The interior world of Morocco seems a magical place where music and words have more power than in the disenchanted, cold light of the North. On the plane on my first trip to Fes I met a businessman, in import-export, wearing a Burton suit. The strangeness of Morocco revealed itself when he started telling me of his current problem, that his daughter has been put under a spell by a djinn (he translated the word as “devil”) residing in a frog. His mother was a member of the Hamdashas, sects who are known to cut themselves, and his grandmother, he said, drank boiling water when under trance. Some djinns are believers, are harmless; others, the non-believers (like the one causing trouble to the businessman’s daughter), are the ones that cause lots of trouble.
Peter Culshaw
You forget how fast the night descends in the tropics, in half an hour the light goes, the sun disappearing with a grand melodramatic finality. You understand the Mexican tribe who believe without their prayers it will never rise again. But it leaves behind a warmth in the enveloping womblike darkness. With the breeze against our faces in the Bahian night, Brazil’s most celebrated pop star is showing me his domain, a fabulous clifftop house in Salvador de Bahia in the state in the North-East coast where Cabral’s boat came ashore half a millennium ago, and where Caetano Veloso was born 67 years ago.
kate.connolly
"It was only on Monday afternoon that the final scores of three of the movements were put into my hands," says Sir Simon Rattle, chuckling at the memory and casting a mock glance of disapproval at the composer and trumpeter Wynton Marsalis who is sitting next to him looking rather sheepish. "It makes us realise that composers are human beings just like we are," the conductor adds. "I'm just praying I get all my tempos right by tonight."
Adam Sweeting
Brilliant though it was to be shooting an Imagine film for BBC One, we did experience the occasional tremor of foreboding about making a programme with Nigel Kennedy. We (that's me and director Frank Hanly) had a bit of previous with Nigel - I'd done several print interviews with him, and we'd shot a couple of short films with him for EMI.
Ismene Brown
Europe is alive with the sound of music of all kinds through the summer, and here theartsdesk brings you listings of this year's attractions, many of which you can still get tickets for and combine culture with splendid cities and landscapes. From avant-garde dance music at Barcelona's Sonar to deepest Wagner in Bayreuth, this is the unmissable clickable guide to a cultivated European trip.
Europe is alive with the sound of music of all kinds through the summer, and here theartsdesk brings you listings of this year's attractions, many of which you can still get tickets for and combine culture with splendid cities and landscapes. From avant-garde dance music at Barcelona's Sonar to deepest Wagner in Bayreuth, this is the unmissable clickable guide to a cultivated European trip.