New music
Katherine Waters
There’s a wolf howl and Yxng Bane (pronounced Young Bane) jumps off a block on stage and his furry hooded coat flies open and the arena erupts in screams. The pit is filled almost exclusively with seventeen year old girls, excellently contoured and sporting chunky trainers and crop tops like it’s the early 2000s all over again, and he’s wearing nothing underneath except many hours at the gym. The 22 year old musician from Canning Town has already shared the stage with the likes of Wiley, Tinie Tempah, Yungen and Shy FX - and it’s not just his music that’s got pull. He's not flirting with fame Read more ...
Russ Coffey
If you're familiar with The Brian Jonestown Massacre, chances are it's from the 2004 Sundance-winning rockumentary, Dig!. The film took a wry look at the Californian band's intense rivalry with The Dandy Warhols. More, though, it was an extended character-study of charismatic, drug-frazzled BJM frontman Anton Newcombe – a man once described as consuming narcotics so ferociously, it was like an anteater eating ants. It was generally assumed Newcombe would soon be sucked into the vortex of his fevered mind. Instead, he got sober and stayed that way. The change is certainly remarkable Read more ...
Liz Thomson
Having long been immersed in folk and world music and acoustically-oriented singer-songwriters, it’s a surprise to be given a CD of music by someone who’s never crossed your radar, especially when the artist concerned turns out to have sold some 14 million albums, though mostly in Europe and North America. It’s probably the case that Loreena McKennitt’s considerable following owes to word-of-mouth, for the music-loving friend who gifted me her 1994 album The Mask and The Mirror had been put on to her by a friend in Europe. Instantly hooked, I explored further, giving her live 2006 CD/DVD set Read more ...
Kieron Tyler
Groove Denied’s keeper is “Ocean of Revenge”, a drifting Syd Barrett-tinged contemplation with a structural circularity and edge setting it apart from the rest of what’s credited as the first solo album from Stephen Malkmus since 2001’s eponymous set. That, though, was an album he wanted co-billed to him and his band The Jicks. His label Matador had other ideas.Plus ça change. The former Pavement man wanted Groove Denied issued in 2017 before the release of last year’s Sparkle Hard, a Stephen Malkmus and the Jicks album as such. The ten tracks out now are solo for real (despite being listed Read more ...
Barney Harsent
Birmingham’s reggae veterans UB40 are a band who have often worn their politics on their sleeves, and the title of their new album is taken from Jeremy Corbyn’s Labour Party mantra. The parallels between the two have already been noted, of course. After a turbulent time, a split saw a new man thrust into the spotlight while divisions raged and claims were made over who had the rights to the soul of a British institution. Sound familiar? In fairness to Duncan Campbell, brother of former singer Ali, he seems to have adapted to his role rather better than the current Labour leader (fair Read more ...
Asya Draganova
A mere 12 years since their previous disc Ma Fleur came out, the Cinematic Orchestra have finally got around to releasing their fourth studio album. So naturally, there are expectations to meet and To Believe responds by demonstrating a re-energised artistic direction. The new album finds a good balance between the lightness of the Cinematic Orchestra’s sound and a coherent, well-articulated album concept. Indeed, without any pretentious claims to innovation, this new set evokes a sense of space, motion, and timelessness with contemporary and elegant orchestrations, memorable loops, and a Read more ...
mark.kidel
Foals have delivered a consistently top-notch series of albums (this is their fifth since Antidotes in 2008): guitar-led, high-energy, musically literate without being effete or pompous. Power pop elevated beyond the run-of-the-mill by a great deal of intelligence and taste.The latest album is the first of a pair (a kind of delayed-release double album) and once again, the band, who are no doubt at their best as a very exciting live act, have made an album rich in material that will stand the test of time, and yet feels very fresh. That frontman Yannis Philippakis should hail from the hill Read more ...
Kieron Tyler
Writing in 1980, the musician and musical theorist Chris Cutler said that “without the support and patronage of the culture-establishment, The Residents were able to exist, continue to exist, grow, find their public, hold that public – and expand it – until the pop establishment was forced to take notice.” He contended that as they were neither musicians or part of music sub-culture they “exemplified a new type [of development], specialising in nothing, turning their hands to anything: a type whose aims were no longer conceived in terms of music, theatre, film, writing or the visual arts, but Read more ...
Guy Oddy
Metaprogramação is the third album from Deafkids, the chaotic mass of hair and flailing limbs that put on a fine display at last summer’s Supersonic Festival, during a recent rare visit to the UK. As with the band’s previous fare, it’s a whoozy psychedelic concoction that sits very heavily indeed. Characterised by weirded out 1970s’ Dr Who-type sound effects rubbing up alongside guitars and vocals that are manipulated and twisted beyond all recognition in a musical stew that is driven by ferocious polyrhythms that never let up, this is an album that sits in an orbit as far from the mainstream Read more ...
Liz Thomson
In one of the award-winning club’s forays from its Camden Town home, Green Note welcomed International Women’s Day with a special one-off concert exploring and celebrating the many ages and stages of being a woman. Three generations of musicians were on stage at North London’s JW3. The youngest, The Rosellas, an a cappella trio who met at school and who are now making quite a name for themselves, before shortly dispersing (temporarily one hopes) across the country to uni.It was a life-affirming evening enjoyed by an audience that included a healthy Read more ...
andy.morgan
Damn exotica. It has a habit of marshalling your gaze away from shabby Soviet-style apartment blocks and training it on white-washed palaces with ornate doors and latticed balconies; away from traffic jams of fume-spouting 4x4s and on to the old water sellers on Kenyatta Road with their bicycles, their brass cups and curious hollers; away from large groups of Russian tourists fresh off gleaming cruise-shipsand on to groups of school kids in blue uniforms and spotless white hijabs; away from the messy compromises of human existence and on to the recognisable certainties of sea and sky, which Read more ...
Owen Richards
As collaborations go, it’s a doozy. Karen O’s signature vocals over Danger Mouse’s production – it was always going to pique interest. And Lux Prima does much to meet expectations, gorgeous cinematic soundscapes that flit between haunting and defiant. At its best, its damn near mesmerising. But for those expecting a genre-defying, structure-blowing new horizon, it falls just short.Of course, those parameters are wholly unfair to judge an album, but it was hard not expect something ground-breaking after the titular lead single “Lux Prima”. Clocking in over nine minutes, a synth groove Read more ...