love
Rachel Halliburton
Welcome to A Midsummer Night’s Dream as carnival – a blazing-coloured, hot-rhythmed, kick-ass take in which Oberon appears at one point as a blinged-up Elizabeth I and Puck exerts his powers as a flash-mob. Last month the glitter-ball hedonism of Nicholas Hytner’s gender-fluid Dream, which opened at The Bridge, felt like an impossible act to follow, but this riotous production by Sean Holmes at Shakespeare's Globe shows that the Battle of the Dreams is on.The Latin American vibe that pervades the romantic madness in the woods is given a sinister twist through the decision to introduce Theseus Read more ...
Joseph Walsh
There’s a touch of Fellini’s 8 ½ in Pedro Almodóvar’s latest film. It’s a forlorn, confessional tale, with Antonio Banderas starring as Salvador Mallo, a director in the latter stages of his career. His character acts as a cypher for Almodóvar, allowing him to wrestle with themes of love, loss, and addiction.Mallo is in a rut, unable to write or direct due to numerous ailments that plague him, from migraines to back pain. He’s been asked to attend a retrospective screening of his one of his films. This event leads to him being reunited with the film’s star, Alberto (Asier Etxeandia). They had Read more ...
Thomas H. Green
Whitesnake were always the most absurdly priapic of the successful Eighties heavy rockers. It was therefore with some glee that this writer approached their 13th studio album. In the snowflake age, where offence is taken at the slightest politically incorrect infraction, these hoary oldsters would surely be a ball. They did, after all, once infamously release an album entitled Slide It In. It turns out, however, that for much of the time, overblown musical cliché is the lasting aftertaste.David Coverdale has led Whitesnake for just over 40 years although, of the rest of the band, only drummer Read more ...
Joseph Walsh
Finnish director Dome Karukoski’s Tolkien follows the same formula of many literary biopics, with a tick-box plot of loves, friendships and hardships that forged the writing career of one the 20th Century’s greatest fantasy writers.We open at the Western Front, as a feverish Tolkien doggedly makes his way through the trenches with trusty companion, Sam (Craig Roberts) – a proto-Samwise Gamgee, complete with West Country accent - looking for his schoolfriend, Geoffrey Smith (Anthony Boyle). Blasts of German flame-throwers transform into dragons, and caped cavalry officers shape-shift into Read more ...
Katherine Waters
By fifteen Ummulbanu Asadullayeva — or Banine, to call her by the name under which she wrote and translated — had already lived more than most of us will in a lifetime. She’d experienced great love, married, been both a refugee and returnee, survived a pogrom, become a multimillionaire, been divested of that fortune by revolution, and read nearly the entire contents of her Aunt Rena’s library. By 1924, she was living in Paris, where she settled. Her life was extraordinary, but so were the times.Days in the Caucasus, the autobiography of her childhood, written in French and published in her Read more ...
Katherine Waters
Early every evening, Miss Baixiu comes to sit in an isolated café. She is the daughter of Luo Yiming, the respected employee of a successful commercial bank in charge of loans throughout central Taiwan. As a rich man, an aesthete and a philanthropist he enjoys status, power, acclaim. Since leaving his job, the owner of the café, our unnamed narrator, has consciously sought to reduce his life to the smallest confines. He sleeps in a purpose-built mezzanine inside the shop and is lucky to sell two cups of coffee a day. The location of the café was dictated as the being the best spot to wait for Read more ...
Owen Richards
When Jason and Tracey were trying for a baby, the worst happened. Tracey was diagnosed with breast cancer, and although she eventually recovered, was unable to carry a child. For Jason, the answer was clear - as a trans man, he would become pregnant instead.The new documentary A Deal with Universe follows Jason and Tracey’s journey as they attempt to conceive. It might sound niche, but in reality, it’s a universal story of love and determination. Like many couples, they struggle with failed IVF treatments and miscarriages; Jason’s gender is almost an afterthought. Told through home Read more ...
Rachel Halliburton
In an age where political, social, and gender norms seem to be in perpetual meltdown, it should be pretty much impossible for a musical that begins with a song celebrating ‘Tradition’ to strike a chord. Yet from the moment that the cast of Trevor Nunn’s foot-stompingly fist-wavingly triumphant Fiddler on the Roof launches into the opening number, it’s clear that they have the energy and chutzpah to whip up an emotional storm.The musical – the latest West End transfer from production powerhouse, the Menier Chocolate Factory - is famously based on Sholem Aleichem’s stories about a Jewish Read more ...
Marianka Swain
The grand finale of Jamie Lloyd’s remarkable Pinter at the Pinter season is this starry production of one of the writer’s greatest – and certainly most personal – works, inspired by his extramarital affair with Joan Bakewell. The 1978 play is famous for its reverse-chronological structure, however Lloyd’s stylish, expressionistic take emphasises the daring not just of the formal trickery, but of the unsparing scrutiny of humanity.Soutra Gilmour’s stark set resembles a gallery, with the tangled trio as its shades-of-grey exhibits; it’s a reminder, too, that these yarn-spinning schemers Read more ...
Saskia Baron
This might just be the most challenging film review I’ve had to write in decades. The best thing would be to go and see Border knowing nothing more than that it won the prize for most innovative film at Cannes. Don't watch the trailer, and definitely don’t read those lazy reviewers who complete their word count by writing a detailed synopsis ruining every reveal and plot twist. Border is simply brilliant and best seen clean, although a duty of care means that viewers of a delicate disposition are warned that there’s a significant amount of body horror on screen. Fans of David Cronenberg, Read more ...
Katherine Waters
Ellida (Pia Tjelta) has a choice to make, the outcome of which will bind her future to her past or her present, each represented by a man. On the one hand, there is the tempestuous seafaring Stranger (Øystein Røger) to whom, long ago and in a fit of delirium, she pledged herself; on the other, there is her devoted and rational doctor husband Wangel (Adrian Rawlins). The consequences of neither option are clear, for while Ellida has lived through both periods, she has hardly been alive in either. Instead, the heroine of Ibsen's 1888 drama is numbed, adrift, and it is only now – under Read more ...
Graham Fuller
Films that show a young couple’s love deepening are rare because without personal conflict there’s no narrative progression. They're especially rare in the current mainstream American cinema since romantic dramas are commercially risky, though LGBTQ entries like Carol and Barry Jenkins’ Moonlight, following Brokeback Mountain, have found strong critical favor. Set in Harlem, mostly in the early 1970s, Jenkins’ latest, If Beale Street Could Talk, forcefully bucks the anti-romantic trend with its story of passionate soulmates Tish Rivers and Alonzo “Fonny” Hunt (KiKi Layne and Read more ...