New music
Thomas H. Green
A decade ago, Alice Cooper reconnected with his roots. He created a sequel to his 1975 album Welcome to my Nightmare with Bob Ezrin, the producer whose vision crystallized Alice Cooper, the band, and shot them to stardom in the early-Seventies. The survivors of that original outfit also played on the album, their first recordings with the singer in 38 years. After a couple of decades firing out increasingly stale metal, Cooper suddenly sounded refreshed and full of mischief. That same team partly reconvened for 2017’s Paranormal. Now they’re at it again. Alice Cooper has had more comebacks Read more ...
Kieron Tyler
Frànçois Marry’s sixth album as Frànçois & The Atlas Mountains evokes warm days spent lounging in fields of clover reflecting on friendship, places visited and journeys which could be undertaken. Banane Bleue’s 10 tracks are unhurried and delivered as if Marry had just woken up. Relatively, the chugging “Holly Go Lightly” is uptempo – but it’s still reserved.Musically, Banane Bleue is more Eighties sounding than previous Frànçois & The Atlas Mountains albums and comes across as a family friend of Belgium’s Antena, the early Elli Medeiros and él Records mainstay Louis Philippe. Marry’s Read more ...
Thomas H. Green
Interest in Britney Spears has not waned. The #FreeBritney movement, the new documentary Framing Britney Spears, and the ongoing controversy around her father’s legal conservatorship have served to put her back in the public eye over the last year. Not that she ever drifted very far away from it. She is, after all, Britney Spears. Eight years ago, theartsdesk offered an overview of her career via her videos. We now revisit it. Despite many dismissing her output as empty fluff, I argued then that “there's a rich story to be told, reflecting the paradoxical nature of the woman herself and Read more ...
Liz Thomson
“That cat’s a blues singer,” Frank Sinatra famously said of Willie Nelson. “He can sing my stuff but I don’t know if I can sing his.” The two men sang together, on stage and on record, and Nelson, 87, is now older than Sinatra when he took his final bow – the Guv'nor last sang in public aged 79, and died at 82. The perfect phrasing which had marked him out had by then long gone, swagger and vulgarity replacing once intelligent and subtle performances. "I learned a lot about phrasing listening to Frank," Nelson has said.Nelson has been dipping into the great American songbook since the mid- Read more ...
Kieron Tyler
The ninth track on this collection of interpretations of songs written by Kris Kristofferson is so surprising it’s bewildering. The commentary in the booklet of For The Good Times – The Songs Of Kris Kristofferson notes its “sneering Joe Strummer-like delivery” and that the “guitar-heavy riff is very Clash-like.” Baffling. Could a Kristofferson song merit these words? However, sticking the compilation in the CD player reveals “Rock and Roll Time” as so like The Clash, it could be them. Played alongside “Should I Stay or Should I go”, it passes for a Joe Strummer repost to the Mick Jones song. Read more ...
Kathryn Reilly
Composed in the first lockdown, and recorded remotely, the seventh album from Newcastle’s Maxïmo Park was produced by Ben Allen (Animal Collective, Deerhunter). But it is not so much a record of the times as a snapshot of a time in the band's lives.And it opens strongly with a typically jerky piece of indie pop considering ageing in an exhausting world “As you can clearly see/I’ve lost some luminosity/I hadn’t bargained for such intensity,” Paul Smith sings in "Partly of My Making", still with the magical accent. I think we can all get behind that right now. Given our times, you Read more ...
joe.muggs
Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But it has also been rewarding – and looking back over the 10 years of Disc of the Day reviews has been a good chance to remind ourselves of that. One thing in particular that drew me into the collective when it was founded, and has kept me going throughout, was the understanding that artistic forms would be treated with equal respect and Read more ...
simon.broughton
“Zanzibar, are you ready?” yells the singer from the stage.There’s a huge cheer. It seems the crowd – and it is a crowd – is certainly ready. In shades, a flat cap and dreadlocks down his back, singer Barnaba Classic (pictured below left) is on stage at Zanzibar’s Sauti za Busara festival. Over from Dar es Salaam, Barnaba is a big star in Tanzania and is headlining the festival’s first night after seven hours of music.Seeing it live on Plus TV, it seems like watching another world. A live band on stage and an audience of some 2500 people, mostly dancing. Usually audience cutaways Read more ...
Nick Hasted
Immersively arranged and intricately lyrical, Ghetts’ third full album further boosts grime’s takeover of British music’s front rank. Aged 36, he’s a contemporary of Kano, and similarly still evolving.Last year’s eerily mesmeric single, “Mozambique”, shows how he now layers his music deep, helped by subtly supportive orchestration and potent deployment of a packed guest list. Chopping strings add classical gravity as synth police sirens stir, while on the hook, South African “future ghetto punk” Moonchild Sanelly trills rrrs hard as an Art Blakey press-roll (wanting “gr-r-reen dough”), over Read more ...
theartsdesk
Continuing our week of pieces celebrating the 10th birthday of theartsdesk’s album reviews section, today it’s time to ‘fess up! Seven of our regular reviewers reflect on occasions when, in retrospect, their writing did not correctly sum up the music in question. Yes. It happens. Even to us!The Black Keys - El Camino – by Russ CoffeyContext, in music, explains a lot: it’s why mediocre melodies heard at the right time can send a shiver down your spine, while total bangers, experienced at the wrong moment, leave you cold. That’s pretty much what happened when I received my copy of The Black Read more ...
Tim Cumming
Mathieu Boogaerts has been recording since the mid 1990s, emerging from the nouvelle chanson scene in Paris, a chansonnier who’s performed at the likes of Cafe Oto over here, while establishing himself as a star turn on the Tôt ou Tard label in France, mixing Afro-pop and reggae as well as indie electronica and folk into his chanson. He’s previously based himself in Paris, Brussels and Nairobi, and now, London, where he’s spent the past five years living in the hinterland between Clapham and Brixton. Out of that sterling cultural exchange experience comes his first English-language album, Read more ...
mark.kidel
Writing for theartsdesk offers a freedom that I‘ve never experienced before. Encouraged by the much-missed Sue Steward and by Peter Culshaw, two of the website's founders, I started by writing solely about music – something I've done since I was a student. But very soon, I was covering theatre in Bristol, where I lived at the time, and I occasionally wrote about the visual arts, and then the cinema. What a joy, not to be bound by specialism but inspired by my enthusiasm and curiosity!With music, I’ve usually avoided going off-piste. I‘ve mostly selected albums by artists I knew, or who Read more ...