New music
Thomas H. Green
There was a common theme to overheard discussions about Peter Jackson’s The Hobbit. Whether in cinema doorways, school playgrounds or pubs, the consensus seemed to be that it laid out Tolkien’s tale in a suitably epic fashion and was no less a feat than the Lord of the Rings trilogy. And yet, and yet… because we’d seen it all before – the silhouetted convoy traipsing over pan-shot New Zealand landscapes, the wizards, orcs and elves - because we’d seen it all before the experience was unexpectedly anticlimactic. Thus it is with Black Rebel Motorcycle Club’s seventh album. It does what it does Read more ...
theartsdesk
Another session of Peter, Joe, some amazing records and some musing on their whys and wherefores - originally broadcast live on NTS Radio out of London's fashionable Dalston.This time around we touch on how humans imitate technology and vice versa (with reference to autotune and Wilko Johnson), on the inspiration for Paul Simon lyrics, and on how retro-ism can be the freshest thing around. The music covers everything from prog-funk to raging Arabic dubstep, country balladry to Amazonian electro-pop. Tune in, turn on, you know the rest... Track list:Colleen – Push the Boat Onto the Sand ( Read more ...
Peter Culshaw
What fire and grace on display last night at what he and we assume will be Wilko Johnson’s final London gig. It’s been a while since ticket touts were out in force outside one of his gigs (£200 for you, sir) although his career has been floating upward in the last couple of years, partly due to Julien Temple’s excellent documentary Oil City Confidential. We came to pay affectionate tribute to one of the great guitar stylists, who announced a couple of months ago that he had terminal cancer.Most bands playing material from 40 years ago are going through the motions and are basically Read more ...
bruce.dessau
If you want a jolting snapshot of how British pop culture has changed in the last three decades, take a look at the clip below of Billy Bragg singing "Between The Wars" on Top of the Pops in 1985. Even if the old Savile-anchored singles showcase was still around, can one imagine a contemporary singer having a mainstream hit with such a political song today? It makes you want to despair.Billy Bragg's 13th studio album, Tooth & Nail, seems to suggest that he is similarly troubled by the modern world. Despite their constant threat of nuclear annihilation, somehow the mid-Eighties suddenly Read more ...
Thembi Mutch
A crowd of men and younger women in full burkahs gathers, bewildered by the sight: an African woman, in West African “Mumu” (khaftan) and a covered head, playing Ghazals (Islamic calls to prayer). Accompanied by an acoustic guitar, a clear voice, sitting on a café terrazza, Nawal transports us: until it is broken. “How dare you use the name of Allah in a song?!” cries out a dishevelled street vendor, visibly upset. “But you use keyboards in your praise of Allah” she retorts calmly.It is 1pm, several hours before the Sauti Za Busara festival is about to begin. From the 12th-century Omani fort Read more ...
Kieron Tyler
Del Shannon: The Complete UK Singles and More (1961-1966)The plaintive, urgent drama of Del Shannon’s debut single, 1961’s “Runaway”, will always identify him. But amazing 45s like 1965’s crunching “Break up” and the ferocious garage-punk of “Move it on Over” show that there was more to the Detroit stylist than his calling card. This well-presented collection of his early singles – all heard in pristine fidelity, unlike the raft of budget comps available – reveals that Shannon was constantly evolving but hampered by what surrounded him.Shannon was a singer-songwriter before such a label was Read more ...
Kieron Tyler
How John Grant would follow up 2010’s universally celebrated Queen of Denmark was a knotty dilemma. He could have settled into his role as the aberrant, self-lacerating, depression-fuelled, potty mouthed descendant of Lionel Ritchie and Eric Carmen. Instead, his new album takes him into new territories which again attests to his status as a singer/writer with no peers.Pale Green Ghosts builds on the John Grant we know with “Vietnam”, “It Doesn’t Matter to Him”, “You Don’t Have To” and “Glacier”, all of which he has performed live over the past few years. Any of them could have slotted onto Read more ...
Kieron Tyler
“Five years,” said former Mott the Hoople fan club president Kris Needs of the band’s lifespan. “That’s how long the Kaiser Chiefs have been around, but who cares?” It seemed an unfair measure. Mott split 39 years ago and the Leeds quirksters are still going strong. But in terms of stitches in rock’s rich tapestry, Mott’s, like the Kaiser Chiefs’, probably wouldn’t darn a sock.That’s not to say Mott the Hoople didn’t merit this documentary, or that their best records weren’t among the greatest of the early Seventies. But it did take David Bowie to write their first hit and boot them into the Read more ...
Adam Sweeting
"We know we belong to the land, and the land we belong to is grand!" as they sang in the title song of Rodgers & Hammerstein's Oklahoma! Singer-songwriter John Fullbright is no less enthusiastic about his home state, but he views it more from the direction of hobo balladeer Woody Guthrie than from the tradition of the Broadway musical.The 24-year-old Fullbright happens to come from Guthrie's home town of Okemah, and while his songs don't inhabit the same folk-protest territory as Guthrie's, they're steeped in the music of the American south and west. Blues and country, gospel and hymns Read more ...
Russ Coffey
Over 30 years, Bon Jovi has remained one of the more cartoonish fixtures in soft rock. With characteristic lack of irony, the boys from New Jersey have perfected the art of singing nonsense - my favourite example is "someday you tell the day / by the bottle that you drink" - with straight faces. Now, they’re getting more ambitious. What About Now is being touted as a “big rock record full of social commentary". Its subject is Obama’s America. How odd then that half of it sounds a bit like the Stereophonics.Still, it’s not all bland, anthemic, stadium rock. The lead single, “Because We Read more ...
Kieron Tyler
The death today at age 82 of trumpeter Kenny Ball makes him the first of the big three chart regulars of Britain’s trad jazz boom to pass away. Both Acker Bilk and Chris Barber are still with us. It’s easily forgotten, but trad actually was bigger than The Beatles. In January 1963, just as the Liverpool quartet were issuing their second single, “Please Please Me”, Ball was on a sell-out bill at north London’s massive Alexandra Palace. Ball beat them to the US charts, hitting number two there in early 1962 with “Midnight in Moscow”.Trad isn’t cool, and probably wasn’t then. But it was massive Read more ...
Lisa-Marie Ferla
Devendra Banhart has never been afraid to push boundaries and mix genres. Still, of all the ways the once-prolific songwriter could have chosen to return, releasing a dance album is surely one of the least likely.It’s why “Golden Girls” - the dense, brief opener to the Venezuelan-American songwriter’s Nonesuch Records debut and first album in four years - is so surprising, with its repetitive “get on the dancefloor” refrain. The track is so ambiguous it could lead the rest of the album in any direction: in fact it leads to “Daniel”, the sort of ponderous, lo-fi waltz that wouldn’t seem Read more ...