Philharmonia
Beethoven: 1808 Reconstructed, Aimard, Philharmonia, Salonen, RFH review - a feast in fading lightTuesday, 17 March 2020Like it or not, we live – as Beethoven did – in interesting times. In place of the revolutions, wars and occupations that convulsed the cities he knew, we now confront a silent, invisible foe that breeds an equal terror. Hence the empty seats in the... Read more... |
Mahler's 'Resurrection' Symphony, Philharmonia, Hrůša, RFH review - big picture, stunning detailsFriday, 21 February 2020So many performances of Mahler's most theatrical symphony every season, so few conductors who have something radically fresh to say about it. Two who do are London Philharmonic Orchestra chief Vladimir Jurowski, perfecting his vision over the years... Read more... |
Blomfield, Philharmonia, Salonen, RFH review - sounds of a troubled truceTuesday, 21 January 2020Concert programmes that set out to tell us a story can prove a mixed blessing. Yes, it’s valuable and stimulating to find ideas, and narratives, embodied in the musical flow. But great pieces, well-performed, have a habit of cutting loose from the... Read more... |
Watkins, Clayton, Philharmonia, Salonen, RFH review - a rainbow cornucopiaFriday, 17 January 2020Horns fanfared, coasted and chorused through yet another Philharmonia winner of a concert to match the impressive planning of its Weimar season last year and no doubt a plan close to the heart of principal conductor Esa-Pekka Salonen, who started... Read more... |
Tetzlaff, Nelsen, Philharmonia, Salonen, RFH review - spider's webs and silk sheetsMonday, 30 September 2019You can't expect a full house when the only work approaching a repertoire staple on your programme is Berg's Lulu Suite. Yet Esa-Pekka Salonen was able to serve up what must count as one of the most enthralling Philharmonia programmes ever at the... Read more... |
Tetzlaff, Philharmonia, Salonen, RFH review - glories of the Weimar eraFriday, 27 September 2019The mid-1930s, when the Nazi government replaced the Weimar republic, was a bleak time for the composers featured in last night’s Philharmonia concert. Arnold Schoenberg was the first to leave for the US, followed by Paul Hindemith in 1938. Alban... Read more... |
Philharmonia, Salonen, RFH review – bittersweet BerlinMonday, 10 June 2019Esa-Pekka Salonen and the Philharmonia kicked off their series of concerts devoted to the edgy culture of the Weimar Republic with a programme that featured three works (out of four) derived in some way from the musical stage. That included, as a... Read more... |
Classical CDs Weekly: Ståle Kleiberg, Lise Davidsen, Park Avenue Chamber SymphonySaturday, 08 June 2019Do You Believe in Heather? Chamber music by Ståle Kleiberg (2L)Ståle Kleiberg's String Quartet No 3 is a masterpiece, I think. Small but perfectly formed, it's unassumingly brilliant. Kleiberg’s use of “extended tonality” is fascinating:... Read more... |
Kuusisto, Philharmonia, Rouvali, RFH review - new principal conductor steps upSaturday, 01 June 2019Last night saw the official unveiling of 33-year-old Finn Santtu-Matias Rouvali as Principal Conductor Designate of the Philharmonia Orchestra, an appointment that has been widely welcomed, not least on theartsdesk. And while I enjoyed Rouvali’s... Read more... |
Mullova, Philharmonia, Järvi, RFH review – clear paths through the forestMonday, 13 May 2019Visit Ainola, Sibelius’s woodland house by Lake Tuusula north of Helsinki, and you’ll be told the story of the green stove. It appears that the famously synaesthetic Finnish composer identified the shade of his heating installation with the key of F... Read more... |
Philharmonia, Blomstedt, RFH review - gravity and graceMonday, 15 April 2019Great conductors, like efficient auto engines, apply a lot of torque – they can use a little energy to achieve great surges of movement. Now aged 91, the American-born Swedish maestro Herbert Blomstedt sometimes hardly seems to raise his baton-free... Read more... |
Biss, Philharmonia, Boyd, RFH review – compulsive life-forceTuesday, 26 March 2019Mozart in E flat (the Overture to The Marriage of Figaro) and in G (the K.453 Piano Concerto), and Schubert in C – the “Great” C major Symphony, no less – ushered spring into the Festival Hall on a warm and sunny Sunday afternoon.Slimmed down to a... Read more... |