Brahms
David Nice
Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/her/their generation”. From my side, I’m allowed to use it occasionally: surely Timothy Ridout is the finest viola-player of his generation, and last night he struck sparks off four other artists at the top of their game: violinists Maria Włoszczowska and Tim Crawford, fellow viola-player Ting-Ru Lai and cellist Tim PosnerWith any other musicians, I might have regretted not checking the programme carefully before I went: the Mozart string Read more ...
graham.rickson
Brahms arr. Reger: Song Transcriptions Rudolf Buchbinder (piano) (Deutsche Grammophon)Max Reger said that, for him, “the Brahms fog will remain – I prefer it to the blazing heat of Wagner.” This collection of twenty-eight song transcriptions for solo piano played by 77-year old Austrian national monument Rudolf Buchbinder, is indeed a quiet, gentle way into that “Brahms fog”, quite the opposite approach route that one might remember from the pianist’s big-boned, large-scale recordings of the two Piano Concertos. Reger wrote four books of song transcriptions between 1906 and Read more ...
graham.rickson
William Steinberg: Complete Command Classics Recordings (DG)It’s hard to find a bad word said against conductor William Steinberg, cited by one critic as combining the best attributes of Toscanini and Klemperer. Born in Cologne in 1899, Steinberg served briefly as Klemperer’s assistant, his burgeoning operatic career halted when the Nazis took power in 1933; one anecdote describes brownshirts marching into a Steinberg rehearsal and snatching the baton from his hands before evicting him. Emigration in 1936 took Steinberg to Palestine to help establish the Palestine Symphony Orchestra, Read more ...
David Nice
Successful performances, conductor Robin Ticciati once suggested to me, are when “the head has a conversation with the heart”. The same goes, surely, for great music, though from personal experience one has to reach a certain age to find that true of Brahms. Last night Igor Levit seemed to favour the head, occasionally missing, for me, that very elusive something at the heart of Brahms’s late piano pieces.There can be no question of his magisterial oversight, though, or of how well 20 pieces in four consecutive opus numbers work in sequence. It was clear, for instance, how turbulence in one Read more ...
stephen.walsh
There were a lot of horns on display in the BBC NOW’s latest concert in Cardiff’s Hoddinott Hall. Brahms’s Second Symphony has four of them, and so does the Elegy for Brahms that Parry wrote on hearing of Brahms’s death in 1897. Gavin Higgins’s Horn Concerto, whose world premiere formed the programme’s centrepiece, has no less than five.It was a horny concert, in the nicest sense, but even in that other sense that nice people don’t mention, such is Brahms at his most – shall we say – virile.Higgins is himself a horn-player, so his concerto is not just a passing commission but clearly Read more ...
graham.rickson
LICHT: 800 Years of German Lieder Anna Lucia Richter (mezzo-soprano), Ammiel Bushakevitz (hurdy gurdy, harpsichord, clavichord, fortepiano, piano) (SWR2/Challenge Classics)LICHT, 800 Years of German Lieder, from Anna Lucia Richter and Ammiel Bushakevitz does exactly what it says on the tin. Chronologically, the album’s eclectic programme takes us all the way from early 11th century Gregorian chant (it’s actually the final track, to make the story “run full circle”) to a song by Wolfgang Rihm published as recently as 2008. And on the way, it stops off to pay visits to (...wait for it Read more ...
Boyd Tonkin
The German composer Detlev Glanert, taught by Hans Werner Henze and a past collaborator with Oliver Knussen, received a Proms commission as far back as 1996. He remains, it might be fair to say, a shadowy presence here despite his prominence back home.Yesterday he came to the Barbican to hear Semyon Bychkov and the BBC Symphony Orchestra give the UK premiere of his Prague Symphony, commissioned by the conductor for the Czech Philharmonic and first performed in the city late last year. Although, after the interval, Bychkov followed up with a big-boned and open-hearted reading of Brahms’s Read more ...
Robert Beale
Ben Gernon’s relationship with the BBC Philharmonic has been a richly rewarding one over the close-on seven years since his appointment as their principal guest conductor began, and indeed subsequently. The impression gained on his first Bridgewater Hall concert with them back in 2017 – that one of his instincts is to give an orchestra what it needs and then let the players do what they do best – was again clear in this programme of popular repertoire works which he took over from an indisposed Mark Wigglesworth.And as a brass player himself by background, he takes some care over the Read more ...
David Nice
To master even one of Brahms’s three early sonatas is a colossal task for any pianist. To play them all with towering authority in a single concert takes a phenomenon. Elisabeth Leonskaja seems just that more than ever in her late 70s; not only is there no loss of the epic stops she can pull out in the most tumultuous music, but for all her poise, she’s also still willing to embrace the craziness and iconoclasm of the 20-year-old composer as if the works were written yesterday.All this, too, from memory, like another septuagenarian pianist, Idil Biret, when I last saw her. Leonskaja's first Read more ...
graham.rickson
Otto Klemperer: The Warner Classics Remastered Edition (Warner Classics)The young Otto Klemperer’s conducting career was encouraged by no less than Gustav Mahler, Klemperer’s meteoric rise leading him to become director of Berlin’s Kroll Opera from 1927 to 1931. The first two CDs in this set comprise recordings made during his tenure there; dim mono sound aside, these fiery readings of Wagner, Brahms and Strauss defy their age. The following decades saw the conductor faced with exile in Los Angeles and range of physical and personal catastrophes, including brief imprisonment. Do listen Read more ...
graham.rickson
Isata Kanneh-Mason: Childhood Tales (Decca)Ernst von Dohnányi’s Variations on a Nursery Song is one of the great concertante works for piano and orchestra, rightly compared to a full-scale concerto by soloist Isata Kanneh-Mason. You’ll struggle to hear a live performance though in the UK, though; hopefully this high-profile release will give the work a leg up. My favourite joke comes at the very start, with Dohnányi’s portentous, brilliantly scored intro dragging us into the depths before a naïve, familiar tune enters as if nothing untoward has happened. This big-hearted piece is Read more ...
Christopher Lambton
From the outset, it was clear that this would be a performance of immaculate sonic architecture. Over a soft, deep, and breathy organ pedal the first utterings of the strings sounded tentative, almost improvised, like an artist making the first daubs on a vast empty canvas.Likewise the chorus entry on "Selig sind", at the same time both hesitant and mysterious, yet perfectly controlled. In keeping with his reputation, there was no doubt that conductor Maxim Emelyanychev knew exactly what he wished to achieve with this performance of Brahms’ A German Requiem with the Scottish Chamber Orchestra Read more ...