New music
Sebastian Scotney
As the attention-jostling hype becomes ever more unashamed, we get further from the music. The myths and the 'message' get louder, to the point where the question of whether the music itself might actually be worth hearing can become secondary. I've seen music industry people this year happy to treat live music as a "hang" – in one case that stays in the mind, the headline act at a festival – and to chat through it rather than to listen. Young musicians are told that the correct masquerade when they give interviews is to claim that they have drawn all their inspiration from Read more ...
Kathryn Reilly
Once upon a time – before the nation’s schism – an indie band with dubious reputation espoused the virtues of Albion and invited us on the good ship Arcadia to travel to this Utopia. Things are a bit different now.Unfashionably nostalgic and romantic, preposterously self-indulgent and adolescent, do The Libertines really have any relevance in this brutal post-truth age? Maybe they’re just what we need when the concept of Britishness is being so fiercely fought over? They make their entrance to the ironic strains of Vera Lynn’s “White Cliffs of Dover” just 10 days after the pro-Brexit Read more ...
Tim Cumming
As one half of the BBC Radio 2 Folk Award-winning duo with Ben Walker, Josienne Clarke released four superb albums, including 2014’s Nothing Can Bring Back The Hour and their finale, 2018’s Seedlings All. There’s an absolute clarity to her voice, as if it's some lucid if troubled body of water through which you can see to the depths, and the powerful forces unfolding down there. Depth and clarity, melancholy and introspection are the axes on which her artistry turns. It's fuelled by a searing emotional intelligence that doesn’t spare herself, let alone any others depicted in these 13 compact Read more ...
Kieron Tyler
In June 1978, the still-extant independent label Cherry Red issued its first record. The seven-inch featured three slices of terse, Buzzcocks-ish art-punk by The Tights. The band were from Great Malvern, Worcestershire – as was the label. They only made one more 45 but Cherry Red – named after a Groundhogs song; the label was founded by local concert promoters – was built to last. Later, Great Malvern spawned Stephen Duffy’s Lilac Time and Blessed Ethel. Jenny Lind and Edward Elgar were local, but this seemed to be it as far as it went for entries on the rock ’n’ roll map.Surprisingly, Cherry Read more ...
Asya Draganova
It is late December and, as the year draws to a close, it seems that the global political scene is defined by radical divisions, out-of-control climate, growing anxieties, and simmering conflict. Metal legends’ Slipknot’s We Are Not Your Kind responds to the gloomier side of the world picture. It captures anger, frustration, and disillusionment and has been interpreted as an expression of the sour end of singer Corey Taylor’s marriage. However, the themes in the music can be read as a profoundly universal.We Are Not Your Kind is both raw and sophisticated, with Slipknot drawing on a wide Read more ...
Kieron Tyler
The lyrical and musical languages spoken by Dolphine are not immediate yet since its release earlier this year the album has repeatedly fascinated. Take “I Hear You Listening (to the Bug on My Wall)”, where Erin Birgy sings “Crazy Kermin in the hall, Shadow plant leaf bleats, Piano stumbling, I forgot all your songs.”Although such allusiveness runs throughout the US singer-songwriter’s fourth album as Mega Bog the words of “Untitled (with ‘C’)” imply elements of its core may be an examination of state of her nation: “Another murder should still disturb you, Delivered like clubhouse music to a Read more ...
Liz Thomson
I can’t look at Rod Stewart without thinking of Barbara, one of the naughtier girls in my third-form class at East Barnet Senior High School. She was tiny, and obsessed with him, her hair cut like his. “Maggie May” was number one, playing from tinny trannies in lunchbreak. It was from Every Picture Tells a Story, the album that established Stewart’s solo career. Barbara was in seventh heaven. I occasionally wonder what happened to her and kept an eye open at O2 where Hot Rod was playing the second of three dates with the RPO before heading home for Christmas.Sir Rod, as we must now call him, Read more ...
Barney Harsent
Music has never felt more important. While politicians debated our future, badly and in heated, farce-to-farce debates, the electorate went to war with each other – on social media mainly. The atmosphere is toxic and we’re surrounded by the bodies of those who chose to die on hills that wouldn’t trouble the contours of an OS map. As we navigate the fallout, I’d really recommend going the extra mile and splashing out on noise-cancelling headphones. It’s going to be a while before the bluster blows over.As for music recommendations, I’m going for releases that pretty much bookended the year. Read more ...
joe.muggs
This is a bittersweet recommendation to make. On the one hand, it is simply one of the mightiest electronic albums of the year, an exemplar of how grime continues to be a vital part of the British sound palette long after it was pushed aside as the only game in town on the urban airwaves by various other new rap and dance forms, the sound of a true pioneer at the top of his game almost two decades into his career. On the other, it’s now tinged with sadness as around the time of its release in late summer, Rodney Price aka Terror Danjah was taken ill and has been in a coma for most of 2019. Read more ...
Tim Cumming
The Barbican, a week before Christmas, and it’s British folk-rock legends Steeleye Span’s last gig of the year, a year in which its vigorous seven-strong line-up – featuring a new recruit in the shape of former Bellowheader Benji Kirkpatrick – celebrated a half century of Span by releasing a strong new album in Est’d 69. One of the highlights of that new set was blockbuster ballad “Old Matron”, featuring Tull's Ian Anderson on flute.No Anderson tonight, but it nevertheless came with some very special guests too – Martin Carthy, coming to the stage with the mighty fiddler Peter Knight and Read more ...
Thomas H. Green
It was hard avoid bleak in 2019. Then the election hit and everything went off a cliff. Watching the world turn to a shit-bowl of ignorance and greed, the raging nihilism of the year’s key film, Joker, suddenly seemed appealing. The 2020s will be about a response, clearly, but in the meantime spirits need lifting. The album that has served that purpose round my way since its release in April has been No Geography by The Chemical Brothers.No Geography is the best album of Tom Rowlands & Ed Simons’ career. While I’ve long enjoyed their output, especially some of those club-slaying singles, Read more ...
Sebastian Scotney
"The nice bloke-ness of Robbie shines through all he does,” David Baddiel commented in a tweet thanking the singer for dedicating his Wembley performance of “I Love My Life” to him. There is no denying it. Williams has that side to him which combines mischief, being game-for-anything, and taking on the mission to entertain the audience. It is his strength. He set the tone early with “Let Me Entertain You”, the second song on the Wembley set-list. And the same positive energy can be witnessed currently injecting much-needed life into Aldi’s otherwise irredeemably embarrassing "Kevin the Carrot Read more ...