pop music
Jonathan Geddes
When Maisie Peters first appeared onstage she loudly asked if the crowd were ready for “the best night of their lives”, and given the youthful nature of the audience the ensuing 80 minutes might have lived up to the hype. There were screams, hysteria and, in one case, an emotional lass getting on her phone to tell her significant other that hearing break-up songs brought home how much they appreciated them.There were a lot of those songs, in fairness. When Peters observed that she was seeking to provide music from different eras of her life it was easy to raise an eyebrow, given she’s still Read more ...
Thomas H. Green
Exactly 40 years since Madonna’s first UK hit, “Holiday”, was skittering about the Top Five, she launches her global Celebration Tour at the O2.It is spectacle on the very grandest scale. In the latter half, following a video montage of tabloid controversies that pursued her career, and, to some extent, made it, a banner headline flashes “Age is a sin”. Madonna responds, “The most controversial thing I’ve ever done is to stick around.” The most successful female artist of all time is here to refute the sniping.The show is biographical concept album as dance theatre. It begins, as Madonna did Read more ...
Thomas H. Green
When ABBA split in 1982, Agnetha Fältskog went on to a solo career that was mostly overshadowed by the titanic popularity of her former band. By the 21st century ABBA’s status in pop, especially with the Mamma Mia phenomenon, had become iconic.They were as big as it’s possible to be, now cemented by the continuing success of the holographic Voyage show in London. Fältskog also finally achieved widescale solo recognition and Top 10 chart placings across the world with 2004’s My Colouring Book, an album of covers, and its successor, 2013’s A. Her new album, A+ is a reimagining of the latter Read more ...
Jonathan Geddes
The first declaration of love for the Last Dinner Party arrived approximately one song into their set. “I love you too,” declared a delighted looking Abigail Morris, the band’s pirouetting frontwoman, in response, and the ensuing hour suggested outpourings of affection are just one of many reasons for Morris to be cheerful these days.This show had been upgraded from the considerably smaller King Tut’s Wah Wah Hut and yet filled up with ease, with a number of Glaswegians getting dressed up like Morris and her compatriots, whether in Gothic chic or Virgin Suicides esque dresses. Onstage Read more ...
AngelHeaded Hipster: The Songs of Marc Bolan and T Rex review - musical doc falls between two stools
Adam Sweeting
Seeking to be both a documentary and a musical tribute to Marc Bolan, AngelHeaded Hipster doesn’t quite pull it off on either count. It’s based around the making of an album (whence the film gets its title) of versions of Bolan’s songs by an interminable list of artists including U2, Joan Jett, Devendra Banhart, Macy Gray, Beth Orton and many more, produced by Hal Willner and released in 2020. Willner, who died shortly before the album's release, made his name by creating multi-artist tributes to such fabled names as Charles Mingus, Kurt Weill and Harold Arlen, but one might hesitate to put Read more ...
Kathryn Reilly
Here’s one woman "of a certain age" who definitely isn’t invisible. But she’s in the middle of a media furore on which we’d rather not dwell. Sadly it might be the very thing that gets her the publicity she surely deserves. Remember when there was no such things as bad publicity? Vastly under-appreciated, she is a creative powerhouse. Innovative, daring and most of all unpredictable. There’s nothing lazy or repetitive here – quite a feat after 30 years in the business. “On paper, I shouldn’t still be able to surprise people this much, so I’m very proud of that. I’ve gone around for the last Read more ...
Kieron Tyler
“March of the Flower Children” was a June 1967 B-side by Los Angeles psych-punks The Seeds. The track was extracted from their third album Future, a peculiar dive into psychedelia which was as tense as it was turned on. While the song’s lyrics referenced a “field of flowers,” a “painted castle” and a sky “painted golden yellow” the mood was jittery, unstable.The title has been borrowed by a three-CD clamshell set dedicated to, as its subtitle puts it, “The American Sounds of 1967.” Over around four hours, this March of the Flower Children collects 85 tracks. The Velvet Underground’s “White Read more ...
joe.muggs
On the face of it, this is an extremely simple record. It is big, stomping, party-monster neanderthal synth-rock.There’s no new sounds here: the structures are classic garage punk, the synthesisers’ growl and squeal sounds like some jerry-rigged setup from the 1970s, and the double drum kits and John Dwyer’s growls and yelps are downright primal. Aside from the equally retro-sounding big synth pop ballad finale “Always at Night”, it’s music to fling yourself around and get loose to, and in a sense that’s all you need to know. But the more you live with it, the more complex and perplexing Read more ...
Kieron Tyler
Restraint wasn’t the watchword. Around March 1965, Heinz was in Joe Meek’s North London recording studio taping “Big Fat Spider,” which became the B-side of his April single version of “Don’t Think Twice it’s Alright.” A run-through which didn’t end up on the record found guitarist Richie Blackmore tossing off blistering lead runs so frenzied, so spikey, so wayward they might – had the track been issued – have caused radio producers to check whether the single had a pressing fault.It’s the same with previously unheard versions of Heinz’s “Movin’ In” and “I’m Not A Bad Guy,” the next tracks Read more ...
Kieron Tyler
Two producers named Martin worked with Buzzcocks and Joy Division. Martin Hannett was in the studio for Buzzcocks’ debut release, the Spiral Scratch EP, issued in January 1977, and also for the bulk of the tracks spread across their last three United Artists singles in 1980. He also shaped every studio recording Joy Division made for Factory Records.Martin Rushent (1948–2011) was teamed with Buzzcocks after they signed with United Artists in August 1977 and continued the relationship with the band’s Pete Shelley following the band's split in 1981. In March 1979, he recorded four tracks with Read more ...
Cheri Amour
For someone predominantly poised at her kit, the mononymous music producer’s return is surprisingly devoid of live drums. Daughter of Leftfield cofounder Neil Barnes, Georgia has made a name for herself as the drummer for artists such as Kwes and Kae Tempest. Her 2019 release Seeking Thrills was “a hymn to British hedonism” with a hefty slice of Robyn-esque pop panache. Last year saw Georgia embrace these stadium-sized singalongs as tour support for LA sister trio Haim. While her lively rendition of Kate Bush’s iconic “Running Up That Hill” received a new wave of mass appreciation after the Read more ...
Thomas H. Green
Full disclosure. I actively dislike Blur and always have. Don’t get me started on why. That would last seven times as long as this review.In this game, though, at theartsdesk, if no-one will review an album, and it’s one we absolutely should review, either Joe Muggs or I will end up with it. In my defence, I gave Blur’s Think Tank a fair-minded review two decades ago. Even quite liked it for about three months. That’s the best I can muster. If you’re a devoted Blur fan, then, I’m definitely not the most reliable source. For the rest reading, I’ll do my best.Their ninth album, and first in Read more ...