Reviews
Boyd Tonkin
Standing next to the warm brown beast of a piano built by Blüthner in Leipzig in 1867, Sir András Schiff advised his audience last night to clear their minds and ears of preconceptions. He told us that his rendering of Brahms’s first piano concerto – tonight, he will return to play the second – “should be like a first performance”. In reality, he added, that premiere (in 1859) turned out to be “a colossal failure”. In contrast, his own version – antique instrument and all – scored a triumph that pulled much of the Royal Festival Hall crowd to their feet.However, this “historically informed” Read more ...
Marina Vaizey
The Magnum photographer Martin Parr has spent decades observing contemporary human activity world-wide as – perhaps – a mesmerised observer, an anthropologist, a tourist, addicted to the vagaries of the human condition. This anthology at the National Portrait Gallery is dominated by what is called "Britishness", even when it is race goers in Durban. And the shadow over whatever "Britishness" may be – from the City Establishment, to a drunk young man all dressed up in black tie passed out at a May Ball, to men mending lobster pots in Cornwall – is of course Brexit (Main picture: Lobster Pots). Read more ...
Rachel Halliburton
Richard II has become the drama of our times, as it walks us through the impotent convulsions of a weak and vain leader brought down by in-fighting among his men. While the Almeida’s recent production starred Simon Russell Beale as a solipsistic child, utterly unable to distinguish self-pitying fantasy from reality, the Globe’s mixed-race all-female production is a more – well – virile vision of a narcissist raging against the dying of the light.Adjoa Andoh – who stars as Richard as well as co-directing with Lynette Linton – is an electric stage-presence with her hawk-like glare, vigorous Read more ...
Sarah Kent
In The Thread Russell Maliphant attempts what, at first sight, appears a foolhardy project – the juxtaposition of contemporary and traditional Greek dance. The two genres seem poles apart, the one being collective and in unison, the other more individualistic and expressive. But by slowing the pace and emphasising the similarities, Maliphant has created an unlikely dialogue that enriches them both. The piece is episodic, unfolding as a series of vignettes in which folk dances alternate with contemporary sequences. The result is mesmerising. Gliding serenely round the stage in long lines Read more ...
Liz Thomson
Record Store Day is now a fixture on the calendar, a key element in “the vinyl revival”, and this year – 13 April – it’s possible to buy a special Rega Planar Plus 1 Turntable, one of a limited edition of 500 costing £299. A novelty to many – but not to those of us who still have proper hi-fi systems which in my case includes not only a turntable and CD player but also cassette player and recorder and its mini-disc equivalent. It seemed like a good idea at the time – I planned to transfer all my bootleg cassettes. It was my third “proper” system and its selection was the result of many hours Read more ...
Kieron Tyler
The US music trade weekly Cashbox chose a picture of the then-hot Diana Ross & the Supremes and Temptations joint enterprise for the cover of its 14 December 1968 issue. On page 28, under the header “Best Bets”, a review of the “It’s the Loving Season” single by The Vareeations (pictured above) said “Standout female lead makes an especially fine showing on this blues-pop ballad side. Single is bound to attract attention and could prove a solid seller.”Despite the thumbs-up, the 45 did not attract much more attention outside The Vareeations’ Philadelphia home base. Nonetheless, “It’s the Read more ...
Boyd Tonkin
Vary the stale format of the vocal recital and all sorts of new doors open for performers and listeners alike. The only downside, as became clear at the Wigmore Hall last night, is that the audience may hear less of a stellar soloist than they ideally wish. In the latest episode of her residency there, Dame Sarah Connolly melded words spoken and sung into an event that orbited around the twin suns of music and literature. The actor Emily Berrington read – above all, from the diaries and letters of Virginia Woolf – while Connolly sang, and that supremely versatile accompanist Julius Drake Read more ...
Katherine Waters
There’s a wolf howl and Yxng Bane (pronounced Young Bane) jumps off a block on stage and his furry hooded coat flies open and the arena erupts in screams. The pit is filled almost exclusively with seventeen year old girls, excellently contoured and sporting chunky trainers and crop tops like it’s the early 2000s all over again, and he’s wearing nothing underneath except many hours at the gym. The 22 year old musician from Canning Town has already shared the stage with the likes of Wiley, Tinie Tempah, Yungen and Shy FX - and it’s not just his music that’s got pull. He's not flirting with fame Read more ...
Veronica Lee
Ask most people what a showband is and they’ll give you a blank look. But ask any Irish person (or those born in the Irish diaspora) who is north of 50 and they will probably look misty-eyed. For between the late 1950s and 1980s showbands were a huge Irish cultural phenomenon, and Ardal O’Hanlon was our amiable guide through this brief but illuminating history of them.Taking a break from his Caribbean sojourn in Death in Paradise, in Showbands: How Ireland Learned to Party O'Hanlon explained that Ireland in the 1960s was very different to the young, outward-looking country it is now – poor, Read more ...
Saskia Baron
Girl opens in a golden haze of sibling affection; a teenager is tickling a little boy one sunny morning in their bedroom. Lara is 15 and has just moved to a new flat with little brother Milo, 6 and single dad Mathias. The family have changed cities because Lara has been offered an 8-week trial at a prestigious ballet school. It’s a trial not just of dance skills but whether Lara can convince the teachers that although born a boy, a future as a ballerina is viable. After winning prizes at Cannes and being snapped up by Netflix, Girl looked set to be an arthouse hit, possibly even an Oscar Read more ...
David Nice
Vibrant rustic dancing to conclude the first half, a heavenly barcarolle to cast a spell of silence at the end of the second: Bernard Haitink's 90th birthday celebrations of middle-European mastery wrought yet more magic in Dvořák and Mahler after his first concert of Mozart and Bruckner. He seemed perhaps a little more frail, less spiritually concentrated this time; but that wasn't going to get in the way of the phenomenal stick technique nor of the London Symphony Orchestra sounding, once again, more like its counterparts in Amsterdam, Berlin and Vienna than ever before.It's possible that Read more ...
Adam Sweeting
Flying boldly against the #MeToo grain, Triple Frontier is a rather old-fashioned story of male buddyhood and the disappointments of encroaching middle age. The protagonists are five Special Forces veterans, brought together by private security specialist Santiago Garcia (Oscar Isaac) to raid the jungle lair of a South American drug warlord. Strangely, things don’t go according to plan.An underlying theme of the piece is the bum deal that military vets get when their service years are over. “They take your best 20 years and then they spit you out,” grunts Tom “Redfly” Davis (Ben Affleck), Read more ...