New music
Matthew Wright
Think Charles Mingus, and it’s unlikely that a neon-coiffed saxophonist playing acoustic house while doing a solo can-can around the stage will come to mind. A highly original, introspective figure whose best music is a thrillingly rumbustious fusion of bluesy melody and gruff rhythmic experiment, Mingus is a bold choice for the usually lush-toned Metropole Orkest. Yet conductor Jules Buckley assembled a stellar line-up of mostly young soloists, and he oversaw a Prom of extravagantly entertaining music - sometimes faithful to the spirit of Mingus.The programme included Mingus’ best-known Read more ...
Javi Fedrick
Across their 17-year career, Liars have become renowned for both their genre-jumping and for making good music wherever their stylistic tent is pitched. With founding member Aaron Hemphill leaving the Los Angeles band on amicable terms earlier this year, sole Liar Angus Andrew was left with the task of maintaining their momentum, and with TFCF, he’s made a uniquely strange album that encompasses this stripped-down band in both its music and its production.Making almost unprecedented use of the acoustic guitar throughout, TFCF feels rawer and more intimate than their previous album, the dance- Read more ...
Kieron Tyler
Nine hours after meeting up in a Shoreditch courtyard to discuss her new album Music for People in Trouble, Norway’s Susanne Sundfør is on stage elsewhere in the district at a theatre called The Courtyard. It’s a sell-out and the room she’s playing is over-full and over-hot. A few days before the album’s release, most of the new songs are unfamiliar to the audience. Yet connections are made instantly. Although her songs twist and turn unpredictably, the lyrics and grand melodies are immediately impactful.It helps that Sundfør is an extraordinary singer and the solo setting – she switches Read more ...
Russ Coffey
Queens of the Stone Age frontman Josh Homme recently declared that, while recording Villains, his intention had been to redefine the band's old sound. His recent work with Iggy Pop, he said, had recharged his imagination and now he wanted to make some changes. Two objectives seem to have been uppermost in Homme's mind - to keep things fresh and to make people dance. To achieve these he hired none other than producer Mark "Uptown Funk" Ronson.On paper, the combination sounds pretty mind-boggling. But on record, the results are less radical. Certainly, there are no disco-rock tracks Read more ...
Phoebe Michaelides
After the gruelling five-hour coach journey to Powys, Wales, we strolled over a bridge into Glanusk Park, through two security guards, and into Green Man with only so much as a sing-song “Bore da”. Satisfied, we picked a spot and set up camp in the intense heat. Young Welsh scholars waved their A-level results in the air and cracked open that first bottle of cider, quaint middle-class families eagerly discussing the multitude of vegan opportunities.On Thursday nothing played on the main Mountain Stage, an impressively large set-up in the dead-centre of Green Man, and the camping fields were Read more ...
Liz Thomson
Dylan aficionados will get the cover art reference immediately: one of Elliott Landy’s celebrated Woodstock photos, taken in 1968. Joan Osborne, Grammy nominated “no-nonsense Dylan” (New York Times) interpreter, is wearing neither hat nor guitar on the sleeve of her latest album but the allusion is clear and two of the songs on what she hopes will develop into a “songbook series” (in the manner of Ella Fitzgerald’s homage to the great American songwriters) are from The Basement Tapes.On this her ninth studio album, the Kentucky-born singer-songwriter who’s called New York City home for some Read more ...
Matthew Wright
Composer, producer and multi-instrumentalist Nitin Sawhney is one of Britain’s most diverse and original creative talents. Having trained as a classical pianist, jazz musician and flamenco guitarist, as well as a tabla and sitar player, his highly distinctive pieces blend European and Indian classical music with soul, jazz, funk, hip hop, flamenco and dance music. As well as 11 albums, he has composed dozens of film, TV and video-game scores, been adapted for dance shows, worked prolifically as a DJ and an educator. He has collaborated with a glittering roster of stars, from Paul McCartney Read more ...
Thomas H. Green
One of the stranger things about popular music is how unwilling most are to crossbreed and experiment. Surely that’s where the real kicks are? Most seem to prefer ploughing ruts that were overfamiliar 10, 20, 30, even 40 years ago. Either that or slavishly imitating contemporary cheese. Why’s there not more avant-salsa? Where’s the ambient country scene? Who’s into Teutonic electro-ska? The career of New Jersey three-piece Dälek hints at the answer to such questions. Consistently firing out an absorbing and original fusion of hip hop and feedback-laden space-rock/noise, they’re no nearer the Read more ...
mark.kidel
Iron and Wine’s songs sweet melancholy songs are instantly recognisable, as if their principal author Sam Beam inhabited a parallel universe of the American imagination, a slightly whimsical and yet soulful territory, in which the extremes of hope and despair, love and disappointment, joy and grief, co-exist, feed of one another and provide one of the essential tonal colours of what is know as Americana.There has always been a strain of hard-sought purity in the American adventure, a natural and yet paradoxical contrast with the greed and a territorial expansion and exploitation that have as Read more ...
Kieron Tyler
The Some Bizzare Album was released in January 1981. Compiled by DJ Stevo, it featured twelve unsigned acts he felt represented a fresh way of approaching pop – one enabled by the availability of synthesisers and rhythm machines. Stevo was playing the new music at the nights he hosted, putting the bands on and compiling the electronic chart for the weekly music paper Sounds. After being inundated with demo tapes, he chose the ones he liked best and issued the album.From today’s perspective, the Some Bizzare Album plays out as a prescient snapshot of what would enter the mainstream. The Fast Read more ...
Guy Oddy
It seems quite a shock to consider that it’s now 10 years since Portico Quartet’s breakthrough album Knee-Deep in the North Sea was released to much acclaim and a Mercury Prize nomination for its melding of jazz, ambient electronic and minimalist sounds. Since then, the Londoners’ sound has edged progressively away from their cool jazz foundation until they wholeheartedly embraced a more electronic vibe as the three-piece, Portico in 2014.Their new album, Art in the Age of Automation, finds Keir Vine rejoining the band with his hang drum, ensuring a return to many elements of the instrumental Read more ...
Javi Fedrick
Mogwai’s ability to create both frighteningly intense and gorgeously understated compositions has led to them being one of post-rock’s most celebrated and accessible bands. In recent years, they’ve increasingly become known for their unnerving and ingenious soundtracks (most recently Atomic, which underscored Mark Cousins' documentary Atomic: Living in Dread and Promise). Every Country’s Sun continues in this vein, largely leaving behind the heavy shoegaze textures Mogwai were once known for in favour of undulating sounds and subtle synth trickery. Picking up where Atomic left off, album Read more ...