Question and answer interviews

theartsdesk Q&A: actor Leonie Benesch on playing an overburdened nurse in the Swiss drama 'Late Shift'

Q&A: ACTOR LEONIE BENESCH on playing an overburdened nurse in the Swiss drama 'Late Shift'

The Guildhall-trained German star talks about the enormous pressures placed on nurses and her admiration for British films and TV

The German actor Leonie Benesch has an issue with erratic pacing in films. "I find it awful when a character talks and then there's a two-second pause before the dialogue continues," she says.

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, love, and confusion in the modern world

Q&A: FILMMAKER DAG JOHAN HAUGERUD On sex, love, and confusion in the modern world

The writer-director discusses first-love agony and ecstasy in 'Dreams', the opening UK installment of his 'Oslo Stories' trilogy

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director Dag Johan Haugerud, whose new film Oslo Stories: Dreams is all about the most beautiful and painful feeling in the world. 

theartsdesk Q&A: actor Lars Eidinger on 'Dying' and loving the second half of life

Q&A: LARS EIDINGER On Matthias Glasner's 'Dying', and loving the second half of life

The German star talks about playing the director's alter ego in a tormented family drama

To get Lars Eidinger "right", one must take him cloven hoof and all. He's intense, unconventional, and driven – but by what, exactly? Self-hatred, he says. Complacency, his critics say. The truth probably lies somewhere in between. But if two things are certain, it's that his performance as an emotionally withdrawn conductor in Matthias Glasner's Dying confirms him as one of the finest German actors of his generation, and that he has a sublime talent for character-building.

theartsdesk Q&A: writer and actor Mark Gatiss on 'Bookish'

The multi-talented performer ponders storytelling, crime and retiring to run a bookshop

Having played Sherlock Holmes’s politically involved older brother Mycroft in the BBC’s hit crime series Sherlock, Mark Gatiss may not be an obvious candidate to now follow in the footsteps of the famous detective. But with his new murder mystery series Bookish, set in London in the aftermath of World War Two, the creator, writer and star of the six-part show has finally become a sleuth himself.

theartsdesk Q&A: actor Emma Mackey on 'Hot Milk' and life education

The Anglo-French star of 'Sex Education' talks about her new film’s turbulent mother-daughter bind

Emma Mackey might have had her breakthrough role as a teenage tough cookie in Netflix's hit Series Sex Education (2019-20223), but there is also a disarming softness in her; a balanced mix of femininity and subtly fierce determination that made her the perfect choice as Emily Brontë in Frances O'Connor's 2022 biopic about the author’s journey to womanhood.

Bleak landscapes and banjos: composer Bernard Hughes discusses his score for 'Chicken Town'

Our critic talks about his recent film project

Composer Bernard Hughes first met director Richard Bracewell when working on the film Bill, a 2015 Horrible Histories take on the life of Shakespeare for which he provided some of the score. The pair were keen to collaborate again but the pandemic put paid to their plans. The new black comedy Chicken Town sees the pair reunited.

GRAHAM RICKSON: This is a film made on a small budget. How do the economics of a production affect how you work?

theartsdesk Q&A: Zoë Telford on playing a stressed-out psychiatrist in ITV's 'Malpractice'

Q&A: ZOE TELFORD On playing a stressed-out psychiatrist in ITV's 'Malpractice'

She nearly became a dancer, but now she's one of TV's most familiar faces

If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The Thick of It, Foyle’s War, Ashes to Ashes, Sherlock, Silent Witness, Unforgotten, Grantchester, Vera… they all appear on her on CV, with many more besides.