tue 08/07/2025

Classical music

Nicholas Daniel, Britten Sinfonia, MacMillan, Queen Elizabeth Hall

Nicholas Daniel: Tackling MacMillan's tough and brilliant new Oboe Concerto before slipping back into the ranks of the Britten Sinfonia

If you were one of the world's top soloists but with a limited concerto stock - as woodwind players' tend to be - wouldn't you find it more rewarding to work as a principal in the orchestral ranks? That's the ideal, surely, but few carry it out in...

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Stephen Kovacevich 70th Birthday Concert, Wigmore Hall

Heartfelt birthday salutations to the great pianist first known as plain Stephen Bishop. For a recital in the early 1980s, when he first added the paternal Croatian "Kovacevich", introducing me to late Brahms piano music - Op 117, never more...

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The Seckerson Tapes: Conductor Stephen Layton

Conductor and choral scholar Stephen Layton: One of the lucky ones

Conductor and choral scholar Stephen Layton once said that he often wondered what happened to the little boy at his primary school who he thought sang better than he did. The discovering and nurturing of raw talent is an issue very close to his...

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Teresa Carreño Youth Orchestra of Venezuela, Vásquez, Royal Festival Hall

It's now 21 years since I first heard the then-untrumpeted protégés of El Sistema, the Venezuelan phenomenon which has launched a thousand youth-and-music projects worldwide. On that occasion the Royal Festival Hall was less than a quarter full, but...

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Szymczewska, LPO, Vänskä, Royal Festival Hall

The flurry of fanfares at the start of Magnus Lindberg’s Al largo (UK premiere) sounded almost Waltonian. Or maybe that was because the prospect of Osmo Vänskä in Walton’s First Symphony was such an enticing one that premonitions of its highly...

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Michael Jarrell, Hoddinott Hall, Cardiff

Michael Jarrell: 'As thrilling and instantaneous as a tidal wave or an avalanche'

Music, Wagner famously pronounced, is the art of transition. For the Swiss composer Michael Jarrell, by contrast, music is “the art of punctuation”. On the one hand, how to get from one thing to the next; on the other hand, how to separate one thing...

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Mutter, LSO, Sir Colin Davis, Barbican

It didn't help that the London Symphony Chorus sounded rough and hectoring rather than earthily ecstatic - and I'm not sure how well they had been coached in the Czech-language mass settings. Heroic tenor Simon O'Neill, Sir Colin's last-minute...

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theartsdesk in Berlin: More Venezuelans, Even Younger

Just seconds into a performance by the Orquesta Sinfónica Juvenil Teresa Carreño it is immediately clear what Sir Simon Rattle meant when he said, “I have seen the future of music.” The passion and physical and mental energy with which they play,...

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BBC Symphony Orchestra, Sir Andrew Davis, Barbican

Elgar and Delius are two geniuses who only ever composed themselves - the first drawing heavily on psychology and physiognomy, the second drenching his country visions in painful nostalgia. So it made good sense to have man and nature side by side...

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Electronica: BBC Concert Orchestra, Will Gregory Moog Ensemble, Hazlewood, QEH

I would call them burglars: musicians from the experimental rock, electronica and sound-art traditions who cross the genre divide, sneak into the world of classical music, pillage its more easily pillaged valuables, thieve its respectability, filch...

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Kissin, LPO, Neeme Järvi, Royal Festival Hall

Neeme Järvi: Easy mastery that lifts the familiar

"Well, Kissin's the star of the show,"  opined the fatuous gentleman who rolled in late to my row after the first piece on the programme. Possibly not, I wanted to snap back, in the light of that very fine pianist's current erratic form. But in any...

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Mitsuko Uchida, Royal Festival Hall

Mitsuko Uchida’s playing is a glorious collusion of intellect and fantasy. Her recitals are meticulously planned but seemingly unexpected with chosen pieces impacting upon each other in ways one might not have imagined. Three keyboard giants –...

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