VINYL OF THE MONTH

Ed O’Brien Blue Morpho (Transgressive)

“Keys to Your Heart,” the only single by Joe Strummer’s pre-Clash band The 101’ers, was released on 27 June 1976 – 50 years ago this week.

Fantastic and still vital, “Keys to Your Heart” is a driving pop-rocker with a Sixties feel. It edges towards powerpop. But the urgency of delivery and its raggedness mark it out as broadly telegraphing what was around the corner with British punk rock. And its mid section, with Strummer's testifying, presages a fundamental element of the make-up of The Clash. An important single.

Between June 1964 and September 1966, London-area R&B band Downliners Sect issued ten singles, one EP and three albums on EMI’s Columbia imprint. A lot of records. Especially so for a band which barely charted. Only one of the singles, their Columbia debut, a dash through Jimmy Reed’s “Baby What’s Wrong” got anywhere – 29 on the New Musical Express Top 30.

The World Cup is everywhere in Scotland these days, even among the country’s gigging venues. Rolled up Saltires were visible on the balconies of the O2 Academy, a reminder that the Glasgow venue is hosting watch parties for the national team’s matches, and when Lola Young came back onstage for the encore she was serenaded by fans belting out “no Scotland no party”, to which the Londoner cheerfully joined in.

After his record-breaking and warmly remembered Love On Tour, Harry Styles is back with a fresh, slightly more experimental twist on universal, blockbusting live pop. The revision of his performance style is subtle enough that Together, Together feels comfortable and familiar but the minor rebrand that came with his latest album Kiss All The Time. Disco, Occasionally. sufficiently spices things up. 

For many years Paul Weller had a conflicted relationship with the oldest parts of his back catalogue. It was rare to hear more than one of his pre-1990 songs in concert. Then he started slipping them in, but only a couple.

“John Coltrane, he’s a major influence on this record. The instrumental on the A-side is an abstraction of the jazz musician named John Coltrane. That’s C-o-l-t-r-a-n-e.”

The Byrds’ David Crosby was spelling it out on 28 March 1966 at a New York press conference called to promote – and explain – his band’s new single “Eight Miles High,” issued nine days earlier. His fellow Byrd Roger McGuinn told journalists that Allen Ginsberg had played them Coltrane: that he “wanted that to come out in our music.” A tape was made of what Ginsberg was urging them to assimilate.

“Enola Gay” is perfect pop, the ultimate party-uplift banger. It’s that rare song which only seems to grow better as the years, then decades pass. This is tricky to reconcile with the fact it’s about the atomic bombing of Hiroshima (albeit opaquely). But, when Orchestral Manoeuvres in the Dark play it as the last song before their encore, the subject matter fragments amid its subversively joyous synth riff, as has been the case ever since it was a Top 10 hit, back in 1980. It’s greeted ecstatically, like the old friend it is.

Judy Garland's Carnegie Hall comeback concert on Sunday, 23 April 1961 has often been lauded as "the greatest night in show business history", though that judgment surely depends on where Garland sits in one’s personal pantheon. Elvis’s made-for-television 68 Comeback Special, the king lean in leather, must be up there, and likely Sinatra at Madison Square Garden in 1974. Whatever, the sold-out performance featured some 25 standards, Garland backed by a 40-piece orchestra conducted by Mort Lindsey. Marilyn Monroe, Richard Burton, and Julie Andrews were in the audience.

The fact that what’s now known as The Paper Factory – a disused paper and cardboard manufacturing plant on the west of Edinburgh – is soon to be demolished (for flats, obviously) gave this year’s Hidden Door festival an even more spooky, ethereal feel than previously.