Doctor Who
Lisa-Marie Ferla
Well, wasn't that fantastic? Three Doctors; guest appearances from just about every fan favourite you could think of and enough in-jokes to satisfy even the most committed Whovian. Plus, anybody whose interests incorporate the musical career of one John Barrowman certainly wouldn’t have been disappointed.I’m talking, of course, about The Five(ish) Doctors Reboot, a half-hour Red Button special written and directed by fifth Doctor Peter Davison. This little treat, intended to reward those of us with the dedication to sit through the truly terrible Doctor Who Live: The Afterparty on BBC Three, Read more ...
Lisa-Marie Ferla
Of all the ways in which the BBC has chosen to mark the 50th anniversary of one of its most celebrated exports, surely this (other than the obvious) was the most anticipated: a feature-length retelling of the origin story of Doctor Who, written and executive produced by some of the same names behind the show’s current run. And, from the way in which Mark Gatiss told the story, what it took to get the show on air was as dramatic and full of unlikely events as those fictional stories - which is why the nit-pickers would do well to remember the opening disclaimer that you cannot rewrite history Read more ...
Lisa-Marie Ferla
Today’s special preview of the impending 50th anniversary episode of Doctor Who finally filled in some of what happened in the gap between Paul McGann’s 1996 made-for-TV movie and the show’s 2005 televisual regeneration (Big Finish audios notwithstanding, obviously). So it was appropriate that today’s other Who-related event, a one-off tie-in documentary fronted by Professor Brian Cox, began by doing its best to bridge the gap between its presenter’s time in 90s dance-pop band D:Ream and his own unlikely regeneration as one of TV science’s most famous personalities.There are plenty of aspects Read more ...
Lisa-Marie Ferla
Ever since Steven Moffat made the transition from fan favourite writer to showrunner, certain storytelling tricks in Doctor Who have become increasingly frequent. I can’t have been the only one who groaned at the short prequel to The Bells of St John, the first of eight new episodes to air before the summer, when it appeared online last week. In a two-and-a-half minute scene, the Doctor (Matt Smith) meets a little girl who is revealed to be new companion Clara Oswald (Jenna-Louise Coleman). It could only have been more of an homage to Smith’s first appearance proper, The Eleventh Hour, if the Read more ...
Lisa-Marie Ferla
As everybody but the most casual of viewers knows, the titular character in a certain long-running BBC sci-fi series is not “Doctor Who” but merely “The Doctor”. Yet Steven Moffat - showrunner and second most talented writer to come out of Paisley - seems to be having a bit of a love affair with those two words. As the credits roll on Asylum of the Daleks it’s those two words that echo from, well, whatever every Dalek uses to speak; their kind having forgotten the man they called their Predator thanks to a well-timed piece of computer hackery the likes of Julian Assange would kill for.As an Read more ...
Kieron Tyler
Next time you glance up at the stars, spare a thought for your Christmas tree. It’s probably topped by a star, but some of those in the sky might just be the spirit of the tree itself. By helping free the spirits of the trees in a forest, the Doctor transported the symbols of Christmas into an adventure that only he could have instigated. The combination of Christmas, the World War Two setting, Matt Smith’s vitality and a family uncertain of their future ensured this nostalgic fantasy was an instant seasonal classic.The war is ongoing and Christmas is almost here. Madge Arwell comes across a Read more ...
Adam Sweeting
The return of Russell T Davies’s second most famous creation arrives coated with a transatlantic sheen, courtesy of an injection of co-production money from the USA’s Starz cable network (home of Spartacus and Camelot). Happily, this has not obliterated the homegrown roots of the Doctor Who spin-off, since this opener cut fearlessly between portentous action scenes at CIA headquarters and a judicial execution in Kentucky to Cardiff city centre and expanses of rugged Welsh coastline, where Gwen Cooper (Eve Myles) was trying to live an anonymous post-Torchwood existence with her Read more ...
Adam Sweeting
Crikey, no gongs whatsoever for ITV1's Downton Abbey, but you can't grumble about Sherlock lifting the Best Drama Series award at last night's Baftas. Steven Moffat and Mark Gatiss's ingenious update of Conan Doyle for BBC One was one of 2010's telly highlights, and you might have thought it would have earned the Leading Actor award for Benedict Cumberbatch. But no, that one went not to Cumberbatch, nor to Matt Smith for Doctor Who (BBC One) nor Jim Broadbent for Any Human Heart (Channel 4), but to Daniel Rigby (pictured below) for his portrayal of Eric Morecambe in BBC Two's Eric and Ernie. Read more ...
hilary.whitney
Christopher Eccleston’s performances have a raw-boned, visceral quality which makes him a sometimes unsettling - but always compelling - actor to watch. Since his big break in the harrowing Let Him Have It (1991), playing Derek Bentley who at 19 was the last man to be hanged in Britain, Eccleston has played Hamlet at the West Yorkshire Playhouse and worked alongside some of Hollywood’s biggest names including Kate Winslet (Jude, 1996), Cate Blanchett (Elizabeth, 1998) and Nicole Kidman (The Others, 2001).However, his best work has undoubtedly been reserved for the small screen. He is, of Read more ...
josh.spero
Is there a televisual instruction manual for Nazi-era dramas? Cabaret singers with heavily kohled eyes, champagne from unmatched glasses in a shabby-chic apartment, smoke-filled gay bars in cellars with muscled trade, Stormtroopers marching in lockstep and Nazi banners unfurling from windows would all be on it. If there is, Christopher and His Kind last night was following it - but then it also wrote it.Christopher Isherwood is responsible as much as anyone for our perceptions of the period, but after decades of cinematic and theatrical adornments and encounters in this mode, a production of Read more ...
theartsdesk
To most the music will be more familiar than the name. Geoffrey Burgon, who has died, devoted only a minor portion of his career to composing for television.He also wrote for piano, for trumpet (which he studied at Guildhall School of Music and Drama), for guitar quartet and all manner of chamber group. In 1991 he composed an operatic version of Dickens's Hard Times. Above all he composed for choirs - most notably his Requiem for the Three Choirs Festival in 1976.From the sublime he was quite happy to accept commissions with a more ridiculous flavour, among them Monty Python's The Meaning of Read more ...
Adam Sweeting
The Doctor Who crew are fond of their encounters with historical characters. In his time, and let's face it he has infinite supplies of it, the Doc has rubbed shoulders with Shakespeare, Charles Dickens and Agatha Christie, and recently weathered the Blitz with Winston Churchill. For this one, "Vincent and the Doctor", le Docteur voyaged back to 19th-century Provence to straighten out a puzzling temporal kink.While visiting the Van Gogh exhibition at the Musée d'Orsay in Paris, where art historian Dr Black (Bill Nighy) was holding forth about the marvels of the tormented Dutch genius, the Read more ...