Reviews
Robert Beale
Within its own aspirations, Orpheus is a complete triumph. “Monteverdi reimagined”, as Opera North subtitled it from the start, is an attempt to unite (and contrast, and compare, and cross-fertilise) early baroque opera with South Asian classical music.That’s a big ambition, as the two might seem to have little in common. But Anna Himali Howard’s simple production concept of a marriage celebration, where Orpheus is a white British guy and Eurydice an Asian girl, set in the back garden of a semi-detached house – probably in Leeds – is a symbol of the whole enterprise.The design (Leslie Travers Read more ...
David Nice
The sopranos are Ethiopian-Italian and Hispanic-American, the tenor Uzbek, the baritones South African (no EU principals, but it seems you can't have everything). This is opera at its best: the cream of international singers coming together to make a unified work of art under a director with a vision and a conductor who gives it all total security as well as freedom. It may be the tour, but it’s vintage Glyndebourne.Floris Visser’s concentrated take on Puccini’s note-perfect La bohème, revived here by Simon Iorio, premiered in the main festival earlier this year; Miranda Heggie Read more ...
Laura de Lisle
“The bands came in 1933.” So begins C P Taylor’s Good, a play that tries its hardest to resist being Googled. It was first performed by the RSC in 1981; this production, starring David Tennant as a mild-mannered German professor who gradually becomes a paid-up Nazi, has been delayed several times by the pandemic. Director Dominic Cooke has crafted a punchy first act, but he can’t save the second from Taylor’s stodgy script.“The bands” play constantly in the head of Tennant's John Halder, their repertoire ranging from Bavarian oompah to American jazz. Halder is a professor of literature in Read more ...
Demetrios Matheou
There were decidedly mixed, north-south emotions on the film festival circuit last week: just as the latest edition of the BFI London Film Festival opened, administrators announced the immediate closure of its illustrious UK cousin, the Edinburgh International Film Festival, along with two of Scotland’s most beloved cinemas. So just as one capital prepared to celebrate cinema – and cinemagoing – another was struggling to come to terms with a kick in the teeth to its cultural heritage, caused by the deadly combination of rising costs and declining, cash-strapped audiences. The Read more ...
Christopher Lambton
This was one of those rare occasions when a somewhat diverse collection of pieces knits together into a rather satisfying programme. To start at the end, the Saint-Saëns “Organ” Symphony is a rumbustious crowd pleaser not least because of its theatrical appeal: the lone organist sitting way above the orchestra unleashing the final peroration in a great surge of full-fat romantic harmony.“Feel how it moves the air”, as the late great Carlo Curley once told me, of the then partially defunct Usher Hall organ. Now in fine fettle, this great civic instrument by Norman and Beard makes light work of Read more ...
David Nice
If there’s a dud or a dullard among Sibelius’s 116 official opus numbers, I haven’t heard it. Yet catching even many of the outright masterpieces live in concert isn’t easy; the brevity that can show us a world in under 10 minutes makes some difficult to programme.All hail, then, to the BBC and scholar/biographer Daniel Grimley for mapping the Finn’s legendary universe in three concerts of wall-to-wall Sibelius and another placing his two main pupils’ choral music alongside his own.Missing Grimley’s morning introduction was excusable: at exactly that time I was submitting to the pneumatic- Read more ...
Veronica Lee
Richard III is a controversial figure, and will remain so after this film, which tells the remarkable story of how Philippa Langley, a woman with no background in academia, archaeology or as a historian, led the search to find the grave of the “usurper king”.It comes with a slew of accusations and counter accusations; some historians believe it wrongly absolves the king of any blame over the murders of his nephews, the young “Princes in the Tower”; Leicester University (whose archaeologists performed the successful dig) say they led the excavation, while Langley says she did but was sidelined Read more ...
Rachel Halliburton
When Roberts Balanas was at the Royal Academy of Music he was asked to perform something “different” for an open day. The Latvian violinist already had a reputation for being as experimental as he was virtuosic. He began with a rendition of the Andante from Bach’s Sonata 2 in A minor – a tricky polyphonic piece in which the violinist must accompany the melody with repeated notes on the lower string. Yet as the piece progressed he started to introduce some of his own harmonies, gently shifting the polyphony till it sounded more like something from…ABBA.This witty, teasing musical hybrid Read more ...
Jonathan Geddes
If ever a moment summed up the spirit of a gig perfectly, then it is the segment in this arena showcase where Machine Gun Kelly is confronted by the internet, represented by what appears to be a blow up statue with a monitor for a head. As it demands the American rap rocker should be pigeonholed into one genre, he strikes on a solution which involves a helicopter flying in to shoot it. That was a defining trait of this relentlessly bombastic show, of going loud and direct as often as possible.In reality Colson Baker has avoided damage from internet criticism fairly handily, transitioning from Read more ...
Adam Sweeting
Although plaudits have been rolling in for Lauren Lyle’s smart and sparky portrayal of the titular detective in Karen Pirie (ITV), getting to the end of the third and final episode felt like a long slog. The traditional ITV two-hour slot is of course the home of such indestructible classics as Inspector Morse, Poirot, Marple et al, but despite some persuasive performances, Karen Pirie felt over-stretched in its three-week span. It also seemed uncannily like a caledonian makeover of ITV’s cold-case stalwart Unforgotten, as it roved over events from 26 years earlier after Detective Sergeant Read more ...
Matt Wolf
Not much happens but, in its way, everything does in The Band's Visit, the gentle, sweet-natured musical that rather unexpectedly stormed Broadway late in 2017 and is just now receiving a notably empathic London debut.Broadway isn't always hospitable to musicals that wear understatement on their sleeve (cue Moulin Rouge by way of an exact opposite), and there was no guarantee that this adaptation of the 2007 Israeli film of the same name might find the mainstream appeal that it did. Its London perch at the Donmar is in fact closer in vibe to the Read more ...
Veronica Lee
It has been a long time since Harry Hill went on tour – 2013 – so one can assume that many of the youngsters in the multi-generational audience hadn't seen him perform live before, but were there because they know him from his deliriously funny television work, much of it available online. I hope they weren't disappointed – but I suspect, judging by the lack of laughter around me, that at least some were.Hill is an endlessly inventive comic, and he had a slew of props on stage to deliver his gags – most of them utterly daft and beyond explanation – and a lot of Pedigree Fun is brilliantly, Read more ...