New music
Adam Sweeting
Perhaps as a hopeful harbinger for Paul Simon's new album Stranger to Stranger, Disturbed recently topped Billboard's Mainstream Rock Songs chart with their flabbergasting version of Simon's 1965 song "The Sound of Silence". However, while vocalist David Draiman could launch a career as a new kind of Wagnerian baritone on the strength of his extraordinary performance, Simon himself is headed in a less stentorian direction. Stranger to Stranger is his 13th solo studio album, finds him reuniting yet again with his old production buddy Roy Halee, and successfully manages to blend together Read more ...
Thomas H. Green
News just in that the vinyl soundtrack to Star Wars: The Force Awakens will feature holograms that can seen as the record is played, if a light is shone upon it. It seems that every month there’s a similarly bizarre development in the many ways that vinyl is returning to the public eye. It’s now commonplace for Graham Norton to introduce the musical guests on his TV show by waving about a vinyl copy of their new album, something unthinkable even a year ago.Here at theartsdesk on Vinyl, however, while we would certainly welcome a holographic Star Wars OST or, indeed, Graham Norton for tea, we Read more ...
joe.muggs
In 2016, grime is facing a new test of its ability to operate on its own terms. At the start of this decade the genre was flirting with major label crossover that resulted in a few great pop records, but all too often diluted its musical impact or left its stars stuck in contractual or “artist development” limbo. Other urban genres pushed it aside, and it was no longer the only game in town for inner city youth.By stages, though, it reasserted itself. Around 2012-13, its instrumental side became respected as a serious force within clubland, and the Butterz organisation proved that it was Read more ...
Kieron Tyler
“We’ve been visiting libraries on this tour and it’s a lot of fun learning people still read.” The words of The Burning Hell’s main man Mathias Kom before launching into “Give Up” stress he and his band are not typical rock‘n’rollers. “Give Up” itself is the rollicking song-story of a call-centre worker who goes to a library, finds inspiration in Herman Melville and then meets a mysterious woman who rings in. She gives him a poster of a kitten captioned “Never Give Up”. In the song’s pay off, Kom’s protagonist declares “when the going gets tough, I give up.”Canada’s Burning Hell don’t Read more ...
Thomas H. Green
There’s been wave after wave of successful acoustic singer-songwriters this century, whimpering so-and-sos from David Gray onwards, through Damien Rice, Newton Faulkner, James Blunt, Ed Sheeran, and on and on and on. Every year sees a new heap of them dumped on the public like bowls of flea eggs. Meanwhile, and here’s the real point, one of the genre’s giants remains relatively unheard. Malcolm Middleton’s dourly humorous, existential albums are studded with gems of heartache, wry gloom and inspired observation. Unfortunately, after five of them, he closed up shop in 2009. Until now.Middleton Read more ...
Thomas H. Green
Of all the nostalgia-fests, of all the retro events, those that involve rave culture have the wildest sense of glee. The atmosphere in the Dome tonight, before a note has even been played – just as when The Prodigy hit this city last year – dials the anticipation levels up to delirious. The crowd is mostly fortysomething and fiftysomething, but many are already dancing as the hall fills, while Peter Hook, ex of New Order, spins quarter century-old dance tunes that once graced the speakers of the long-closed, now-mythical Mancunian club mecca, The Haçienda.From the grins, ecstatic gurns and Read more ...
Adam Sweeting
It was in the long-ago year of 1982 that Martin Fry and ABC released The Lexicon of Love, a feast of addictively lush pop-soul swathed in Anne Dudley's orchestrations and producer Trevor Horn's sparkling electronic innovations. Fry bestrode it like a knowing nouveau-glam mastermind, treading in the ironic footsteps of Bryan Ferry and David Bowie as he effortlessly juggled camp, kitsch and sardonic wit. The album's multi-million-selling success was underpinned by vintage songs like "Poison Arrow", "The Look of Love" and "All of My Heart".Yet all things must pass, and Fry spent much of the Read more ...
Guy Oddy
Transmission fades in with “Metal Box”, a droning minimalist soundscape that evolves with a steadily building pulse that is brooding, cinematic and a tasty hint of things to come. Icy European synths dominate the sonic pallet of Death In Vegas’s sixth album, with Richard Fearless and new collaborator, the artist, writer and former porn actor Sasha Grey, dumping the restraints of guitars and song structure and laying down some enthralling electronic sounds and grooves that make for quite a trip.Transmission’s ambience takes the same cues from JG Ballard’s dystopian visions as sonic pioneers Read more ...
Peter Culshaw
Another of Peter Culshaw’s peripatetic global radio shows. Star of this month's show is the Trinidadian Calypso Queen Calypso Rose, whose new album Far From Home, to be released in July, is given a sneak preview here. Then there is the usual wild, eclectic mix ranging from the latest cool jazz releases to cosmic sounds from Cape Verde, rediscovered Prog from Brazil, country blues and deep new African grooves. And Peter Sellers. Enjoy. LISTEN TO THE SHOW BY CLICKING HERE Tracklist:Leave Me Alone - Calypso RoseHareton Salvanini - Eu Hoje Acordei Com A Luz Do Read more ...
Kieron Tyler
“Over the horizon they come; the anniversaries; joyous, arduous, remorseless.” The opening words of Stuart Maconie’s fine, nuanced essay in the book accompanying this 20th-anniversary reissue of Manic Street Preachers’ fourth album acknowledge the inescapable fact that today’s heritage rock industry is indeed largely about anniversaries and their close cousin the reunion. Bands tour to air one of their past albums in track-by-track order. Others reform to run through their catalogue of 20, 30 years ago. These living jukeboxes seek to revitalise music that was frozen in time, so kept fresh Read more ...
Matthew Wright
Beth Orton is generally filed under folktronica, but neither the label, nor the pigeonhole, do such a restless musician any favours. After a gradual transition from the gauzy electronic sound of her 1990s albums towards a more acoustic set-up, this latest outing – which follows her move to California, and emerged from what Orton has described as an intense process of discovery – draws on an intriguing array of electronic effects. But this is not a return to where she started: it shows that Orton has been listening with new ears, as it were, to what the electronic can offer, and is striking Read more ...
Nick Hasted
Brighton Festival’s guest director speaks in a sort of rapid-fire drawl, ideal for her debut as a stand-up comic, which she claims was tonight’s Plan A. This half-century veteran of performance art is more slippery than that, proffering a discursive, unreliable, funny and profound master-class in shaggy-dog philosophy, with the festival’s theme of home at its arguable core.The hit single “O Superman” was Laurie Anderson’s vital calling-card to pop culture, her marriage to Lou Reed a brief downtown New York art nirvana, addressed elsewhere in the festival. But the life she zigzags through Read more ...