New music
Thomas H. Green
The French have developed an international reputation for a certain smooth style of electronic music. It’s the place where disco and house collide with something more urbane and far less sweaty. Daft Punk provided a defining moment with their 2013 album Random Access Memories, but the sound referred to is touched upon all the way from the louche downtempo of Air to more recent yacht rock sumptuousness from Papooz. And now L’Impératrice arrive to join the party.The toast of Parisian hipsters for a while, L’Impératrice (The Empress) now release their debut album and it’s sleek as an invitation Read more ...
Peter Culshaw
Oumou Sangaré is not a woman to be trifled with – tales of people who have crossed her and lived to regret it abound: one story (of many) has her personally hiring a bulldozer in a land dispute and getting a recalcitrant local official sacked. She looked super-glamorous at Earth in a white dress and blue nails, and her backing singers looked and sounded ravishing in vertiginous heels and 70s hairdos.The Dalston venue is becoming a great addition to London’s music venues – a little run-down with wooden seating but with a warm atmosphere and excellent sound centring on Oumou’s extraordinary Read more ...
Barney Harsent
And then there were two... again. Following on from the Original Line-Up tour, Bananarama are back to the core duo of Sara Dallin and Keren Woodward for their first album in 10 years. If it is true that co-founding member Siobhan Fahey’s 1988 departure was due, in part, to the pop chops of 1987’s Stock Aitken and Waterman-produced Wow!, it might be just as well that she didn’t stick around this time. In Stereo is VERY pop.When it works best, the album manages to fuse this tendency with the kind of grown-up disco savvy you’d expect from former SAW labelmate Kylie. The heavily previewed “Dance Read more ...
Russ Coffey
Sigrid Raabe bounced onto a tiny stage, fizzing with energy, and launched straight into her recent single "Sucker Punch". Following her recent support slot with George Ezra, this concert was the 22-year-old Norwegian's big thank you to fans who have recently been supporting her. It wasn't just a gratitude gig. This was a special "all age" event in a suburban nightclub and the whole thing was over by nine o'clock. That didn't stop moments of goosebump exhilaration coming thick and fast.Partly it was down to the sheer quality of the material. Sigrid may have only just released her debut album Read more ...
Thomas H. Green
Record Store Day is tomorrow which means that your local record shop will be packed with all sorts of exclusive, limited edition goodies as well as major label cash-ins. There are hundreds of releases but many aren't available before the day itself so below are the ones that theartsdesk on Vinyl got their hands on this year. Dive in.theartsdesk on Vinyl's RSD ChoiceHot 8 Brass Band Working Together EP (Tru Thoughts)The look of this release fairly shouts Record Store Day Special. In a transparent plastic sleeve embossed with the band name/logo in gold, it’s a bright blue transparent 12”. On Read more ...
Guy Oddy
Fat White Family’s second album, 2016’s Songs for Our Mothers, caused something of a stir in indie circles and even generated a fair amount of radio play with its wide-eyed exuberance and chaotic motorik sounds. However, after the musical madness of three years ago, comes the sonic crash of Serfs Up! Bonkers psychedelic sounds are now firmly out of the window for Peckham’s Lias and Nathan Saoudi and their musical confederates. In their place come an electronics-heavy, purposely unpolished dirge with half-heard, reedy vocals.This is even more disappointing given the promising song titles, such Read more ...
joe.muggs
Impressively, this collaboration of three of pop's hardest grafters feels like a real group endeavour. Certainly, the multi-quintillion-selling Australian songwriter Sia's piercing tones and melodic style are the most recognisable thing here, but they weave around Hackney-raised Simon Cowell protege Labrinth's more understated voice and globally ubiquitous DJ/producer Diplo's military-grade Latin / dancehall / hip hop derived beats to create impressive coherence. It's not the trip-out the group name might suggest, but it's certainly got its share of odd twists, dizzying quick shifts and Read more ...
Thomas H. Green
The Chemical Brothers just keep on coming. No Geography could as well be called No Surrender. It’s the sound of two men approaching 50 but still keenly attuned to making feet move on the dancefloor. Partly made using old synths relegated to a dusty corner since the duo’s defining first couple of albums, the pair’s ninth (tenth, if you count the sountrack to the 2011 film Hanna) is segued into a flowing whole and, as intended, sweeps the listener off on its beat-driven magic carpet ride.Tom Rowlands and Ed Simons’ initial success came on the back of gigantic hip hop drum-fuelled party tunes Read more ...
Owen Richards
Reviewing the soundtrack for a film you’ve not seen is a tricky act. It’s like reviewing a book based on its pictures – you’re missing the context of the music’s purpose. But then, not all soundtracks are created equal, and Wild Rose is one designed to stand on its own two feet. The film stars Jessie Buckley as aspiring country star Rose-Lynn Harlan, recently released from prison and struggling to balance her responsibilities with her dreams. Hell, the only thing that doesn’t tick every country cliché is the Scottish location.The album features a combination of familiar covers and original Read more ...
howard.male
Like Dylan when he went electric, and Waits when he went Beefheartian, Mark Kozelek (aka Sun Kil Moon) divided his fans when he moved from jangly elegiac rock of standard proportions to expansive, digressive prose enquiries into the crumbling state of a nation, and the crumbling state of the man just trying to negotiate it all. But my advice to dissenters is to surrender rather than resist. No, Kozelek hasn’t "lost it". If anything he’s found it, and found it in abundance. So on to specifics. In this instance his partners in crime are Donny McCaslin (sax) and Jim White (drums). McCaslin Read more ...
Kieron Tyler
It begins with The Stone Roses’ “Don’t Stop”, the fourth track from their 1989 debut long player. A backwards though thoroughly remixed version of “Waterfall”, the album’s preceding track, it enthusiastically pushes the button labelled “psychedelic”.It ends with “T.V. Cabbage” by Gaye Bykers on Acid, originally issued as the B-side of their 1986 debut single. Here, it appears in that version rather than the re-recorded take released on their debut album. Mashing-up late Sixties biker rock, Hendrix, Sonic Youth and first album Stooges, it’s less elegant than “Waterfall” but as an aural bad Read more ...
joe.muggs
There's a remarkable lightness to the way Norah Jones has glid through her career. She once told theartsdesk that even in her early 20s, faced with the global hyper success of Come Away With Me, “I think I was smart enough to know at the time that it was money in the bank: ‘You can do what you want now, so do it.’” And what she wanted, fantastically, was essentially to be the musician she already was only more so: steadily getting deeper into country melancholy, lounge jazz dreaming and other romantically-lit hinterlands of the American psyche. And now, 17 years on, well Read more ...