Film
emma.simmonds
Although I Give It a Year seems to have more than a whiff of a Richard Curtis rom-com about it, don’t be fooled as this is the debut of British writer-director Dan Mazer, the co-writer of the emphatically more outré Brüno and Borat, along with various incarnations of Ali G. Furthermore he’s lobbed Scary Movie's Anna Faris and Bridemaids' Rose Byrne into the mix. The message is thus: while it's certainly not averse to plundering the fridge for cheese, for the most part I Give It a Year puts the emphasis on broad, bawdy comedy.Hastening through the schmaltz, the film begins with a courtship Read more ...
Emma Dibdin
There’s an episode in the first season of Mad Men in which the ad execs of Sterling Cooper brainstorm a campaign for Richard Nixon, just prior to the 1960 presidential election. Dramatic irony being what it is, it’s a rare opportunity to watch our anti-heroes working on a pitch (based chiefly around smear tactics) that is predestined to fail. By contrast, Pablo Larraín’s No chronicles how a team of ad men in 1980s Chile, led by Gael Garcia Bernal’s maverick René, put together a campaign to topple a dictator that we know will succeed against all odds.No is the third film in a loose trilogy Read more ...
Laura Silverman
Years before Cleopatra (1963), Richard Burton played an orphaned shopkeeper in a quaint melodrama. It was his film debut. The Last Days of Dolwyn is written and directed by Emlyn Williams, a fellow Welshman, who gave Burton his first stage role in 1944. In Dolwyn, out five years later, Burton is magnetic.The film zooms in on a Welsh village under threat from English gentry planning to supply Liverpool with water and flooding the area in the process. Burton seems awkward at times, but lends a rich complexity to his sensitive and volatile character, Gareth. Read more ...
ronald.bergan
Both on screen and off, Montgomery Clift was sensitive, hesitant, introspective, self-destructive and often tortured. A personality that expressed itself on film as if afraid of what the camera would reveal. There were at least three faces of Clift. The early public one of the dark, romantic, handsome star of the fan magazines; the face of extraordinary beauty marred after a car accident in 1956, and the private face of drink, drugs and a series of unloving homosexual encounters. Although the accident itself had not really disfigured him too seriously, it seems to have scarred his character Read more ...
Demetrios Matheou
Often it takes a generation or two before a country can address its dark days on films; Hitler didn’t feature in a central role in a German film until Downfall, in 2004. This timorousness was certainly the case in Chile, where in the immediate years following the end of General Pinochet’s dictatorship, in 1990, the local cinema was dominated by sex comedies.But the renaissance in the country’s film industry over the past decade has been accompanied by a willingness to look back. Andres Wood’s Machuca led the way, in 2004, with a powerful child’s-view account of the days leading to the army Read more ...
bruce.dessau
It is probably not unreasonable to argue that all of the original Monty Python's Flying Circus team – including lovely Michael Palin – were, and are, a complex bunch. But none were as complex as the late Graham Chapman. Gay, alcoholic and partial to smoking a pipe and playing authority figures such as army officers, there is more than enough meat there for a colourful film about his life.In keeping with Chapman's unorthodox career, A Liar's Autobiography, which has been doing the festival rounds since last year, is a pretty unorthodox film. Directors Ben Timlett, Jeff Simpson and Bill "son of Read more ...
Adam Sweeting
We know Sylvester Stallone didn't do this movie for the money, since he's surfing the career revival wrought by the astounding success of The Expendables. Perhaps he wanted to work with Walter Hill, here directing his first movie in over a decade. Perhaps Sly just prefers working to loafing around the pool in between bouts of weight-lifting.Derived from a graphic novel by French author Alexis Nolent, Bullet to the Head is a strange beast, cynically and relentlessly violent but leavened with some incongruously smart wisecracks. It has a decent cast, but they're offered next to nothing in the Read more ...
mark.kidel
Joe Wright’s screen adaptation of Tolstoy’s giant of a masterpiece, scripted by Tom Stoppard, takes a big risk that pays off: the many-layered late 19th-century novel is stripped to its bare bones with astonishing brio. He sets most of the story in a theatre, playing with the illusion created by a proscenium arch and the mirrored worlds of audience and stage. On paper, the whole thing sounds absurdly gimmicky, but Wright has a feel for both literature and cinema and his translation of a cherished classic into a piece of dazzling film works wonders with a genre that often drains literary Read more ...
emma.simmonds
Proving that laughter is the only sure-fire cure for the January blues, this year's London Comedy Film Festival took place over four days from Thursday 24th to Sunday 27th January. Known commonly and affectionately as LOCO, it once again showcased the best of comedy filmmaking from around the world, lined-up alongside a range of imaginative events - a programme seemingly designed to give the most depressing month of the year a well deserved kick up the arse.Giving the intriguing but daunting sounding "Laughter Yoga" a wide berth on Thursday morning, I opted instead for Thursday evening's BFI Read more ...
Jasper Rees
Another week, another presidential movie. Another year, another lead role for a stuttering English monarch. Hyde Park on Hudson feels like the product of one of those irony-free meetings in Burbank. You know, the ones in which executives crank up a cinematic concept on the basis that if the audience liked X, they’ll suck up Y. And hey, why not hit them with some Z too? Thus a few days on from Lincoln and with memories of The King’s Speech still warm, we have a film in which an iconic leader of the free world, in this case Franklin D Roosevelt, receives a visit from stiff, diffident George VI Read more ...
Nick Hasted
Body-horror proves a viable family business with Brandon Cronenberg’s writing-directing debut, a chilly, queasy successor to dad David’s best work. Cronenberg Sr.’s Videodrome (1983) – which caught its era’s potential for bootleg, endemic visual sex and violence and the interdependence of people and screens – is a decent comparison to Brandon’s Antiviral, which pushes our obsession with celebrity to satiric extremes.We follow Syd March (Caleb Landry Jones) in his work at the Lucas Clinic, where celebrity’s diseases are stored and fans pay to be infected, sometimes serious sickness a small Read more ...
Tom Birchenough
Poetic restraint dominates Ligy J. Pullapally’s 2004 Kerala-set lesbian drama The Journey (Sancharram). Based on a true story of a relationship between two young women that ended in one's suicide (a conclusion that’s left open in the film), its opening symbol is a butterfly, and flight would indeed be the only escape for its schoolgirl heroines.It would be away to a city from the small town - which looks rural and idyllic, centred around the school from which both girls are due to graduate - where social pressures dictate that conventional family life must be adhered to. When the slow- Read more ...