New music
Kieron Tyler
It didn’t take long for The Stooges to acquire an afterlife. They played their final show in February 1974. In May 1975, Nick Kent wrote a multi-page feature for NME on the ups and downs of Iggy Pop and Co. In September 1975, Sounds reviewed a new album by the defunct band titled Metallic KO. One side of it was recorded at that final show.“I'm a tasteless little bastard and I really enjoy it,” wrote Giovanni Dadomo of the wreckage captured on the vinyl. “It's no great rock 'n' roll record per se. What I do believe is that it's an astonishing piece of documentary work, revealing as it does the Read more ...
Katie Colombus
I'm sure there's an audience somewhere that will love this Carrie Underwood Christmas croonfest. The people on Pinterest who collect nicely designed Bible quotes, seasonal recipes and images of matching family onesies, perhaps?For those who don't love a seriously traditional holiday season however, you might like to give My Gift a wide berth. It's very much more about the spiritual side of Christmas than a holly jolly romp around the tree. The album is made up of slow, same-paced festive tunes such as "O Come All Ye Faithful", "Little Drummer Boy" (featuring Underwood's cutesy-toots 5 year Read more ...
Thomas H. Green
The music year draws to a close and theartsdesk on Vinyl presents its festive selection. We go easier on the cheesier at this time of year, but there are also gold nuggets in there too. Time to buy the vinyl lover in your life a little something? Here's a vibrant cross section of many, many kinds of music on plastic, running the gamut from Neil Diamond to a feminist concept album about mermaids. Dive in!VINYL OF THE MONTHTiña Positive Mental Health Music (Speedy Wunderground) + Tom Sanders Only Magic (Mosho Moshi)Usually December’s Vinyl of the Month is a Christmas album but this year, for Read more ...
joe.muggs
Think hard. How much schmaltz do you think there is in this album? OK, double that. Now double it again. Nope, you’re still nowhere close. This is the world schmaltz lake with the entire EU cheese mountain forming an island in the middle, all decorated with a Willy Wonka factory worth of sugar candy and more camp than the Boy Scouts Of America. It’s like an entire planet done up like that weirdo down your street who lights up their entire house and garden for the whole of December every year. It’s ridiculous. It’s preposterous. It’s absolutely off its not inconsiderable tits. But, well, Read more ...
Guy Oddy
Christmas albums are traditionally, pretty cheesy affairs and Seasonal Shift sees Tex-Mex rockers Calexico join in with the spirit of things, invite a disparate group of friends into the studio and lay the Panela on seriously thick. As well as some original tunes, which often find themselves channelling Roy Orbison at his most family-friendly, there are covers of songs by the Plastic Ono Band and Tom Petty, and even some surprising cultural cross-overs. There’s not too much that actually references a birth in Bethlehem though and sometimes it works and sometimes it really doesn’t. Quite what Read more ...
Sebastian Scotney
Island Records were apparently keen for half of Jamie Cullum’s first Christmas album to consist of covers, but the singer/songwriter thought otherwise, and simply said no.“When you think of all the people who have recorded “The Christmas Song” [...]”, he has said, “why should I do the same thing?”With re-heated old chestnuts off the menu, what Jamie Cullum as songwriter with his classy team of arrangers – mainly Tom Richards, and also Callum Au and Evan Jolly – have most often done in the ten tracks of The Pianoman at Christmas, recorded at Abbey Road, is to stay relatively Read more ...
Lisa-Marie Ferla
Now this is exactly what I want for Christmas: a beloved fixture of Saturday afternoon TV putting a lounge jazz spin on some festive classics, backed by an 18-piece swing band. …And a Happy New Year is, somewhat implausibly, the second holiday collection in as many years from Chris “Kammy” Kamara – last year’s debut being the sort of unexpected Top 10 success to justify another run for the former professional footballer turned genial Sky Sports pundit and occasional light entertainment star.With Rudolph, Frosty and the rest of the lowest-hanging festive fruit anchoring last year’s Read more ...
Kieron Tyler
Scars’s tour de force album Author! Author! has been out of sight for too long. Originally released in 1981, it first reappeared on a swiftly withdrawn CD in 2007. Apparently, there were issues about where the rights for its reissue lay. Now, it has re-emerged.Author! Author! was great. On the surface it was poppy, but a darkness coursed through its ten tracks. “All About You”, the March 1981 single trailing its release, sounds like a hit (its promo video is on YouTube). Driving, melodic and mysterious, it suggested Scars as an artier, more subtle counterpart to the U2 of “I Will Follow”. It Read more ...
Barney Harsent
After a 16-year wait for the second album from Australian sample-stitchers The Avalanches, their third, a mere four years later, feels like a rush release by comparison. We Will Always Love You has been preceded by no fewer than four singles which, while welcome, are in danger of distorting the overall picture slightly.While it could still be broadly catagorised as hip-hop and psychedelic pop, We Will… is a more thoughtful collection, peppered throughout with considered call-backs to connecting themes of distance, loss and transcendence. And while the quality isn’t always consistent, the Read more ...
Thomas H. Green
Doncaster musician Dominic Harrison – Yungblud – appeared a couple of years ago, a self-proclaimed punk, alive with vim and righteousness, touting music that, loosely speaking, fused the snarling northern outrage of Arctic Monkeys with hip hop-tinted power-pop. It was a lively combination and his debut album, 21st Century Liability, had its moments. Since then, his profile has raised dramatically, a cult Gen Z figurehead, his appearance an impressive, sexually fluid spin on Keith out of The Prodigy. This album could be the one that supernovas him – it’s catchy enough – but it does so by Read more ...
joe.muggs
Dance music has a notably different relationship to its past than other kinds of music. This has a real, material basis: because its core experience is that of the mixed DJ set, in principle nothing is ever the same twice, elements are constantly combined and recombined, so past and present are constantly churned together in new contexts. Once a style is established, it never completely stops being current, because its main riffs, samples or tracks are reused and remixed enough to maintain familiarity with every new generation of listener/dancer. “Revivals” of acid, dub, hardcore and what Read more ...
Liz Thomson
Mary Chapin Carpenter’s Songs from Home has been an anchor-point almost since the beginning of lockdown for many people, all of us invited into the singer’s sun-dappled Virginia farmhouse, often the kitchen, where, accompanied by Angus the most golden of retrievers, she chats and sings. Last weekend, America still celebrating Thanksgiving, she performed a concert. Solo in every respect, its punning title: One Night Lonely.It was a generous performance, two hours, filmed at the Filene Center amid Wolf Trap’s 117-acre Park for the Performing Arts, “a treasured place in the DC area” where Read more ...