Reviews
India Lewis
Annie Proulx’s Fen, Bog & Swamp sees the Pulitzer-winning novelist join a number of authors decrying the ecological devastation we’re wreaking on the planet. James Rebanks’ English Pastoral argued for radical agricultural rethink. Journalist Bronwyn Adcock chronicled Australia’s worst bushfire. And essayist and poet Rebecca Tamás reckoned with the ecological meanings of hospitality, pain and grief.Proulx, mainly known for writing fiction and guides to smallholdings, has become a champion of fens, bogs and swamps, the mulchy sinking places she loves and which are both a victim of and Read more ...
Boyd Tonkin
You invariably come away from an Aurora Orchestra concert with ears refreshed and mind revived. As a storm swept across London on Sunday, the audience at Kings Place enjoyed their own cleansing wind in the form of this genre-spanning gig in the “Voices Unwrapped” season, led by tenor Nicholas Mulroy. It took us all the way from Baroque Europe to the socially-committed “new song” movements of modern Latin America. Mulroy sang – with consistently fine tone, phrasing and colour, not to mention exemplary clarity of diction – in four languages (English, Spanish, Italian, German). Ten Aurora Read more ...
India Lewis
Cormac McCarthy’s first books in over a decade are coming out this year, a month apart from one another. The Passenger tells the story of deep-sea diver Bobby Western, desperately in love with his perfect, beautiful, wildly intelligent dead sister, Alicia. Then, Stella Maris is her story, named after the asylum to which she commits herself.The Passenger is classic McCarthy fare: totally abstruse, excellently descriptive, and frustratingly digressive. It has elements of many of his previous novels, the strongest being the narrative of the perpetually wandering anti-hero. Western is a very Read more ...
Tom Birchenough
As its title suggests, Peter Gill’s Something in the Air is an elusive piece – it’s about catching at instinct, responding to intuition, bringing together overlapping hints of present and past lives. From these different stories, spun out of lived experience and imagination equally, the octogenarian playwright leaves the audience to craft a whole.We first encounter the play’s two main characters in a straightforward setting: the institutional straight-backed chairs suggest that Colin (Christopher Godwin) and Alex (Ian Gelder) are in a care home, but the closeness between them – the intimacy Read more ...
aleks.sierz
Opening a theatre should be a celebration, says Nica Burns, the West End power behind this new theatre which is situated next to Tottenham Court Road tube. The co-owner of Nimax Theatre group, she has come up with an elegantly gleaming 600-seat theatre in the round as part of the urban regeneration of the scuzzy top of Charing Cross Road.Her choice of an opening production is this celebratory bio-drama about Newcastle-under-Lyme’s local legend, the irrepressible Neil "Nello" Baldwin, whose amazing career proves that disability can be overcome – a heartwarming message in these turbulent times Read more ...
Sarah Kent
South African artist William Kentridge appears on video in his studio, twice. On the right he sits scribbling, waiting for an idea to surface. Meanwhile his alter ego stands impatiently by, trying to peek at his other half’s notes and, desperate for enlightenment, even reads a recipe out loud. The artist, it seems, doesn’t have a clue; he is as much in the dark as everyone else. A Lesson in Lethargy, 2010 offers a brief moment of humour in this relentlessly dark exhibition.Born in Johannesburg in 1955, Kentridge grew up under apartheid and the large charcoal drawings that open the Royal Read more ...
India Lewis
Tense with horror and the sticky darkness of the Argentinian night, Mariana Enriquez’s writing is rich and occult. Her epic novel, Our Share of Night, vividly translated from the Spanish by Megan McDowell, follows on from her short story collections Things We Lost in the Fire and The Dangers of Smoking in Bed. In this, her first novel to be translated into English, she delves further into a lushly violent and erotic world.Our Share of Night is set in the aftermath of the Argentine military junta’s worst excesses. The book begins in 1981 (the dictatorship ended in 1983) and the Read more ...
Saskia Baron
Vesper is a piece of arty European sci-fi, filmed in the forests of Lithuania (homeland of co-director Kristina Buozyte) and set in a dystopian future conjured up by its French co-director Bruno Samper (a "digital experience designer"). The two collaborated in 2012 on Vanishing Waves, which was the first Lithuanian sci-fi film to play in the US, won awards on the festival circuit, and came with quite a lot of explicit erotica.Ten years on, the directing duo have been working with a predominantly British cast to create an English-language film likely to appeal mostly to younger Read more ...
Nick Hasted
In Park Chan-wook’s strange Cannes prize-winning thriller, a husband is discovered mangled beneath a mountain, and pretty widow Seo-rae (Tang Wei) isn’t noticeably upset.Brilliant young detective Hae-jun (Park Hae-il) becomes obsessed as their breaths synchronise in the interrogation room, a piquant tremor after the erotic floods and earthquakes of Park’s The Handmaiden (2016) and Stoker (2013). Back home, Hae-jun cooks sensuous food for his quick-witted, beautiful wife, domestic and sex life decent enough. Yet even as the murder case closes, he spies on the widow, voyeurism Read more ...
Kieron Tyler
In the third week of April 1967, Frank and Nancy Sinatra’s “Somethin’ Stupid” topped the UK’s single’s chart. Sandie Shaw’s “Puppet on a String” was number two, and The Monkees’ “A Little Bit me a Little Bit You” snapped at her heels. Englebert Humperdinck’s recent number one “Release me” was at number five. All very pop, very mainstream.The Jimi Hendrix Experience’s “Purple Haze” was in running too then, as were Pink Floyd’s “Arnold Layne” and The Beatles’ “Penny Lane” / “Strawberry Fields Forever”. But other chart entries like Whistling Jack Smith’s “I Was Kaiser Bill’s Batman”, The Read more ...
Tim Cumming
It’s the second night of a four-night run at the London Palladium of the Rough and Rowdy Ways World Tour – no other Dylan jaunt has taken an album for its title – and it begins with a blast of symphonic violence from the first movement of Beethoven’s Ninth. The house lights fade to black, the symphony segues into a modal tune-up on stage, Dylan and his four-piece – second guitarist Bob Britt is not here tonight – barely visible in silhouette.And then it begins in a flurry of piano keys and guitar, the stage becoming eerily lit from below, and Dylan leans in to a song from the early 1970s, “ Read more ...
Helen Hawkins
The cynical might think Pearl Cleage’s play had been expressly written to address the over-riding issues in today’s USA – abortion and contraception rights, gun control, homophobia, racism. But the cynical would be wrong, as Blues for an Alabama Sky was written in 1995. What is notable is its timely scheduling by the National Theatre.Cleage has written a period play, set in the Harlem Renaissance during Prohibition, that works as a tribute to the major players of that movement. Their names are bandied about by the characters as their associates and colleagues – the poet Langston Hughes, the Read more ...