1970s
joe.muggs
Paul Simon is an ornery bugger. Full of awkwardness and perversity as a person, seemingly hugely detached, but as an artist capable of as much tenderness and directness as just about anyone out there. Capable of making world-changing artistic statements but queering his pitch with bizarrely, unnecessarily reactionary statements or actions. Really, a very weird man.But thankfully, he’s never gone all the way into cantankerousness. He’s not a Morrissey, so high on his own farts that the perversity becomes his entire persona, and every action and word is layered with provocation and second Read more ...
caspar.gomez
Jah Jah Jah blah blah blah. We’ll get to that.I meet Everest at Worthing station at 3.20pm. He’s clad in a light brown corduroy jacket and a cap. He looks dapper. Like a Len Deighton spy. We board the train to Brighton. I hand him a chilled bottle of Henney’s Herefordshire cider (6%) and tuck into my own bottle of St Austell Proper Job Cornish IPA (4.5%). We open a small box of Morrisons All Butter Mature Cheddar Cheese Crumbles, and talk about the harshness that life can deal out to the old.It's a sunny Sunday. In Brighton, we walk down to The Gladstone pub on Lewes Road. It’s bright yellow Read more ...
Nick Hasted
In Mark Jenkin’s haunted Cornwall, time warps and bends. He is a child of Nic Roeg’s Seventies masterworks (Walkabout, Don’t Look Now, The Man Who Fell To Earth), whose kaleidoscopic slivering of time expressed an elliptical, sensual mind. Jenkin too has built his own time and space with self-described “seemingly crazy” antique techniques, limiting him to clockwork, 16mm film and post-synch sound.In this follow-up to his debut, Bait, a ship sunk in 1897's flotsam bobs into 1973, premonitory of a new sinking, remembered on a crackling radio report from now. The otherwise Read more ...
Thomas H. Green
The Damned could have been bigger contenders. As anyone who’s seen Wes Orshoski’s feature film biog, Don’t You Wish We Were Dead, will know, their career has been blighted by chaos, line-up changes, catastrophic business decisions and just plain bad luck. What they have never been short of is songs. From “Smash It Up” to “New Rose” to “Stranger on the Town”, their golden years were littered with corkers. Their new album, their 12th, assembles a dozen songs that, while not in the league of the aforementioned, showcase rock’n’roll songwriting chops intact, exuding melodic charm and lyrical Read more ...
Graham Fuller
In Sight & Sound’s recent Greatest Films of All Time poll, Barbara Loden’s Wanda (1970) placed joint 48th with Ordet (1955), just ahead of The 400 Blows (1959) and The Piano (1992). Loden’s existential indie drama about an uneducated working-class Pennsylvanian woman (played by the writer-director herself) haplessly fleeing the role society allotted her might lack the intellectual heft of Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), which topped the poll, but it’s the more accessible and compelling film.Loden made a diffident, self-deprecating guest when Read more ...
Thomas H. Green
To music-lovers of the era, The Selecter are known as part of the 2-Tone ska explosion which blew up as the 1970s turned into the 1980s. The Selecter were right in the middle of that, their eponymous song on the B-side of The Specials’ debut single “Gangsters”, and their own singles, notably “On My Radio” and “Three Minute Hero”, there right at the start. What will be more surprising to most is that they’ve been almost consistently producing music since. This is their 16th studio album.Frontwoman Pauline Black has become an iconic figure in her own right, a polymath, awarded an OBE last year Read more ...
Kieron Tyler
An original pressing of 1979’s Thrust fetches at least £1000. Its 1980 follow-up Thrust Too can be a relative bargain at around £400. The prices are partly explained by J Dilla having sampled Thrust Too’s “Survival of the Funkiest” and Thrust’s “Summer Fun” being sampled by Daphni. Both funk-soul albums – the first credited to McNeal and Niles, the second to Wilbur Niles and Thrust – were barely circulated and barely sold. Text-book collector’s items.But without the music, potential buyers’ wallets would stay in their pockets (though the attraction rarity brings can, of course, sometimes Read more ...
joe.muggs
There’s something charmingly unassuming and humble about The Zombies. Nowadays their 1968 second album Odyssey and Oracle regularly figures in all time greatest albums lists, but it was a flop at the time and its reputation grew through a gradually snowballing cult status, and the band split soon after its release. Most of their existence, in fact, has been in this century, with Rod Argent and Colin Blundstone reviving the name in 2004 and staunchly putting in the legwork on the revival rock circuit ever since. If you ever see them talk, even now at knocking on 80, they are just seemingly Read more ...
Kieron Tyler
From around July 1977, Jeremy Gluck began contributing to the UK music weekly Sounds. Amongst his pieces were features on The Lurkers, The Rezillos, 999 and his home country Canada’s punk band The Viletones. He’d also written about Generation X for what ended up as the final issue of Sniffin' Glue. In parallel, along with guitarist Robin Wills, he was formulating the band which became The Barracudas.The pair met at an early 1977 show where The Unwanted, the punk outfit Wills was in, was the support band. Once The Barracudas debut single was out – August 1979’s independently released “I Want Read more ...
Kieron Tyler
Sometime in early October 1963 John Lennon and Paul McCartney encountered The Rolling Stones and offered them one of their songs; one which became the London blues aficionado’s second single. “I Wanna be Your Man” was duly recorded on 7 October 1963 and released on 1 November. Thanks to The Beatles, the Stones charted for the first time. A Liverpool-London, north-south divide had been breached.A supposed stylistic separation was also breached – the Londoners were purported blues purists who stood apart from the pop scene. Of course, that changed as pop can absorb anything and ambitious bands Read more ...
Adam Sweeting
Endeavour first landed way back in 2012, and suddenly here we are, bidding it a final farewell after the end of its ninth series. Not everybody learned to love Shaun Evans as the pre-John Thaw Inspector Morse, but some of us may even have come to like the new boy better.In this valedictory episode, Exeunt, creator Russell Lewis had crafted a fitting end to the pre-Morse saga, bringing us full circle with closure of sorts for the Blenheim Vale child abuse horror (which dated back to series 2) and dispatching all the main players into various different futures. We were left with Anton Lesser’s Read more ...
Robert Beale
Leonard Bernstein’s Mass has something of the nature of what might have been called a “happening” at the time he wrote it. It was 1971, and it was created for and premiered at the opening of the Kennedy Center in Washington.It’s set for very large forces: three choruses, two orchestras including a rock band and a blues band, a virtuosic baritone soloist (the “Celebrant”) around whom the whole drama of the piece is built, and at least 20 other soloists from a group designated “Street Musicians”.So it’s a happening that doesn’t happen very often – at least so far as 100 per cent professional Read more ...