New music
Heidi Goldsmith
The foyer of Brighton Dome for Brighton Festival director Laurie Anderson’s Song Conversation would have had a PR executive flummoxed; from punks in their 20s licking the rim of a plastic pint to a hobbling couple clutching programmes. The breadth of audience is surely a testament to Anderson’s unique career of performances combining pop melodies with countercultural performance art. As the seemingly ceaseless passings of pop eccentrics litter our newsfeeds, it’s a relief to see the former NASA artist-in-residence and “O! Superman” composer alive and electronic.The performance is a Read more ...
Thomas H. Green
It’s a foolish game to wonder who might fill the musical void left by Amy Winehouse’s passing. She was a one-off, after all. However, it’s natural to occasionally look about and ponder where there might be talent of a similar ilk. Not all the doomed druggy stuff, just a female singer who does it from the gut rather than X Factor-flavoured fluffing. Ariana Grande, Demi Lovato, Zara Larsson et al seem unlikely to even get their round in; of Winehouse’s immediate peers, Duffy’s disappeared and Adele’s become a theatrical torch singer (albeit a very likeable one), and all those Kate Bushy kooks, Read more ...
mark.kidel
In his latest album, Bob Dylan once again interprets, in his own slightly ironic and yet lovingly respectful way, standards that Sinatra made famous. This is one of those moments when it feels like he's treading water, or perhaps allowing himself to gently sink into sad-eyed resignation, rather than break unexpected new ground as he's periodically done over the decades.There is nothing much really to distinguish Fallen Angels from Shadows in the Night, almost as if the two were parts of a double album. The honeyed tone of the pedal steel, the gentle lull of a standup bass, and a great deal of Read more ...
Lisa-Marie Ferla
There was always something otherworldly about Kate Jackson, the voice of late, great Sheffield rockers The Long Blondes. Guitarist Dorian Cox, whose stroke in 2008 precipitated the premature breakup of the band, may have been its primary songwriter but it was Jackson’s voice – cool, poised, arrestingly strident – that set it apart. That the love child of Sophia Loren and Nico was technically a biological impossibility only added to her mystique.British Road Movies may be Jackson’s solo project, but there’s plenty here for fans of her previous band to devour: the same desolate views of urban Read more ...
Kieron Tyler
“Ladies and gentlemen, in view of the controversy already aroused the producers of this film wish to re-emphasise what is already stated in the film: that there is no established scientific connection between mongolism and psychotic or criminal behaviour”. With these opening words, Twisted Nerve instantly defined itself as a film out to attract attention. Despite this questionable exploitation aspect, the genuinely unsettling 1968 work is ripe for reassessment.Like their predecessor feature The Family Way, Roy and Thomas Boulting’s Twisted Nerve starred Roy’s then wife Hayley Mills. She Read more ...
Russ Coffey
Sometimes it seems that Eric Clapton’s versatility and musical range still remain underappreciated. How during the Slowhand era, for instance, he mixed elements of country with a fine ear for West Coast sensibilities. Then there was Unplugged, almost two decades later, which, most agree, practically defined the whole genre. Even Clapton's Eighties power-pop possessed an infectious lightness of touch. All of which makes it harder to understand why I Still Do's musical digressions fall so flat.The record starts off on safe ground – “Alabama Woman Blues” is the kind of track Read more ...
Thomas H. Green
Tinchy Stryder (b. 1986) has had a successful pop career since 2009, including two chart-topping singles (“Number 1” and “Never Leave You”). Born Kwasi Danquah in Ghana, his family moved to London’s East End when he was nine and, in the early years of the new millennium, he established himself as a rising talent of the grime scene and member of the Roll Deep Collective. He was one of the first grime artists to make a successful transition to mainstream pop and has worked with artists ranging from Calvin Harris to Pixie Lott to Taio Cruz.Tinchy Stryder has also pushed entrepreneurial interests Read more ...
Guy Oddy
The solo album can present a tricky prospect for many mature artists as they drift in and out of the public consciousness. Do they make a stab at a variety of styles to display their artistic depth; do they get on the latest bandwagon to show they’re still down with the kids; or do they stay true to their original vision and stick doggedly to it? For his first album in 10 years, the man once known in the Oasis camp as Captain Rock has plumped for the first alternative and sunk pretty much a bit of everything into These People.There may be an expected whiff of The Verve here and there and this Read more ...
Thomas H. Green
The Norwegian DJ-producer Kyrre Gørvell-Dahll – AKA Kygo – rose to prominence a couple of years ago on the back of “tropical house”, a club sub-genre that, at its best, meant hazy, Balearic and/or indie-dance grooves, but on Kygo’s watch became saccharine Costa del Crap EDM-house with his synth software permanently set to some simple-minded, nursery rhyme melodic arrangement only toddlers should find euphoric.Confronted by the debut album from this permanently baseball-capped, baby-faced, 24-year-old dance-pop star, I honestly started to feel a little nauseous. It's the sonic equivalent of Read more ...
David Flack
"Wouldn't it be great if you were playing a concert and you looked out and everyone is a dog?" Laurie Anderson mused, almost a decade ago, waiting backstage with cellist Yo-Yo Ma. Anderson has realised her outlandish dream, creating a most unusual concert, apparently tailored to the canine ear. When the opportunity to attend came up I jumped at the chance, as did Paddy, our black Labrador-New Zealand Huntaway cross.The 20-minute performance features music only audible to dogs and includes other sounds for their human companions. It was first performed at the Sydney Opera House, then again in Read more ...
peter.quinn
Compered by Jazzwise magazine’s gregarious editor-in-chief, Jon Newey, the winners of this year's Parliamentary Jazz Awards were announced last night in the Terrace Pavilion at the House of Commons.Now in their twelfth year, the Awards, organised by the All Party Parliamentary Jazz Appreciation Group (APPJAG) and sponsored by the music licensing company PPL, are one of the most important dates in the UK jazz calendar.In his opening speech, Newey cited both the ups and downs of the previous year, with the former including “more excellent young jazz musicians emerging and carving out spaces at Read more ...
Kieron Tyler
The first reaction to Introducing Karl Blau is to wonder whether it’s an overlooked album from the late ‘60s or early ‘70s. It opens with a creamy smooth voice that’s close to cracking with emotion. The song being sung is a version of country singer-songwriter Tom T Hall’s “That’s How I Got to Memphis” which sounds as though it was recorded at Alabama’s FAME studios at least 45 years ago. With gently funky guitar, shuffling drums and a slightly deeper vocal register, the next track, “Six White Horses”, bears the influence of Tony Joe White.As the album progresses it becomes clear that each Read more ...