New music
India Lewis
Running as part of the South Facing Festival in Crystal Palace Bowl, Thursday’s headliners, Mogwai, and their friends across the water, Lankum, were an excellent pairing, both atmospheric, wonderful musicians whose instrumental (and vocal, in the case of Lankum) virtuosity, were a real joy to listen to.Confessionally, although I had wanted to arrive earlier to watch Caroline (much lauded by friends who also came to the festival) and The Twilight Sad (glorious Scottish misery), this was the first time that we had left our three-month-old with a babysitter, so we got to the park in time to get Read more ...
joe.muggs
It’s impossible to overstate how much the early 2000s records of Goldfrapp – the duo of Alison Goldfrapp and Will Gregory – set the tone for the whole rest of the 21st century. The electroclash scene had already ushered in an Eternal Eighties of electropop revival, but Goldfrapp professionalised it, added heavyweight songwriting skill and superstar vocal personality.They drew in the production gloss of precursors like Trevor Horn and William Orbit, instantly influenced existing stars like Kylie and Madonna, and created an updated template for synth pop that you can ear echoing through Read more ...
Tom Carr
For a band who started by entirely self-producing their own records and performing in basements, it has ended up being a long and storied career so far for The Black Keys. The blues-rock group, consisting of Dan Auerbach and Patrick Carney, began their career with their first five albums, from 2001 debut The Big Come Up through to 2008’s Thickfreakness, all playing in a modern blues rock wheelhouse.Distorted, heavily fuzzed guitar lines and Auerbach’s soulful warm vocals played over Carney’s frenetic, energetic drums; the duo quickly garnered a passionate following and renowned for their live Read more ...
Katie Colombus
Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing for Veuve Clicquot, or watch a man dressed as a vicar strip naked mid-cricket match without anyone blinking. It is, in every sense, deeply decent – equal parts bougie and bonkers, like a country house party that accidentally invited in the circus, the club kids, and a few stray shamans.This year’s gathering was a reminder of how the annual arable revel in Cornbury Park has become the gold standard for sophisticated summer merrymaking. And golden it was, Read more ...
joe.muggs
This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have noticed a gothic bisexual Baptist trans woman achieving great enough success to be championed by Barack Obama, but no – until streaming algorithms put me on to her record Perverts, released earlier this year. It’s an incredible work of fathomlessly deep ambient and drone music, and I was baffled to see something so out-there clocking up millions upon millions of views, until I finally clocked her previous success. Though Read more ...
Thomas H. Green
The default setting for Brighton indie quartet Black Honey is pop-grunge. There are plenty of moments during their fourth album when Nineties femme-rockers L7 spring to mind. But Black Honey also spread their wings and fly in other directions. The latter songs tend to be Soak’s most noticeable, although whatever style the band chose, they know enough about hooks to keep listeners onside.Singer Izzy B Phillips, newly sober and with a recent autism diagnosis, veers lyrically between cinematic impressionism and a more specific observational approach. The album’s closing song, “Medication”, Read more ...
Thomas H. Green
Molly Tuttle is a star of the US bluegrass scene whose last couple of albums have broadened her appeal. On them she wandered into country, folk, and rock. She featured the likes of Gillian Welch, Dave Matthews and Old Crow Medicine Show, intimating, perhaps, a desired trajectory.Her latest album, her fifth solo, tones down these tendencies in favour, much of the time, of a gentler, smoother direction. While it doesn’t imitate Taylor Swift, there’s something of that superstar’s pop-country style and relationship lyricism.“Mistakes, bad dates, man, I’ve had a few/Cheap thrills, bitter pills, I Read more ...
Kieron Tyler
One of the more interesting tracks on Paul Weller’s fascinating new cover versions album Find El Dorado is his interpretation of “When You Are a King,” originally a 1971 hit for White Plains, an ensemble which evolved from the touring version of “Let’s go to San Francisco” hitmakers Flowerpot Men. White Plains, it turns out, are represented on another new release.White Plains are on Chip Shop Pop - The Sound of Denmark Street 1970-1975 with the cascading, harmony drenched “Every Little Move She Makes,” the February 1971 non-charting A-side released between charting 45s “Julie do ya Love me” Read more ...
joe.muggs
I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let alone that it would be from groovy young Brit jazz players. But so it goes. Last week I interviewed the Wakefield-via-London trumpeter / singer / composer Emma-Jean Thackray and she revealed a youthful penchant for Dream Theater, Liquid Tension Experiment, King Crimson and even Marillion.This provided a suden “ahhh” moment, illuminating certain tendencies in her music. And now comes South Londoner Mansur Brown’s third album proper, which kicks off Read more ...
Thomas H. Green
The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina George. She’s become well-known for her forthright public persona, especially since coming out as a lesbian last year.Her second album, Bite Me, is a glorious celebration of her sexuality; bright, witty pop that’s loudly lesbian and full of vim. The most immediate material is sensually alert, but playful too. There’s plenty of getting it on, much enthusiastic cunnilingus. Notable in the latter department is “Kiss It”, a catchy 4/4 yacht-rock-tinted club bouncer Read more ...
James Mellen
Cian Ducrot cut his teeth on a blend of intimate singer-songwriter balladry and lowkey alt-pop, most of his debut album Victory sounding like a less personable Lewis Capaldi. There’s a modernity to Ducrot’s sound, though. The palette is spotless, bordering on the sterile, his solid vocal performances the key, and perhaps only, selling point of his music. New album Little Dreaming takes this to the extreme: opener “It’s Cian Bitch” is half bastardised turn of the millennium French disco-house, half Fleetwood Mac pastiche, all wrapped up in a lifeless bow. Little Dreaming is Read more ...
Kieron Tyler
It’s not foregrounded, but as Strangest Feeling beds in after repeated listens it becomes clear that one of its core traits is The Pixies-originated quiet-loud, soft-hard dynamic which oozed into grunge. The second LP from the Irish-born, Sydney dwelling Bonnie Stewart isn’t a grunge album, but it has a kindred sensibility.Take third track “Bittersweet”. It has a My Bloody Valentine / Pale Saints haziness but as a verse gives way to the chorus – boom, an explosion. The voice is folky, lilting, the melodies honeyed. Yet Stewart likes offsetting this with flare-ups indicating that – presumably Read more ...