New music
joe.muggs
Knowing a deceased artist's archives are available for re-release is a double-edged sword. Will there be a shoddy flood of any and every old bit of tat a la Jimi Hendrix? Will there be half-arsed, half-finished and even fake songs bodged together by trashy but popular modern dance remixers like Michael Jackson? Will the vaults just stay infuriatingly locked? With the impossibly prolific, but often self-indulgent Prince, it is doubly worrying: who has the rights? What will the quality control filter be like?Well, thank all that is holy, on the evidence of this release they're taking the right Read more ...
Ellie Porter
“This, quite possibly, could be a really good night,” declared David Crosby. He’s a couple of songs into this show, one of only two UK dates on the tour promoting his current album Sky Trails. Looking trim, beaming and in impeccable voice, the 77-year-old known as Croz fulfils his prophecy – and then some.It’s a predictably mature crowd, but there’s a Crosby-shirt-sporting young boy in front of me who, with his mum, seems as thrilled as the rest of the audience packing out Shepherd’s Bush Empire. With a massive back catalogue to plunder, Crosby presents a fine selection tonight from his Read more ...
Katie Colombus
Christine has become Chris. The singer has struck out part of her name to gain a part of her identity – a gesture that quivers around words like transgender, sexuality, androgyny, queer. Actually, singer – real name Héloïse Letissier (previously Christine And The Queens, now Chris) – is simply presenting the next chapter of her story, following on from her slightly naiver-sounding teen-focussed debut album of Chaleur Humaine.Chris’ first album was formed when, after being depressed and heart-broken in Paris she was taken in by a group of London drag-queens from Madame Jojos who helped form Read more ...
Matthew Wright
Norwegian-Danish singer Live Foyn Friis (for English-speaking readers, Live is her first name) has released six albums, and leads several different ensembles, scattered intriguingly across the divide between jazz and pop. Her voice is recognisably Nordic, with an ethereal quality that expresses yearning, in particular. In this respect she evokes the tradition of Björk; yet she also loves Billie, Ella and Frank Sinatra and is capable of a more strident, swinging, jazz-infused expression, too. Originally trained as a saxophonist, she came to singing later, and was immediately struck with the Read more ...
Thomas H. Green
Bananas is Malcolm Middleton’s first solo album to be built around guitar, bass, drums and all that stuff since 2009’s gorgeous Waxing Gibbous. Like any great artist, he soon became bored with pursuing the classic formulation that made his name (post-Arab Strap). He’s spent the last few years trying new ideas instead. His last album, Summer of ’13, was his take on electropop, there’s his Human Don’t Be Angry experimental albums and a collaboration with the artist David Shrigley. On Bananas, however, those who’ve been pining for his classic sound are rewarded.Middleton is a wordsmith, striking Read more ...
Kieron Tyler
During their original 1980 to 1984 lifespan as a recording unit, Soft Cell issued three albums, a mini-album, eleven singles and EP. There were also compilation appearances, bonus tracks on discs included with albums or singles (such as the 12-inch of Jimi Hendrix cover versions accompanying The Art of Falling Apart) and extended tracks which appeared on 12-inch singles. Everything could probably be collected on six CDs.The new box set Keychains & Snowstorms: The Soft Cell Story features 10 discs, one of which is a DVD. The albums and the Non Stop Ecstatic Dancing mini-album are not Read more ...
Kieron Tyler
Although he’s regularly performed it live, hearing the studio version of Glen Matlock’s take on Scott Walker’s “Montague Terrace (in Blue)” is a jolt. Back in September 1967, when Matlock was 11 years old, the song was first heard on Walker’s debut solo album. Now, this elegy to a pair of cocooned lovers appears on Matlock’s solo album Good To Go as a straight yet rock-infused reconfiguration. It’s impossible not to wonder whether Matlock had Richard Hawley in mind when he set out to capture his own interpretation on tape.Glen Matlock will always be defined by his less-than two-year tenure in Read more ...
mark.kidel
Formats are second nature to TV: the BBC and Eagle Rock’s Classic Albums will run and run. Like all formats, there’s always the risk that the medium becomes the message, and content suffers under the weight of form. But Classic Albums at least avoids the BBC’s slavish reliance on presenters, and makes possible programmes that draw the viewer in closer than when everything is mediated by the wall-to wall ego of an expert or celeb.Although we have the trademark moments when the album’s different tracks are teased apart at the mixing desk to reveal the architecture of a recorded song, the Read more ...
Peter Culshaw
The latest in Peter Culshaw’s occasional updates in the best of new global music features unreleased tracks from forthcoming autumn releases and re-releases dug up by eccentric crate-diggers. Even more lunatically eclectic than usual we have some Somalian funk, Bollywood-meets-Sakamoto (Anchorsong - main picture), French Tango and Turkish psychedelia. New music unleashed includes fabulous tracks of new albums by Susheela Raman’s gamelan fusion Ghost Gamelan (appearing at the South Bank September 21), Anglo-Brazilian star Nina Miranda’s trip-hop update with Daxuva, and new Brazilian Read more ...
joe.muggs
Implausible times call for implausible music, and it doesn't come much more unlikely than this. Hawkwind, the die-hard troupers of gnarly cosmic squatter drug-rock, have re-recorded highlights from their catalogue, arranged and produced by Mike Batt. Yes, Mike “Wombles” Batt. Mike “Elkie Brooks” Batt. Mike “Katie Melua” Batt. Mike “Bright Eyes” Batt. And yes, he's removed all of the dirt, grease, diesel fumes, sticky bong residue and guitar distortion from the band's sound – this is a full-on showbiz spectacular, ballroom dance rhythms, big band brass, orchestral swoops and all. And yet Read more ...
Kathryn Reilly
So here we are. Over a decade since we all fell in love. So many light years from the rubble to the Ritz. From Sheffield to LA, where half the band is now based. And by the looks of the audience, a fair proportion has been along for the whole ride.Not that it’s always been easy to support them. Never mind the information/action ratio, what perhaps should concern us about the Arctic Monkeys is the genius/dross ratio in evidence since that first life-changing release. They could hardly be accused of churning out all-killer/no-filler albums. And the recent decidedly difficult (almost) concept Read more ...
Peter Culshaw
Rachid Taha, rockeur and provocateur, died this week of a heart attack. He was one of the last of the rebel rockers, a devotee of both The Clash and Oum Khalsoum. He brought rock and Algerian music together in a fabulously invigorating way. And while many younger rockers do yoga and sip herbal tea, he was committed to the Rimbaudian derangement of the senses and was great fun to get trashed with - I spent a few memorable all-nighters with him in Paris. Apart from general sadness, reactions range from those mourning the loss of someone so young, at 59, and those impressed that Read more ...