Album: Róisín Murphy - Hit Parade

Masterful and majestic – this is Murphy's finest hour, controversy or no

share this article

Ignore the scary image and dive right in

Here’s one woman "of a certain age" who definitely isn’t invisible. But she’s in the middle of a media furore on which we’d rather not dwell. Sadly it might be the very thing that gets her the publicity she surely deserves. Remember when there was no such things as bad publicity? Vastly under-appreciated, she is a creative powerhouse. Innovative, daring and most of all unpredictable.

There’s nothing lazy or repetitive here – quite a feat after 30 years in the business. “On paper, I shouldn’t still be able to surprise people this much, so I’m very proud of that. I’ve gone around for the last four or five years knowing this record is happening, and it’s given me great purpose and confidence,” she reveals on the album press release. This is her sixth album, the first on Ninja Tunes and it’s an absolute triumph.

Murphy “worked remotely, in different countries sending tracks/ideas back and forth” with Hamburg-based DJ Koze, who inspired the title by joking “I will put you on the Hit Parade, I’ll put you on Top of the Pops” (that might be a push given that Radio One wouldn’t play Kylie Minogue even when she was in the top 10. Know your place, not-youthful-ladies!)

Her vocal timbre and scale is revelatory. In some instances, you wouldn’t actually know it was her. In a good way. Boundary breaking and idiosyncratic, the album twists and turns – one minute all future-facing and cosmic, the next kind of retro but in a completely fresh way. It’s deeply textured and demands multiple plays. In fact, beware – you won’t be able to stop listening once you’ve dipped your toe into this delicious concoction.

There are many standouts and the singles are among them. “Fader” has an uplifting, epic grandeur (the self-directed video is a thing of beauty, too) sampling the much-older-sounding “I Learned the Hard Way” by Sharon Jones & the Dap-Kings. Considering its contemplation on mortality (“I'll meet my maker, sometime a little later”) it’s remarkably life-affirming. “Coocool” is summer encapsulated in a song and samples Mike James Kingland’s 1971 “Together” to impressive effect. “The Universe” is one of those songs you feel like you’ve heard before. Shimmery and super-catchy, the only quibble is the over-accentuated American accent (and what are the speech clips all about – White Lotus?). I wonder what Murphy would sounds like doing a Grian Chatten? “You Knew” is a seven-minute-long complex club track of powerful grooviness. “Can’t Replicate” channels Lil Louis’ "French Kiss", building in sauciness for another seven minutes. You get your money’s worth with this one.

But that’s the tip of the iceberg. Wall-to-wall brilliance awaits for those not into cancelling.

Below: Watch the video for "Fader" by Roísín Murphy

 

 

 

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Boundary breaking and idiosyncratic, the album twists and turns – one minute all future-facing and cosmic, the next kind of retro but in a completely fresh way

rating

5

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along